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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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Reviews Ghosts of War is a movie starring Brenton Thwaites, Theo Rossi, and Kyle Gallner. Five American soldiers assigned to hold a French Chateau near the end of World War II. This unexpected respite quickly descends into madness when they

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Ghosts of war release date. Ghosts of war reaction. I see Theo James, I click. 😂. Ghosts of war steve watkins. Cemetery scene comes after the stadium concert view. that's what I call a perfect video, very well done dude. Anyone who's watched more than four or five movies has almost certainly encountered bitter disappointment with an ending. It's common enough that one has to be braced for that outcome with every movie one watches. You know, just in case. GHOSTS OF WAR raises the phenomenon of the bad ending to a religious experience. You know, the one where you shriek "oh God I'm in hell! out loud.
The much rarer, even unique, experience that GHOSTS OF WAR provides the viewer is that of seeing a movie that has been sailing along rather well suddenly decide, apparently from instant onset dementia, to commit storytelling suicide in the most grisly manner possible right at the end. It was literally astonishing to see. It was as bad as "and he woke up and it was all a dream" but carried to such an astounding extreme that your mind almost refuses to accept it while you're seeing it unfold in front of you. From moment to moment, just as you repeatedly think "NOW this can't possibly get any worse" it DOES.
For the first hour and twelve minutes, GHOSTS OF WAR is a middling acceptable horror/ghost movie. It has its share of faults and foibles, as does even the best horror/ghost movie, which is apparently the nature of the genre as far as I can tell, but all in all it's reasonably well crafted, has excellent production values, and features a handful of namebrand, well-established actors. I might not describe its build quality as excellent, but it's at least very good.
It's World War II and a small handful of soldiers, about five or so as I recall, are dispatched to relieve another small group of soldiers who are babysitting a good sized rural mansion that had been used by the Nazis as a field headquarters. In a bit of foreshadowing, the group of soldiers they are relieving practically run out of the building when our group arrives, departing so rapidly one of them even leaves a personal rucksack behind.
Since we know it's a horror/ghost picture to begin with set in a building that's intrinsically creepy from top to bottom with lots of odd bits in evidence that could easily be ghost-spoor, it's not long before the paranormal fertilizer hits the ventilator.
The setting is not unique in the genre, of course. Given the stupefying bloodiness of World War II, the widespread sociopathic insanity of the Nazis, the Nazi obsession with the occult, the made-for-a-potboiler level of advancement of the Nazi experimental weaponry, and so on, the whole World War II/Nazi "thang" is hyper-ripe soil for any plot line having to do with supernatural horror. And so, as you might expect, the number of Nazi oriented horror pictures became uncountable decades ago. The fact that GHOSTS OF WAR excavated from this particular mine is not a bad thing. It would be hard to argue that the vein isn't endless.
And so here's the movie, sailing along, dropping satisfying horror tropes left and right (people being dragged along by invisible hands, haunting scenes of misery and torture being played out over and over in proper paranormal style, bangings and clangings and a large smorgasbord of inexplicable and terrifying sounds, etc.) when suddenly the whole thing detonates with the grace of a pig that swallowed a hand grenade.
So it doesn't just have a bad ending, you get to see a pretty darn good movie, in the blink of an eye, just abruptly impale itself on the punji stick of unforgivably bad writing. In my experience, that's not something you see every day. You kind of expect movies that weren't very good from the beginning to have bad endings in keeping with the rest of the movie. It's a whole 'nother thing to see a movie that was doing fine suddenly slam into the ground without warning.
I would describe the ending to you but for two reasons.
Firstly, it would be like watching a movie that suddenly flings a scene involving coprophilia at you; it was an unpleasant shock to begin with, you didn't want to see it the first time, now you can't un-see it, and you sure as heck don't want to write a description of it.
Secondly, if you're the type of person who likes watching train wrecks, and you would have to be to want to see this movie, a written description is just going to spoil the fun for you anyway. Go watch it yourself.

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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The emergence of streaming media has caused the fall of many DVD rental companies such as Blockbuster. In July 2019, an article from the New York Times published an article about Netflix DVD, No Manches Frida 2s. It was stated that Netflix was continuing their DVD No. No Frida 2s with 5.3 million customers, which was a significant decrease from the previous year. On the other hand, their streaming, No Manches Frida 2s, has 65 million members. In a March 2019 study that assessed “The Impact of movies of Streaming on Traditional DVD Movie Rentals” it was found that respondents did not buy DVD movies nearly as much, if ever, because streaming had taken over the market.

So we get more space adventures, more original story material and more about what will make this 21st MCU movie different from the previous 20 MCU films.

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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The primary translation used in creating this collection of quotations was that of Charles E. Wilbour. So long as ignorance and misery remain on earth, books like this cannot be useless. See also: Les Misérables (the theatrical musical by Boublil and Schonberg) Preface [ edit] Tant qu’il existera, par le fait des lois et des mœurs, une damnation sociale créant artificiellement, en pleine civilisation, des enfers, et compliquant d’une fatalité humaine la destinée qui est divine; tant que les trois problèmes du siècle, la dégradation de l’homme par le prolétariat, la déchéance de la femme par la faim, l’atrophie de l’enfant par la nuit, ne seront pas résolus; tant que, dans de certaines régions, l’asphyxie sociale sera possible; en d’autres termes, et à un point de vue plus étendu encore, tant qu’il y aura sur la terre ignorance et misère, des livres de la nature de celui-ci pourront ne pas être inutiles. So long as there shall exist, by reason of law and custom, a social condemnation, which, in the face of civilisation, artificially creates hells on earth, and complicates a destiny that is divine, with human fatality; so long as the three problems of the age — the degradation of man by poverty, the ruin of woman by starvation, and the dwarfing of childhood by physical and spiritual night — are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a yet more extended point of view, so long as ignorance and misery remain on earth, books like this cannot be useless. Volume One: FANTINE [ edit] Book I - An Upright Man [ edit] Vrai ou faux, ce qu’on dit des hommes tient souvent autant de place dans leur vie et souvent dans leur destinée que ce qu’ils font. Be it true or false, what is said about men often has as much influence upon their lives, and especially upon their destinies, as what they do. Chapter I: M. Myriel Sire, dit M. Myriel, vous regardez un bonhomme, et moi je regarde un grand homme. Chacun de nous peut profiter. Sire, said M. Myriel, you behold a good man, and I a great man. May each of us profit by it. M. Myriel to Napoleon Il y a beaucoup de bouches qui parlent et fort peu de têtes qui pensent. There are many tongues to talk, and but few heads to think. Voilà monsieur Géborand qui achète pour un sou de paradis. See Monsieur Geborand, buying a pennyworth of paradise. Chapter IV: Works Answer Words Voilà les hypocrisies effarées qui se dépêchent de protester. How frightened hypocrisy hastens to defend itself. Cette âme est pleine d'ombre, le péché s'y commet. Le coupable n'est pas celui qui y fait le péché, mais celui qui y a fait l'ombre. If the soul is left in darkness, sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness. D’ailleurs qui est-ce qui atteint son idéal? But who ever does attain to his ideal? Chapter VI: How He Protected His House Je ne suis pas au monde pour garder ma vie, mais pour garder les âmes. I am not in the world to care for my life, but for souls. Chapter VII: Cravatte M. Myriel in disregarding dangers to his life. "Let us never fear robbers nor murderers. Those are dangers from without, petty dangers. Let us fear ourselves. Prejudices are the real robbers; vices are the real murderers. The great dangers lie within ourselves. What matters it what threatens our head or our purse! Let us think only of that which threatens our soul. " Personne ne pourrait dire que le passage de cet esprit devant le sien et le reflet de cette grande conscience sur la sienne ne fût pas pour quelque chose dans son approche de la perfection. No one could say that the passage of that soul before his own, and the reflection of that grand conscience upon his own had not had its effect upon his approach to perfection. Chapter X: The Bishop in the presence of an Unknown Light Le général... avait poursuivi l’empereur comme quelqu’un qu’on veut laisser échapper. The general... pursued the emperor as if he wished to let him escape. Chapter XI: A Qualification Book II - The Fall [ edit] You have promised me to become an honest man. I am purchasing your soul, I withdraw it from the spirit of perversity and I give it to God Almighty. Jean Valjean était entré au bagne sanglotant et frémissant; il en sortit impassible. Il y était entré désespéré; il en sortit sombre. Que s’était-il passé dans cette âme? Jean Valjean entered the galleys sobbing and shuddering: he went out hardened; he entered in despair: he went out sullen. What had happened within this soul? Chapter VI: Jean Valjean Ainsi, pendant ces dix-neuf ans de torture et d’esclavage, cette âme monta et tomba en même temps. Il y entra de la lumière d’un côté et des ténèbres de l’autre. Thus, during those nineteen years of torture and slavery, did this soul rise and fall at the same time. Light entered on the one side, and darkness on the other. Chapter VII: The Depths of Despair Le propre des peines de cette nature, dans lesquelles domine ce qui est impitoyable, c’est-à-dire ce qui est abrutissant, c’est de transformer peu à peu, par une sorte de transfiguration stupide, un homme en une bête fauve, quelquefois en une bête féroce. The peculiarity of punishment of this kind, in which what is pitiless, that is to say, what is brutalizing, predominates, is to transform little be little, by a slow stupefactions, a man into an animal, sometimes into a wild beast. Le point de départ comme le point d’arrivée de toutes ses pensées était la haine de la loi humaine; cette haine qui, si elle n’est arrêtée dans son développement par quelque incident providentiel, devient, dans un temps donné, la haine de la société, puis la haine du genre humain, puis la haine de la création, et se traduit par un vague et incessant et brutal désir de nuire, n’importe à qui, à un être vivant quelconque. The beginning as well as then end of all his thoughts was hatred of human law; that hatred which, if it be not checked in its growth by some providential event, becomes, in a certain time, hatred of society, then hatred of the human race, and then hatred of creation, and reveals itself by a vague, brutal desire to injure some living being, it matters not who. La nuit n’était pas très obscure; c’était une pleine lune sur laquelle couraient de larges nuées chassées par le vent. Cela faisait au dehors des alternatives d’ombre et de clarté, des éclipses, puis des éclaircies, et au dedans une sorte de crépuscule. Ce crépuscule, suffisant pour qu’on pût se guider, intermittent à cause des nuages, ressemblait à l’espèce de lividité qui tombe d’un soupirail de cave devant lequel vont et viennent des passants. The night was not very dark; there was a full moon, across which large clouds were driving before the wind. This produced alternations of light and shade, out-of-doors eclipses and illuminations, and in-doors a kind of twilight. This twilight, enough to enable him to find his way, changing with the passing clouds, resembled that sort of livid light which falls through the window of a dungeon before which men are passing. Chapter X: The Man Awakes Depuis près d’une demi-heure un grand nuage couvrait le ciel. Au moment où Jean Valjean s’arrêta en face du lit, ce nuage se déchira, comme s’il l’eût fait exprès, et un rayon de lune, traversant la longue fenêtre, vint éclairer subitement le visage pâle de l’évêque... Toute sa face s’illuminait d’une vague expression de satisfaction, d’espérance et de béatitude. C’était plus qu’un sourire et presque un rayonnement. Il y avait sur son front l’inexprimable réverbération d’une lumière qu’on ne voyait pas. For nearly a half hour a great cloud had darkened the sky. At the moment when Jean Valjean paused before the bed the cloud broke as if purposely, and a ray of moonlight crossing the high window, suddenly lighted up the bishop’s pale face…His entire countenance was lit up with a vague expression of content, hope, and happiness. It was more than a smile and almost a radiance. On his forehead rested the indescribable reflection of an unseen light. Chapter XI: What He Does Jusque-là il avait reçue avec assez d’adresse tout entière sur le dos de sa main. Cette fois la pièce de quarante sous lui échappa, et vint rouler vers la broussaille jusqu’à Jean Valjean. Until this time he had skillfully caught the whole of them upon the back of his hand. This time the forty-sous coin got away from him, and rolled towards the thicket, near Jean Valjean. Chapter XIII: Petit Gervais Il se roidissait contre l’action angélique et contre les douces paroles du vieillard. "Vous m’avez promis de devenir honnête homme. Je vous achète votre âme. Je la retire à l’esprit de perversité et je la donne au bon Dieu. " Cela lui revenait sans cesse. Il opposait à cette indulgence céleste l’orgueil, qui est en nous comme la forteresse du mal. Il sentait indistinctement que le pardon de ce prêtre était le plus grand assaut et la plus formidable attaque dont il eût encore été ébranlé; que son endurcissement serait définitif s’il résistait à cette clémence; que, s’il cédait, il faudrait renoncer à cette haine dont les actions des autres hommes avaient rempli son âme pendant tant d’années, et qui lui plaisait; que cette fois il fallait vaincre ou être vaincu, et que la lutte, une lutte colossale et définitive, était engagée entre sa méchanceté à lui et la bonté de cet homme. He set himself stubbornly in opposition to the angelic deeds and the gentle words of the old man, "you have promised me to become an honest man. I am purchasing your soul, I withdraw it from the spirit of perversity and I give it to God Almighty. " This came back to him incessantly. To this celestial tenderness, he opposed pride, which is the fortress of evil in man. He felt dimly that the pardon of the priest was the hardest assault, and the most formidable attack which he had yet sustained; that the hardness of heart would be complete, if it resisted this kindness; that if he yielded, he must renounce that hatred with which he found satisfaction; that, this time, he must conquer or be conquered, and that the struggle, a gigantic and decisive struggle, had begun between his own wickedness, and the goodness of man. Une voix lui disait-elle à l’oreille qu’il venait de traverser l’heure solennelle de sa destinée, qu’il n’y avait plus de milieu pour lui, que si désormais il n’était pas le meilleur des hommes il en serait le pire. Did a voice whisper in his ear that he had just passed through the decisive hour of his destiny, that there was no longer a middle course for him, that if, thereafter, he should not be the best of men, he would be the worst. Pendant qu’il pleurait, le jour se faisait de plus en plus dans son cerveau, un jour extraordinaire, un jour ravissant et terrible à la fois... Tout cela lui revint et lui apparut, clairement, mais dans une clarté qu’il n’avait jamais vue jusque-là... Cependant un jour doux était sur cette vie et sur cette âme. Il lui semblait qu’il voyait Satan à la lumière du paradis. While he wept, the light grew brighter and brighter in his mind — an extraordinary light, a light at once ravishing and terrible... all returned and appeared to him, clearly, but in a light that he had never seen before... There was, however, a softened light upon that life and upon that soul. It seemed to him that he was looking upon Satan by the light of Paradise. Book III - The Year 1817 [ edit] Propos de table et propos d’amour; les uns sont aussi insaisissables que les autres; les propos d’amour sont des nuées, les propos de table sont des fumées. Table talk and lovers' talk equally elude the grasp; lovers' talk is clouds, table talk is smoke. Chapter VI: A Chapter of Self-Admiration Une discussion est bonne... une querelle vaut mieux. A discussion is good... a quarrel is better. Chapter VIII: Death of a Horse Book IV - To Entrust is Sometimes to Abandon [ edit] She would have softened a heart of granite; but you cannot soften a heart of wood. Ces êtres appartenaient à cette classe bâtarde composée de gens grossiers parvenus et de gens intelligents déchus, qui est entre la classe dite moyenne et la classe dite inférieure, et qui combine quelques-uns des défauts de la seconde avec presque tous les vices de la première, sans avoir le généreux élan de l’ouvrier ni l’ordre honnête du bourgeois. They belonged to that bastard class formed of low people who has risen, and intelligent people who have fallen, which lies between the classes called middle and lower, and which unites some of the faults of the latter with nearly all the vices of the former, without possessing the generous impulses of the workman, or the respectability of the bourgeois. Chapter II: First Sketch of Two Equivocal Faces Said of the Thenardiers Elle y noyait ce qu’elle avait de cervelle. She drowned what little brain she had in them. Said about Madame Thenardier and her reading of cheap novels Il ne suffit pas d’être méchant pour prospérer. La gargote allait mal. To be wicked does not insure prosperity — for the inn did not succeed well. Chapter III: The Lark About the Thenardier's Inn Book V - The Descent [ edit] Un bon maire, c’est utile. Est-ce qu’on recule devant du bien qu’on peut faire? A good mayor is a good thing. Are you afraid of the good you can do? Chapter II: Madeleine Said by an old woman to Father Madeleine, urging him to run for mayor. Le suprême bonheur de la vie, c’est la conviction qu’on est aimé. The supreme happiness of life is the conviction that we are loved. Chapter IV: M. Madeleine in Mourning Il n’y a rien de tel pour épier les actions des gens que ceux qu’elles ne regardent pas. For prying into any human affairs, none are equal to those whom it does not concern. Chapter VIII: Madame Victurnien Spends Thirty Francs on Morality C’est une erreur de s’imaginer qu’on épuise le sort et qu’on touche le fond de quoi que ce soit. Hélas! qu’est-ce que toutes ces destinées ainsi poussées pêle-mêle? où vont-elles? pourquoi sont-elles ainsi? Celui qui sait cela voit toute l’ombre. Il est seul. Il s’appelle Dieu. It is a mistake to imagine that man can exhaust his destiny, or can reach the bottom of anything whatever. Alas! what are all these destinies thus driven pell-mell? whither go they? why are they so? He who knows that, sees all the shadow. He is alone. His name is God. Chapter XI: Christus Nos Liberavit Elle eût attendri un cœur de granit, mais on n’attendrit pas un cœur de bois. Chapter XIII: Solution of Some Questions of Municipal Police Of Fantine and Javert La grande douleur est un rayon divin et terrible qui transfigure les misérables. Great grief is a divine and terrible radiance which transfigures the wretched. Chapter XIII: The Solution of Some Questions connected with the Municipal Police Book VII - The Champmathieu Affair [ edit] Faire le poème de la conscience humaine, ne fût-ce qu’à propos d’un seul homme, ne fût-ce qu’à propos du plus infime des hommes, ce serait fondre toutes les épopées dans une épopée supérieure et définitive. To write the poem of the human conscience, were it only of a single man, were it only of the most infamous of men, would be to swallow up all epics in a superior and final epic. Chapter III: A Tempest in a Brain On n’empêche pas plus la pensée de revenir à une idée que la mer de revenir à un rivage. Pour le matelot, cela s’appelle la marée; pour le coupable, cela s’appelle le remords. One can no more prevent the mind from returning to an idea than the sea from returning to a shore. In the case of the sailor, this is called a tide; in the case of the guilty, it is called remorse. Les bleuets sont bleus, les roses sont roses. Violets are blue. Roses are red. Chapter VI: Sister Simplice Put to the Proof Quand on l’avait jugé, Dieu était absent. When he was tried, God was not there. Chapter IX: A Place for Arriving at Convictions Vous êtes bien malins de me dire où je suis né. Moi, je l’ignore. Tout le monde n’a pas des maisons pour y venir au monde. Ce serait trop commode. You must be very sharp to tell me where I was born. I don't know myself. Everybody can't have houses to be born in; that would be too handy. Chapter X: The System of Denegations Book VIII - The Counter-Stroke [ edit] Heureusement Dieu sait où retrouver l’âme. Happily, God knows where to find her soul. Chapter V: A Fitting Tomb Volume Two: COSETTE [ edit] Book I - Waterloo [ edit] Napoléon... immense somnambule de ce rêve écroulé. Napoleon... mighty somnambulist of a vanished dream. Chapter XIII: The Catastrophe Waterloo est une bataille du premier ordre gagnée par un capitaine du second. Waterloo is a battle of the first rank won by a captain of the second. Chapter XVI: Quot Libras in Duce? Voulez-vous vous rendre compte de ce que c’est que la révolution, appelez-la Progrès; et voulez-vous vous rendre compte de ce que c’est que le progrès, appelez-le Demain. Would you realize what Revolution is, call it Progress; and would you realize what Progress is, call it Tomorrow. Chapter XVII: Is Waterloo to be considered Good? Qu’importe à l’infini? What is that to the Infinite? Chapter XVIII: A Recrudescence of Divine Right Book II - The Ship Orion [ edit] Sur un signe affirmatif de l’officier, il avait rompu d’un coup de marteau la chaîne rivée à la manille de son pied, puis il avait pris une corde, et il s’était élancé dans les haubans. Personne ne remarqua en cet instant-là avec quelle facilité cette chaîne fut brisée. Ce ne fut que plus tard qu’on s’en souvint. A sign of assent being given, with one blow of a hammer he broke the chain riveted to the iron ring at his ankle, then took a rope in his hand, and flung himself into the shrouds. Nobody, at the moment, noticed with what ease the chain was broken. It was only some time afterwards that anybody remembered it. Chapter III: The Chain Of The Iron Ring Must Needs Have Undergone A Certain Preparation To Be Thus Broken By One Blow Of The Hammer Book III - Fulfillment of the Promise to the Departed [ edit] He caught glimpses of everything, but saw nothing. Il entrevoyait tout, et ne voyait rien. Chapter IX: Thenardier Maneuvering Book V - A Dark Chase Requires a Silent Hound [ edit] Cherché, oui; suivi, non. Sought for, he might be, but followed he was not. Chapter II: It is Fortunate that Vehicles Can Cross the Bridge of Austerlitz Jean Valjean avait cela de particulier qu’on pouvait dire qu’il portait deux besaces; dans l’une il avait les pensées d’un saint, dans l’autre les redoutables talents d’un forçat. Il fouillait dans l’une ou dans l’autre, selon l’occasion. Jean Valjean had this peculiarity, that he might be said to carry two knapsacks; in one he had the thoughts of a saint, in the other the formidable talents of a convict. He helped himself from one or the other as occasion required. Chapter V: Which would be Impossible were the Streets Lighted with Gas. Certes, en cet instant-là, si Jean Valjean avait eu un royaume, il l’eût donné pour une corde. Truly at that instant, if Jean Valjean had had a kingdom, he would have given it for a rope. Les fortes sottises sont souvent faites, comme les grosses cordes, d’une multitude de brins. Great blunders are often made, like large ropes, of a multitude of fibers. Chapter X: In Which it is explained how Javert lost the Game Book VI - Petite Picpus [ edit] Sur le premier gobelet on lisait cette inscription: vin de singe, sur le deuxième: vin de lion, sur le troisième: vin de mouton, sur le quatrième: vin de cochon. Ces quatre légendes exprimaient les quatre degrés que descend l’ivrogne; la première ivresse, celle qui égaye; la deuxième, celle qui irrite; la troisième, celle qui hébète; la dernière enfin, celle qui abrutit. Upon the first goblet he read this inscription, monkey wine; upon the second, lion wine; upon the third, sheep wine; upon the fourth, swine wine. These four inscriptions expressed the four descending degrees of drunkenness: the first, that which enlivens; the second, that which irritates; the third, that which stupefies; finally the last, that which brutalizes. Chapter IX: A Century under a Guimpe Nous ne comprenons pas tout, mais nous n’insultons rien. We do not comprehend everything, but we insult nothing. Chapter XI: End of the Petit Picpus Motto of the convent Petit Picpus Il est nécessaire de les connaître, ne fût-ce que pour les éviter. It is necessary to understand them, were it only to avoid them. On the study of "the things which are no more" Book VII - A Parenthesis [ edit] Chapter VIII - Faith - Law [ edit] Nous blâmons l’Église quand elle est saturée d’intrigue, nous méprisons le spirituel âpre au temporel; mais nous honorons partout l’homme pensif. We blame the Church when it is saturated with intrigues; we despise the spiritual when it is harshly austere to the temporal; but we honour everywhere the thoughtful man. Nous saluons qui s’agenouille. We bow to the man who kneels. Une foi; c’est là pour l’homme le nécessaire. Malheur à qui ne croit rien! A faith is a necessity to man. Woe to him who believes nothing. On n’est pas inoccupé parce qu’on est absorbé. Il y a le labeur visible et le labeur invisible. A man is not idle, because he is absorbed in thought. There is a visible labour and there is an invisible labour. Contempler, c’est labourer; penser, c’est agir. Les bras croisés travaillent, les mains jointes font. Le regard au ciel est une œuvre. To meditate is to labour; to think is to act. Folded arms work, closed hands perform, a gaze fixed on heaven is a toil. Thalès resta quatre ans immobile. Il fonda la philosophie. Thales remained motionless for four years. He founded philosophy. Pour nous les cénobites ne sont pas des oisifs, et les solitaires ne sont pas des fainéants. In our eyes, cenobites are not idlers, nor is the recluse a sluggard. Songer à l’Ombre est une chose sérieuse. To think of the Gloom is a serious thing. Sans rien infirmer de ce que nous venons de dire, nous croyons qu’un perpétuel souvenir du tombeau convient aux vivants. Sur ce point le prêtre et le philosophe sont d’accord. Il faut mourir. Without at all invalidating what we have just said, we believe that a perpetual remembrance of the tomb is proper for the living. On this point, the priest and the philosopher agree: We must die. Mêler à sa vie une certaine présence du sépulcre, c’est la loi du sage; et c’est la loi de l’ascète. Sous ce rapport l’ascète et le sage convergent. To mingle with one's life a certain presence of the sepulchre is the law of the wise man, and it is the law of the ascetic. In this relation, the ascetic and the sage tend towards a common centre. Il y a la croissance matérielle; nous la voulons. Il y a aussi la grandeur morale; nous y tenons. There is a material advancement; we desire it. There is, also, a moral grandeur; we hold fast to it. Les esprits irréfléchis et rapides disent: — À quoi bon ces figures immobiles du côté du mystère? À quoi servent-elles? qu’est-ce qu’elles font? Hélas! en présence de l’obscurité qui nous environne et qui nous attend, ne sachant pas ce que la dispersion immense fera de nous, nous répondons: Il n’y a pas d’œuvre plus sublime peut-être que celle que font ces âmes. Et nous ajoutons: Il n’y a peut-être pas de travail plus utile. Unreflecting, headlong minds say: "Of what use are those motionless figures by the side of mystery? What purpose do they serve? What do they effect? " Alas! in the presence of that obscurity which surrounds us and awaits us, not knowing what the vast dispersion of all things will do with us, we answer: There is, perhaps, no work more sublime than that which is accomplished by these souls; and we add, There is no labour, perhaps, more useful. Il faut bien ceux qui prient toujours pour ceux qui ne prient jamais. Pour nous, toute la question est dans la quantité de pensée qui se mêle à la prière. Leibniz priant, cela est grand; Voltaire adorant, cela est beau. Deo erexit Voltaire. Those who pray always are necessary to those who never pray. In our view, the whole question is in the amount of thought that is mingled with prayer. Leibnitz, praying, is something grand; Voltaire, worshipping, is something beautiful. Deo erexit Voltaire. Nous sommes pour la religion contre les religions. We are for religion against the religions. Nous sommes de ceux qui croient à la misère des oraisons et à la sublimité de la prière. We are of those who believe in the pitifulness of orisons, and in the sublimity of prayer. Book VIII - Cemeteries Take What is Given Them [ edit] Impossible! dit-il. Père Fauchelevent, mettez que je suis tombé de là-haut. "Impossible, " he said. "Father Fauchelevent, let it go that I fell from on high. " Chapter I: Which Treat of the Manner of Entering the Convent N’être pas écouté, ce n’est pas une raison pour se taire. Not being heard is no reason for silence. Celui qui s’évade ne tousse pas et n’éternue pas. He who is escaping never coughs and never sneezes. Chapter IV: In Which Jean Valjean has Quite the Appearance of Having Read Austin Castillejo Ce conscrit était chez lui, occupé à chercher sa carte, et bien empêché de la trouver dans son logis puisqu’elle était dans la poche de Fauchelevent. That recruit was at home, hunting up his "card, " and rather unlikely he was to find it, as it was in Fauchelevent's pocket. Chapter VII: In Which will be Found the Origin of the Saying: Don't Lose Your Card Personne ne garde un secret comme un enfant. No one ever keeps a secret so well as a child. Chapter VIII: Successful Examination Le rire, c’est le soleil; il chasse l’hiver du visage humain. Laughter is sunshine; it chases winter from the human face. Chapter IX: The Close Volume Three: MARIUS [ edit] The father of a woman that we love is never a stranger to us. Marius felt proud of this unknown man. Book I - Paris Atomised [ edit] Donnez à un être l’inutile et ôtez-lui le nécessaire, vous aurez le gamin. Give to a being the useless, and deprive him of the needful, and you have the gamin. Chapter III: He is Agreeable Ce vil sable que vous foulez aux pieds, qu’on le jette dans la fournaise, qu’il y fonde et qu’il y bouillonne, il deviendra cristal splendide, et c’est grâce à lui que Galilée et Newton découvriront les astres. This lowly sand which you trample beneath your feet, if you cast it into the furnace, and let it melt and seethe, shall become resplendent crystal, and by means of such as it a Galileo and a Newton shall discover stars. Chapter XII: The Future Latent In the People About the lower classes of France Book II - The Grand Bourgeois [ edit] Ce frère... se croyait obligé de faire l’aumône aux pauvres qu’il rencontrait, mais il ne leur donnait jamais que des monnerons ou des sous démonétisés, trouvant ainsi moyen d’aller en enfer par le chemin du paradis. This brother... felt obliged to give alms to the poor whom he met, but never gave them anything more than coppers or worn-out sous, finding thus the means of going to Hell by the road to Paradise. Chapter VI: In Which We See La Magnon and Her Two Little Ones Toutes deux avaient des ailes, l’une comme un ange, l’autre comme une oie. Both had wings, one like angel, the other like a goose. Chapter VIII: Two Do Not Make a Pair About two sisters Book III - The Grandfather and the Grandson [ edit] Il n’allait nulle part qu’à la condition d’y dominer. He went nowhere save on condition of ruling there. Chapter I: An Old Salon On M. Gillenormand, Grandfather of Marius Un voleur y est admis, pourvu qu’il soit dieu. A thief is admitted, provided he be a lord. Les années finissent par faire autour d’une tête un échevellement vénérable. Years place at last a venerable crown upon a head. Je ne sais point si c’est moi qui n’entends plus le français, ou si c’est vous qui ne le parlez plus, mais le fait est que je ne comprends pas. I do not know whether it is that I no longer understand French, or you no longer speak it; but the fact is I do not understand you. Chapter II: One of the Red Spectres of that Time George Pontmercy's response to his being told he could no longer wear a medal that he had earned fighting in Bonaparte's army Monsieur le procureur du roi, m’est-il permis de porter ma balafre? Monsieur procurer du roi, am I allowed to wear my scar? En deux jours le colonel avait été enterré, et en trois jours oublié. In two days the colonel had been buried, and in three days forgotten. Chapter IV: The End of the Brigand Il était plein de regrets, et de remords, et il songeait avec désespoir que tout ce qu’il avait dans l’âme, il ne pouvait plus le dire maintenant qu’à un tombeau! He was full of regret and remorse, and he thought with despair that all he had in his soul he could say now only to a tomb. Chapter VI: What It Is to have Met a Churchwarden Marius vit en Bonaparte le spectre éblouissant qui se dressera toujours sur la frontière et qui gardera l’avenir. Despote, mais dictateur; despote résultant d’une République et résumant une révolution. Napoléon devint pour lui l’homme-peuple comme Jésus est l’homme-Dieu. On le voit, à la façon de tous les nouveaux venus dans une religion, sa conversion l’enivrait, il se précipitait dans l’adhésion et il allait trop loin. Sa nature était ainsi: une fois sur une pente, il lui était presque impossible d’enrayer. Le fanatisme pour l’épée le gagnait et compliquait dans son esprit l’enthousiasme pour l’idée. Il ne s’apercevait point qu’avec le génie, et pêle-mêle, il admirait la force, c’est-à-dire qu’il installait dans les deux compartiments de son idolâtrie, d’un côté ce qui est divin, de l’autre ce qui est brutal. À plusieurs égards, il s’était mis à se tromper autrement. Il admettait tout. Il y a une manière de rencontrer l’erreur en allant à la vérité. Il avait une sorte de bonne foi violente qui prenait tout en bloc. Dans la voie nouvelle où il était entré, en jugeant les torts de l’ancien régime comme en mesurant la gloire de Napoléon, il négligeait les circonstances atténuantes. Marius saw in Bonaparte the flashing spectre which will always rise upon the frontier, and which will guard the future. Despot, but dictator; despot resulting from a republic and summing up a revolution. Napoleon became to him the people-man as Jesus is the God-man. We see, like all new converts to a religion, his conversion intoxicated him, he plunged headlong into adhesion, and he went too far. His nature was such; once upon a descent it was almost impossible for him to hold back. Fanaticism for the sword took possession of him, and became complicated in his mind with enthusiasm for the idea. He did not perceive that along with genius, and indiscriminately, he was admiring force, that is to say that he was installing in the two compartments of his idolatry, on one side what is divine, and on the other what is brutal. In several respects he began to deceive himself in other matters. He admitted everything. There is a way of meeting error while on the road of truth. He had a sort of willful implicit faith which swallowed everything in mass. On the new path upon which he had entered, in judging the crimes of the ancient regime as well as in measuring the glory of Napoleon, he neglected the attenuating circumstances. Ne pas voir les gens, cela permet de leur supposer toutes les perfections. Not seeing people permits us to imagine in them every perfection. Chapter VII: Some Petticoat Mon père... c’était un homme humble et héroïque qui a glorieusement servi la République et la France, qui a été grand dans la plus grande histoire que les hommes aient jamais faite, qui a vécu un quart de siècle au bivouac, le jour sous la mitraille et sous les balles, la nuit dans la neige, dans la boue, sous la pluie, qui a pris deux drapeaux, qui a reçu vingt blessures, qui est mort dans l’oubli et dans l’abandon, et qui n’a jamais eu qu’un tort, c’est de trop aimer deux ingrats, son pays et moi! My father... was a humble and heroic man, who served the republic and France gloriously, who was great in the greatest history that men have made, who lived a quarter of a century in the camp, by day under grape and under balls, by night in the snow, in the mud, and in the rain, who captured colours, who received twenty wounds, who died forgotten and abandoned, and who had but one fault; that was in loving too dearly two ingrates, his country and me. Chapter VIII: Marble Against Granite Book IV - The Friends of the A B C [ edit] A fire would cause a dawn, undoubtedly, but why not wait for the break of day? Il ne semblait pas savoir qu’il y eût sur la terre un être appelé la femme. He did not seem to know that there was on the earth a being called woman. Chapter I: A Group Which Almost Became Historic About Enjolras Un incendie peut faire une aurore sans doute, mais pourquoi ne pas attendre le lever du jour? Sa spécialité était de ne réussir à rien. Par contre, il riait de tout... Il était pauvre, mais son gousset de bonne humeur était inépuisable. Il arrivait vite à son dernier sou, jamais à son dernier éclat de rire. Quand l’adversité entrait chez lui, il saluait cordialement cette ancienne connaissance, il tapait sur le ventre aux catastrophes; il était familier avec la Fatalité au point de l’appeler par son petit nom. His specialty was to succeed in nothing... He was poor, but his fund of good humor was inexhaustible. He soon reached the last sou but never the last burst of laughter. When met by adversity, he saluted that acquaintance cordially, he patted catastrophes on the back; he was so familiar with fatality as to call it by its nick-name. About L'Aigle [the eagle] aka Lesgueules, Lesgle, or Bossuet C’est dommage que je sois un ignorant, car je vous citerais une foule de choses; mais je ne sais rien. It is a pity that I am ignorant, for I would quote you a crowd of things, but I don't know anything. Chapter IV: The Back Room of the Cafe Musain Grantaire speaking of himself Ce sera avaler une langue bien vite ou une pièce de cent sous bien lentement. That will be swallowing a language very rapidly or a hundred-sous piece very slowly. Chapter VI: Res Angusta Marius must learn German and English to get a job: he only has a hundred sous left and states that this money will last until he learns the languages. His friend, Courfeyrac, remarks that either he will learn fast, or spend slow. Book V - The Excellence of Misfortune [ edit] Voulant toujours être en deuil, il se vêtissait de la nuit. Desiring always to be in mourning, he clothed himself with night. Chapter I: Marius Needy Ses créanciers l’avaient cherché aussi, avec moins d’amour que Marius, mais avec autant d’acharnement, et n’avaient pu mettre la main sur lui. His creditors had sought for him, also, with less love than Marius but with as much zeal, and had not been able to put their hands on him. Chapter II: Marius Poor Marius is looking for Thenardier because he believes his father's life had been saved by Thenardier. Il se gardait fort d’être inutile; avoir des livres ne l’empêchait pas de lire, être botaniste ne l’empêchait pas d’être jardinier. He took good care not to be useless; having books did not prevent him from reading, being a botanist did not prevent him from being a gardener. Chapter IV: M. Mabeuf Il allait à la messe plutôt par douceur que par dévotion, et puis parce qu’aimant le visage des hommes, mais haïssant leur bruit, il ne les trouvait qu’à l’église réunis et silencieux. He went to mass rather from good-feeling than from devotion, and because he loved the faces of men, but hated their noise and he found them, at church only, gathered together and silent. Il n’avait jamais réussi à aimer aucune femme autant qu’un oignon de tulipe ou aucun homme autant qu’un elzevir. Finally, he had never succeeded in loving any woman as much as a tulip bulb, or any man as much as an Elzevir. Une horloge ne s’arrête pas court au moment précis où l’on en perd la clef. A clock does not stop at the very moment you lose the key. Il avait fini par ne plus guère regarder que le ciel, seule chose que la vérité puisse voir du fond de son puits. He had finally come hardly to look at nothing but the sky, the only thing that truth can see from the bottom of her well. Chapter V: Poverty A Good Neighbor of Misery On jugerait bien plus sûrement un homme d’après ce qu’il rêve que d’après ce qu’il pense. We should judge a man much more surely from what he dreams than from what he thinks. Book VI - The Conjunction of Two Stars [ edit] Je viens de rencontrer le chapeau neuf et l’habit neuf de Marius et Marius dedans. Il allait sans doute passer un examen. Il avait l’air tout bête. I have just met Marius' new hat and coat, with Marius inside. Probably he was going to an examination. He looked stupid enough. Chapter IV: Commencement of a Great Distemper Courfeyrac about Marius Book VII - Patron Minette [ edit] Babet était maigre et savant. Il était transparent, mais impénétrable. On voyait le jour à travers les os, mais rien à travers la prunelle. Babet was thin and shrewd. He was transparent, but impenetrable. You could see the light through his bones, but nothing through his eye. Chapter III: Babet, Gueulemer, Claquesous, and Montparnasse Babet is a bandit Book VIII - The Noxious Poor [ edit] Pauvres mères! pensa-t-il. Il y a une chose plus triste que de voir ses enfants mourir; c’est de les voir mal vivre. Poor mothers, he thought. There is one thing sadder than to see their children die — to see them lead evil lives. Chapter II: A Waif Ils sont rares, ceux qui sont tombés sans être dégradés; d’ailleurs il y a un point où les infortunés et les infâmes se mêlent et se confondent dans un seul mot, mot fatal, les misérables. Those are rare who fall without becoming degraded; there is a point, moreover, at which the unfortunate and the infamous are associated and confounded in a single word, a fatal word, Les Misérables. Chapter V: The Judas of Providence Vous parlez là comme un homme brave et comme un homme honnête. Le courage ne craint pas le crime, et l’honnêteté ne craint pas l’autorité. You speak now like a brave man and an honest man. Courage does not fear crime, and honesty does not fear authority. Chapter XIV: In Which a Police Officer Gives a Lawyer Two Fisticuffs Javert speaking to Marius Bossuet! s’écria Courfeyrac, aigle de Meaux! vous êtes une prodigieuse brute. Suivre un homme qui suit un homme! "Bossuet! " Courfeyrac exclaimed. "Eagle of Meaux! you are a prodigious fool. Follow a man who is following a man! " Chapter XV: Jondrette Makes his Purchase Le bouge ainsi éclairé ressemblait plutôt à une forge qu’à une bouche de l’enfer, mais Jondrette, à cette lueur, avait plutôt l’air d’un démon que d’un forgeron. The room thus lighted up seemed rather a smithy than the mouth of hell; but Jondrette, in that glare, had rather the appearance of a demon than of a blacksmith. Chapter XVII: Use of Marius' Five-Franc Piece "Jondrette" is Thenardier Chapter XX - The Ambuscade [ edit] Ce vieillard, si ferme et si brave devant un tel danger, semblait être de ces natures qui sont courageuses comme elles sont bonnes, aisément et simplement. Le père d’une femme qu’on aime n’est jamais un étranger pour nous. Marius se sentit fier de cet inconnu. This old man, so firm and so brave before so great a peril, seemed to be one of those natures who are courageous as they are good, simply and naturally. The father of a woman that we love is never a stranger to us. Marius felt proud of this unknown man. Je ne m’appelle pas Fabantou, je ne m’appelle pas Jondrette, je me nomme Thénardier! je suis l’aubergiste de Montfermeil! entendez-vous bien? Thénardier! Maintenant me reconnaissez-vous? My name is not Fabantou, my name is not Jondrette, my name is Thenardier! I am the innkeeper of Montfermeil! do you understand me? Thenardier! now do you know me? Au moment où Jondrette avait dit: Je me nomme Thénardier, Marius avait tremblé de tous ses membres et s’était appuyé au mur comme s’il eût senti le froid d’une lame d’épée à travers son cœur. When Jondrette had said: My name is Thenardier, Marius had trembled in every limb, and supported himself against the wall as if he had felt the chill of a sword-blade through his heart. Pardon, monsieur, répondit M. Leblanc avec un accent de politesse qui avait en un pareil moment quelque chose d’étrange et de puissant, je vois que vous êtes un bandit. "Pardon me, monsieur, " answered M. Leblanc, with a tone of politeness which, at such a moment, had a peculiarly strange and powerful effect, "I see that you are a bandit. " "M. Leblanc" is Valjean Le prisonnier n’était plus attaché au lit que par une jambe. Avant que les sept hommes eussent eu le temps de se reconnaître et de s’élancer, lui s’était penché sous la cheminée, avait étendu la main vers le réchaud, puis s’était redressé, et maintenant Thénardier, la Thénardier et les bandits, refoulés par le saisissement au fond du bouge, le regardaient avec stupeur élevant au-dessus de sa tête le ciseau rouge d’où tombait une lueur sinistre, presque libre et dans une attitude formidable. The prisoner was no longer fastened to the bed save by one leg. Before the seven men had had time to recover themselves and spring upon him, he had bent over to the fireplace, reached his hand towards the furnace, then rose up, and now Thenardier, the Thenardiess, and the bandits, thrown by the shock into the back part of the room, beheld him with stupefaction, holding above his head the glowing chisel, from which fell an ominous light, almost free and in a formidable attitude. Vous êtes des malheureux, mais ma vie ne vaut pas la peine d’être tant défendue. Quant à vous imaginer que vous me feriez parler, que vous me feriez écrire ce que je ne veux pas écrire, que vous me feriez dire ce que je ne veux pas dire… Il releva la manche de son bras gauche et ajouta: — Tenez. En même temps il tendit son bras et posa sur la chair nue le ciseau ardent qu’il tenait dans sa main droite par le manche de bois. On entendit le frémissement de la chair brûlée, l’odeur propre aux chambres de torture se répandit dans le taudis. Marius chancela éperdu d’horreur, les brigands eux-mêmes eurent un frisson, le visage de l’étrange vieillard se contracta à peine, et, tandis que le fer rouge s’enfonçait dans la plaie fumante, impassible et presque auguste, il attachait sur Thénardier son beau regard sans haine où la souffrance s’évanouissait dans une majesté sereine. "You are pitiable, but my life is not worth the trouble of so long a defence. As to your imagining that you could make me speak, that you could make me write what I do not wish to write, that you could make me say what I do not wish to say —" He pulled up the sleeve of his left arm, and added: "Here. " At the same time he extended his arm, and laid upon the naked flesh the glowing chisel, which he held in his right hand, by the wooden handle. They heard the hissing of the burning flesh; the odour peculiar to chambers of torture spread through the den. Marius staggered, lost in horror; the brigands themselves felt a shudder; the face of the wonderful old man hardly contracted, and while the red iron was sinking into the smoking, impassable, and almost august wound, he turned upon Thenardier his fine face, in which there was no hatred, and in which suffering was swallowed up in a serene majesty. Volume Four: ST. DENIS [ edit] Full title: Saint Denis and Idyl of the Rue Plumet Book I - A Few Pages of History [ edit] La logique ignore l’à peu près; absolument comme le soleil ignore la chandelle. Logic ignores the Almost, just as the sun ignores the candle. Chapter II: Badly Sewed Prospérité sociale, cela veut dire l’homme heureux, le citoyen libre, la nation grande. Social prosperity means man happy, the citizen free, the nation great. Chapter IV: Cracks beneath the Foundation Book II - Eponine [ edit] Rien n’est plus dangereux que le travail discontinué; c’est une habitude qui s’en va. Habitude facile à quitter, difficile à reprendre. Nothing is more dangerous than discontinued labor; it is habit lost. A habit easy to abandon, difficult to resume. Chapter I: The Field of the Lark La pensée est le labeur de l’intelligence, la rêverie en est la volupté. Thought is the labor of the intellect, reverie is its pleasure. Heureux, même dans les angoisses, celui à qui Dieu a donné une âme digne de l’amour et du malheur! Qui n’a pas vu les choses de ce monde et le cœur des hommes à cette double lumière n’a rien vu de vrai et ne sait rien. Happy, even in anguish, is he to whom God has given a soul worthy of love and of grief! He who has not seen the things of this world, and the hearts of men by this double light, has seen nothing, and know nothing of the truth. Non, répondit-elle, je suis le diable, mais ça m’est égal. No. I am the devil, but that is all the same to me. Chapter III: An Apparition to Father Mabeuf Eponine responding to F. Mabeuf, who had just said to her "you are an angel, since you care for flowers. " Book III - The House in the Rue Plumet [ edit] En 93, un chaudronnier avait acheté la maison pour la démolir, mais n’ayant pu en payer le prix, la nation le mit en faillite. De sorte que ce fut la maison qui démolit le chaudronnier. In '93, a coppersmith bought the house to pull it down, but not being able to pay the price for it, the nation sent him into bankruptcy. So that it was the house that pulled down the coppersmith. Chapter I: The Secret House Où finit le télescope, le microscope commence. Lequel des deux a la vue la plus grande? Where the telescope ends, the microscope begins. Which of the two has the grander view? Chapter III: Requiescant Il se disait qu’il n’avait vraiment pas assez souffert pour mériter un si radieux bonheur, et il remerciait Dieu, dans les profondeurs de son âme, d’avoir permis qu’il fût ainsi aimé, lui misérable, par cet être innocent. He said to himself that he really had not suffered enough to deserve such radiant happiness, and he thanked God, in the depths of his soul, for having permitted that he, a miserable man, should be so loved by this innocent being. Chapter IV: Change of Grating Valjean about Cosette Les femmes jouent avec leur beauté comme les enfants avec leur couteau. Elles s’y blessent. Women play with their beauty as children do with their knives. They wound themselves with it. Chapter VI: The Battle Commences Le premier symptôme de l’amour vrai chez un jeune homme, c’est la timidité, chez une jeune fille, c’est la hardiesse. The first symptom of true love in a young man is timidity; in a young girl it is boldness. Chapter VI: The Battle Commences. Trans. Isabel Hapgood. Dante eût cru voir les sept cercles de l’enfer en marche. Dante would have thought he saw the seven circles of Hell on their passage. Chapter VIII: The Chain Valjean and Cosette watch a procession of seven wagons of men who are condemned to the galleys pass by Book IV - Aid from Below May be Aid from Above [ edit] Un soir le petit Gavroche n’avait point mangé; il se souvint qu’il n’avait pas non plus dîné la veille; cela devenait fatigant. Il prit la résolution d’essayer de souper. One evening little Gavroche had had no dinner; he remembered that he had had no dinner also the day before; this was becoming tiresome. He resolved that he would try for some supper. Chapter II: Mother Plutarch is not Embarrassed on the Explanation of a Phenomenon Book V - An End Unlike the Beginning [ edit] You who suffer because you love, love still more. To die of love is to live by it. Love! A dark and starry transfiguration is mingled with that torment. There is ecstacy in the agony. Chapter IV: A Heart Beneath A Stone Book VI - Little Gavroche [ edit] Le plus terrible des motifs et la plus indiscutable des réponses: Parce que. The most terrible of motives and the most unanswerable of responses: Because. Chapter I: A Malevolent Trick of the Wind. Le barbier, dans sa boutique chauffée d’un bon poêle, rasait une pratique et jetait de temps en temps un regard de côté à cet ennemi, à ce gamin gelé et effronté qui avait les deux mains dans ses poches, mais l’esprit évidemment hors du fourreau. The barber in his shop, warmed by a good stove, was shaving a customer and casting from time to time a look towards this enemy, this frozen and brazen gamin, who had both hands in his pockets, but his wits evidently out of their sheath. Chapter II: In Which Little Gavroche Takes Advantage of Napoleon the Great. Le bureau est fermé, dit Gavroche, je ne reçois plus de plaintes. "The bureau is closed, " said Gavroche. "I receive no more complaints. " Said by Gavroche to someone who complained when Gavroche splashed his polished boots with mud. À un certain degré de détresse, le pauvre, dans sa stupeur, ne gémit plus du mal et ne remercie plus du bien. At a certain depth of distress, the poor, in their stupor, groan no longer over evil, and are no longer thankful for good. Ah çà! s’écria Gavroche, qu’est-ce que cela signifie? Il repleut! Bon Dieu, si cela continue, je me désabonne. "Ah, " cried Gavroche, "what does this mean? It rains again! Good God, if this continues, I withdraw my subscription. " Gavroche has just given his coat to a girl when the storm starts to worsen. Book VII - Argot [ edit] Les esprits réfléchis usent peu de cette locution: les heureux et les malheureux. Dans ce monde, vestibule d’un autre évidemment, il n’y a pas d’heureux. La vraie division humaine est celle-ci: les lumineux et les ténébreux. Diminuer le nombre des ténébreux, augmenter le nombre des lumineux, voilà le but. C’est pourquoi nous crions: enseignement! science! Thoughtful persons seldom speak of happiness or unhappiness. In this world, which is so plainly the antechamber of another, there are no happy men. The true division of humanity is between those who live in light and those who live in darkness. Our aim must be to diminish the number of the latter and increase the number of the former. That is why we demand education and knowledge. Chapter I: Origin. Norman Denny Ce qu’on peut faire dans un sépulcre, ils agonisaient, et ce qu’on peut faire dans un enfer, ils chantaient. Car où il n’y a plus l’espérance, le chant reste. What can be done in a sepulcher, they agonised, and what can be done in a hell, they sang. For where there is no more hope, song remains. Chapter II: Roots Vous aurez beau faire, vous n’anéantirez pas cet éternel reste du cœur de l’homme, l’amour. The endeavor is vain, you cannot annihilate that eternal relic of the human heart, love. Plaignons, à l’égal des estomacs, les esprits qui ne mangent pas. S’il y a quelque chose de plus poignant qu’un corps agonisant faute de pain, c’est une âme qui meurt de la faim de la lumière. Let us lament as over stomachs, over minds which do not eat. If there is anything more poignant than a body agonising for want of bread, it is a soul which is dying of hunger for light. Chapter IV The Two Duties: To Watch and to Hope Il n’y a qu’une manière de refuser Demain, c’est de mourir. There is but one way of refusing To-morrow, that is to die. Chapter IV: The Two Duties: To Watch and to Hope Faut-il continuer de lever les yeux vers le ciel? le point lumineux qu'on y distingue est-il de ceux qui s'éteignent? L'idéal est effrayant à voir, ainsi perdu dans les profondeurs, petit, isolé, imperceptible, brillant, mais entouré de toutes ces grandes menaces noires monstrueusement amoncelées autour de lui; pourtant pas plus en danger qu'une étoile dans les gueules des nuages. Should we continue to look upwards? Is the light we can see in the sky one of those which will presently be extinguished? The ideal is terrifying to behold, lost as it is in the depths, small, isolated, a pin-point, brilliant but threatened on all sides by the dark forces that surround it: nevertheless, no more in danger than a star in the jaws of the clouds. Book VIII - Enchantments and Desolations [ edit] Le compliment, c'est quelque chose comme le baiser à travers le voile. A compliment is something like a kiss through a veil. Chapter I: Marius, while seeking a Girl in a Bonnet encounters a Man in a Cap Quand on est à la fin de la vie, mourir, cela veut dire partir; quand on est au commencement, partir, cela veut dire mourir. When we are at the end of life, to die means to go away; when we are at the beginning, to go away means to die. Chapter VI: Marius Becomes so Real as to Give Cosette his Address Book IX - Where are They Going? [ edit] Il y a des moments où l’on a une fournaise sous le crâne. Marius était dans un de ces moments-là. There are moments when a man has a furnace in his brain. Marius was in one of those moments. Chapter II: Marius Book X - June 5th, 1832 [ edit] Le vent des révolutions n’est pas maniable. The wind of revolutions is not tractable. Chapter IV: The Ebullitions of Former Times Book XI - The Atom Fraternises with the Hurricane [ edit] Ses frères le soir, son père le matin; voilà quelle avait été sa nuit. His brothers in the evening, his father in the morning; such had been his night. Chapter I: Some Insight into the Origin of Gavroche's Poetry — Influence of an Academician upon that Poetry. In the evening, Gavroche had found food and shelter for two boys without knowing that they were his brothers. Early the next morning he helped in his father's escape from jail and was not even recognized by him. La rue est libre, les pavés sont à tout le monde. The road is free; the streets belong to everybody. Chapter VI: Recruits Book XII - Corinth [ edit] Ce que vous autres appelez le progrès marche par deux moteurs, les hommes et les événements. Mais, chose triste, de temps en temps, l’exceptionnel est nécessaire. Pour les événements comme pour les hommes, la troupe ordinaire ne suffit pas; il faut parmi les hommes des génies, et parmi les événements des révolutions. Les grands accidents sont la loi; l’ordre des choses ne peut s’en passer; et, à voir les apparitions de comètes, on serait tenté de croire que le ciel lui-même a besoin d’acteurs en représentation. Au moment où l’on s’y attend le moins, Dieu placarde un météore sur la muraille du firmament. Quelque étoile bizarre survient, soulignée par une queue énorme. Et cela fait mourir César. Brutus lui donne un coup de couteau, et Dieu un coup de comète. What you fellows call progress moves by two springs, men and events. But sad to say, from time to time the exceptional is necessary. For events as well as for men, the stock company is not enough; geniuses are needed among men, and revolutions among events. Great accidents are the law; the order of things cannot get along without them; and, to see the apparitions of comets, one would be tempted to believe that Heaven itself is in need of star actors. At the moment you least expect it, God placards a meteor on the wall of the firmament. Some strange star comes along, underlined by an enormous tail. And that makes Caesar die. Brutus strikes him with a knife, and God with a comet. Chapter II: Preliminary Gaiety Les grands périls ont cela de beau qu’ils mettent en lumière la fraternité des inconnus. Great perils have this beauty, that they bring to light the fraternity of strangers. Chapter IV: Attempt at Consolation upon the Widow Hucheloup C’est la souris qui a pris le chat. The mouse has caught the cat. Chapter VII: The Man Recruited in the Rue Des Billettes Said by Gavroche to Javert after revealing him to be a police spy Sa vie avait été ténèbres; sa fin fut nuit. His life had been darkness, his end was night. Chapter VIII: Several Interrogation Points Concerning One Le Cabuc, Who Perhaps was Not Le Cabuc Book XIII - Marius Enters the Shadow [ edit] La guerre civile? qu’est-ce à dire? Est-ce qu’il y a une guerre étrangère? Est-ce que toute guerre entre hommes n’est pas la guerre entre frères? La guerre ne se qualifie que par son but. Il n’y a ni guerre étrangère, ni guerre civile; il n’y a que la guerre injuste et la guerre juste. Civil war? What does this mean? Is there any foreign war? Is not every war between men, war between brothers? War is modified only by its aim. There is neither foreign war, nor civil war; there is only unjust war and just war. Chapter III: The Extreme Limit Book XIV - The Grandeurs of Despair [ edit] Marius avait trop peu vécu encore pour savoir que rien n’est plus imminent que l’impossible, et que ce qu’il faut toujours prévoir, c’est l’imprévu. Marius had lived too little as yet to know that nothing is more imminent than the impossible, and that what we must always forsee is the unforseen. Chapter V: End of Jean Prouvaire's Rhyme Tes amis viennent de te fusiller. Your friends have just shot you. Said by Enjolras to Javert after Prouvaire's execution. Book XV - The Rue De L'Homme Armé [ edit] À de certaines heures, tout semble impossible; à d’autres heures, tout paraît aisé; Jean Valjean était dans une de ces bonnes heures. At certain hours, everything seems impossible; at other hours, everything appears easy; Jean Valjean was in one of those happy hours. Chapter I: Blotter, Blabber L’âme ne se rend pas au désespoir sans avoir épuisé toutes les illusions. The soul does not give itself up to despair until it has exhausted all illusions. On prend la charrette pour la République et on laisse l’Auvergnat à la monarchie. We take the cart for the republic and we leave the Auvergnat to the monarchy. Chapter IV: The Excess of Gavroche's Zeal Gavroche, leaving a note about a cart he has stolen for the barricades Vous parlez gentiment. Vrai, on ne vous donnerait pas votre âge. Vous devriez vendre tous vos cheveux cent francs la pièce. Cela vous ferait cinq cents francs. You talk genteelly. Really, nobody would guess your age. You ought to sell all your hairs at a hundred francs apiece. That would make you five hundred francs. Gavroche talking to the National Guard Se sauver par ce qui vous a perdu, c’est là le chef-d’œuvre des hommes forts. To save yourself by means of that which has ruined you is the masterpiece of great men. Volume Five: JEAN VALJEAN [ edit] Book I - The War Between Four Walls [ edit] Jamais on ne me voit avec des habits chamarrés d’or et de pierreries; je laisse ce faux éclat aux âmes mal organisées. Never am I seen with coats bedizened with gold and gems; I leave this false splendour to badly organized minds. Chapter XVI: How Brother Becomes Father Les peuples comme les astres ont le droit d’éclipse. Et tout est bien, pourvu que la lumière revienne et que l’éclipse ne dégénère pas en nuit. Aube et résurrection sont synonymes. La réapparition de la lumière est identique à la persistance du moi. A people, like a star, has the right of eclipse. And all is well, provided the light return and the eclipse does not degenerate into night. Dawn and resurrection are synonyms. The reappearance of the light is identical with the persistence of the Me. Chapter XX: The Dead are Right and the Living are not Wrong Charles E. Wilbour translation (1862) Peoples, like planets, possess the right to an eclipse. And all is well, provided that the light returns and that the eclipse does not degenerate into night. Dawn and resurrection are synonymous. The reappearance of the light is identical with the persistence of the I. Isabel F. Hapgood translation (1887) Nations, like stars, are entitled to eclipse. All is well, provided the light returns and the eclipse does not become endless night. The reappearance of the light is the same as the survival of the soul. Norman Denny translation (1976) A people, like a star, has the right of eclipse. And all is well, provided the light returns and the eclipse does not degenerate into night. The reappearance of the light is identical with the persistence of the self. Lee Fahnestock and Norman MacAfee translation, based upon that of Wilbour. (1987) Hélas! être monté, cela n’empêche pas de tomber. On voit ceci dans l’histoire plus souvent qu’on ne voudrait. Alas! to have risen does not prevent falling. We see this in history oftener than we would wish. Il y a des gens qui observent les règles de l’honneur comme on observe les étoiles, de très loin. There are people who observe the rules of honour as we observe the stars, from afar off. Chapter XXI: The Heroes Les assaillants avaient le nombre; les insurgés avaient la position. Ils étaient au haut d’une muraille, et ils foudroyaient à bout portant les soldats trébuchant dans les morts et les blessés et empêtrés dans l’escarpement. Cette barricade, construite comme elle l’était et admirablement contrebutée, était vraiment une de ces situations où une poignée d’hommes tient en échec une légion. The assailants had the numbers; the insurgents the position. They were on the top of a wall, and they shot down the soldiers at the muzzles of their muskets, as they stumbled over the dead and wounded and became entangled in the escarpment. This barricade, built as it was, and admirably supported, was really one of those positions in which a handful of men hold a legion in check. Les assauts se succédèrent. L’horreur alla grandissant. There was assault after assault. The horror continued to increase. Pour se faire une idée de cette lutte, il faudrait se figurer le feu mis à un tas de courages terribles, et qu’on regarde l’incendie. Ce n’était pas un combat, c’était le dedans d’une fournaise; les bouches y respiraient de la flamme; les visages y étaient extraordinaires, la forme humaine y semblait impossible, les combattants y flamboyaient, et c’était formidable de voir aller et venir dans cette fumée rouge ces salamandres de la mêlée. Les scènes successives et simultanées de cette tuerie grandiose, nous renonçons à les peindre. To form an idea of this struggle, imagine fire applied to a mass of terrible valour, and that you are witnessing the conflagration. It was not a combat, it was the interior of a furnace; there mouths breathed flame; there faces were wonderful. There the human form seemed impossible, the combatants flashed flames, and it was terrible to see going and coming in that lurid smoke these salamanders of the fray. The successive and simultaneous scenes of this grand slaughter, we decline to paint. Que l’un combatte pour son drapeau, et que l’autre combatte pour son idéal, et qu’ils s’imaginent tous les deux combattre pour la patrie; la lutte sera colossale. Let the one fight for his flag, and the other for his ideal, and let them both imagine that they are fighting for the country; the strife will be colossal... On veut mourir pourvu qu’on tue. They are willing to die, provided they kill. Chapter XXII: Foot to Foot Book II - The Intestine of the Leviatha [ edit] La philosophie est le microscope de la pensée. Philosophy is the microscope of thought. Chapter II: Ancient History of the Sewer Book III - Mire, But Soul [ edit] Jean Valjean had fallen from one circle of Hell to another. Jean Valjean était tombé d’un cercle de l’enfer dans l’autre. Chapter I: The Cloaca and its Surprises La pupille se dilate dans la nuit et finit par y trouver du jour, de même que l’âme se dilate dans le malheur et finit par y trouver Dieu. The pupil dilates in the night, and at last finds day in it, even as the soul dilates in misfortune, and at last finds God in it. Quand un homme habillé par l’État poursuit un homme en guenilles, c’est afin d’en faire aussi un homme habillé par l’État. Seulement la couleur est toute la question. Être habillé de bleu, c’est glorieux; être habillé de rouge, c’est désagréable. When a man clad by the state pursues a man in rags, it is in order to make of him also a man clad by the state. Only the colour is the whole question. To be clad in blue is glorious; to be clad in red is disagreeable. Chapter III: The Man Spun Book IX - Supreme Shadow, Supreme Dawn [ edit] Ch. IV - A Bottle Of Ink Which Serves Only To Whiten [ edit] Vous êtes un infâme! vous êtes un menteur, un calomniateur, un scélérat. Vous veniez accuser cet homme, vous l’avez justifié; vous vouliez le perdre, vous n’avez réussi qu’à le glorifier. Et c’est vous qui êtes un voleur! Et c’est vous qui êtes un assassin! Je vous ai vu, Thénardier Jondrette, dans ce bouge du boulevard de l’Hôpital. J’en sais assez sur vous pour vous envoyer au bagne, et plus loin même, si je voulais. You are a wretch! you are a liar, a slanderer, a scoundrel. You came to accuse this man, you have justified him; you wanted to destroy him, you have succeeded only in glorifying him. And it is you who are a robber! and it is you who are an assassin! I saw you Thenardier, Jondrette, in that den on the Boulevard de l'Hopital. I know enough about you to send you to the galleys, and further even, if I wished. Marius to Thenardier Ch. V - Night Behind Which Is Dawn [ edit] Cosette, entends-tu? il en est là! il me demande pardon. Et sais-tu ce qu’il m’a fait, Cosette? Il m’a sauvé la vie. Il a fait plus. Il t’a donnée à moi. Et après m’avoir sauvé et après t’avoir donnée à moi, Cosette, qu’a-t-il fait de lui-même? il s’est sacrifié. Voilà l’homme. Et, à moi l’ingrat, à moi l’oublieux, à moi l’impitoyable, à moi le coupable, il me dit: Merci! Cosette, toute ma vie passée aux pieds de cet homme, ce sera trop peu. Cette barricade, cet égout, cette fournaise, ce cloaque, il a tout traversé pour moi, pour toi, Cosette! Il m’a emporté à travers toutes les morts qu’il écartait de moi et qu’il acceptait pour lui. Tous les courages, toutes les vertus, tous les héroïsmes, toutes les saintetés, il les a! Cosette, cet homme-là, c’est l’ange! Chut! chut! dit tout bas Jean Valjean. Pourquoi dire tout cela? Mais vous! s’écria Marius avec une colère où il y avait de la vénération, pourquoi ne l’avez-vous pas dit? C’est votre faute aussi. Vous sauvez la vie aux gens, et vous le leur cachez! Vous faites plus, sous prétexte de vous démasquer, vous vous calomniez. C’est affreux... La vérité, c’est toute la vérité; et vous ne l’avez pas dite. Vous étiez monsieur Madeleine, pourquoi ne pas l’avoir dit? Vous aviez sauvé Javert, pourquoi ne pas l’avoir dit? Je vous devais la vie, pourquoi ne pas l’avoir dit? Cosette, do you hear? that is the way with him! he begs my pardon, and do you know what he has done for me, Cosette? he has saved my life. He has done more. He has given you to me. And, after having saved me, and after having given you to me, Cosette, what did he do with himself? he sacrificed himself. There is the man. And, to me the ungrateful, to me the forgetful, to me the pitiless, to me the guilty, he says: Thanks! Cosette, my whole life passed at the feet of this man would be too little. That barricade, that sewer, that furnace, that cloaca, he went through everything for me, for you, Cosette! He bore me through death in every form which he put aside from me, and which he accepted for himself. All courage, all virtue, all heroism, all sanctity, he has it all, Cosette, that man is an angel! "Hush! hush! " said Jean Valjean in a whisper. "Why tell all that? " "Why have not you told it? It is your fault, too. You save people's lives, and you hide it from them! You do more, under pretence of unmasking yourself, you calumniate, yourself. It is frightful... The truth is the whole truth; and you did not tell it. You were Monsieur Madeleine, why not have said so? You had saved Javert, why not have said so? I owe my life to you! why not have said so? " Oh oui, défends-moi de mourir. Qui sait? j’obéirai peut-être. J’étais en train de mourir quand vous êtes arrivés. Cela m’a arrêté, il m’a semblé que je renaissais. Oh, yes, forbid me to die. Who knows? I shall obey perhaps. I was just dying when you came. That stopped me, it seemed to me that I was born again. La mort est un bon arrangement. Dieu sait mieux que nous ce qu’il nous faut. Que vous soyez heureux, que monsieur Pontmercy ait Cosette, que la jeunesse épouse le matin, qu’il y ait autour de vous, mes enfants, des lilas et des rossignols, que votre vie soit une belle pelouse avec du soleil, que tous les enchantements du ciel vous remplissent l’âme, et maintenant, moi qui ne suis bon à rien, que je meure, il est sûr que tout cela est bien. Voyez-vous, soyons raisonnables, il n’y a plus rien de possible maintenant, je sens tout à fait que c’est fini. Death is a good arrangement. God knows better than we do what we need. That you are happy, that Monsieur Pontmercy has Cosette, that youth espouses morning, that there are about you, my children, lilacs and nightingales, that your life is a beautiful lawn in the sunshine, that all the enchantments of heaven fill your souls, and now, that I who am good for nothing, that I die; surely all this is well. Look you, be reasonable, there is nothing else possible now, I am sure that it is all over. Ce n’est rien de mourir; c’est affreux de ne pas vivre. It is nothing to die; it is horrible not to live. J’écrivais tout à l’heure à Cosette. Elle trouvera ma lettre. C’est à elle que je lègue les deux chandeliers qui sont sur la cheminée. Ils sont en argent; mais pour moi ils sont en or, ils sont en diamant; ils changent les chandelles qu’on y met, en cierges. Je ne sais pas si celui qui me les a donnés est content de moi làhaut. J’ai fait ce que j’ai pu. I was writing just now to Cosette. She will find my letter. To her I bequeath the two candlesticks which are on the mantel. They are silver; but to me they are gold, they are diamond; they change the candles which are put into them, into consecrated tapers. I do not know whether he who gave them to me is satisfied with me in heaven. I have done what I could. Les forêts où l’on a passé avec son enfant, les arbres où l’on s’est promené, les couvents où l’on s’est caché, les jeux, les bons rires de l’enfance, c’est de l’ombre. Je m’étais imaginé que tout cela m’appartenait. Voilà où était ma bêtise. Ces Thénardier ont été méchants. Il faut leur pardonner. Cosette, voici le moment venu de te dire le nom de ta mère. Elle s’appelait Fantine. Retiens ce nom-là: — Fantine. Mets-toi à genoux toutes les fois que tu le prononceras. Elle a bien souffert. Elle t’a bien aimée. Elle a eu en malheur tout ce que tu as en bonheur. Ce sont les partages de Dieu. Il est là-haut, il nous voit tous, et il sait ce qu’il fait au milieu de ses grandes étoiles. Je vais donc m’en aller, mes enfants. Aimez-vous bien toujours. Il n’y a guère autre chose que cela dans le monde: s’aimer. The forests through which we have passed with our child, the trees under which we have walked, the convents in which we have hidden, the games, the free laughter of childhood, all is in shadow. I imagined that all that belonged to me. There was my folly. Those Thenardiers were wicked. We must forgive them. Cosette, the time has come to tell of your mother. Her name was Fantine. Remember that name: Fantine. Fall on your knees whenever you pronounce it. She suffered much. And loved you much. Her measure of unhappiness was as full as yours of happiness. Such are the distributions of God. He is on high, he sees us all, and he knows what he does in the midst of his great stars. So I am going away, my children. Love each other dearly always. There is scarcely anything else in the world but that: to love one another. La nuit était sans étoiles et profondément obscure. Sans doute, dans l’ombre, quelque ange immense était debout, les ailes déployées, attendant l’âme. The night was starless and very dark. Without doubt, in the gloom some mighty angel was standing, with outstretched wings, awaiting the soul. Chapter VI - Grass Hides And Rain Blots Out [ edit] Cette pierre est toute nue. On n’a songé en la taillant qu’au nécessaire de la tombe, et l’on n’a pris d’autre soin que de faire cette pierre assez longue et assez étroite pour couvrir un homme. On n’y lit aucun nom. This stone is entirely blank. The only thought in cutting it was of the essentials of the grave, and there was no other care than to make this stone long enough and narrow enough to cover a man. No name can be read there. Il dort. Quoique le sort fût pour lui bien étrange, Il vivait. Il mourut quand il n’eut plus son ange, La chose simplement d’elle-même arriva, Comme la nuit se fait lorsque le jour s’en va. He sleeps. Although his fate was very strange, He lived. He died when he had no longer his angel. The thing came to pass simply, Of itself, as the night comes when day is gone. These final lines are a statement once pencilled on the stone of Valjean's grave. The Isabel F. Hapgood translation is here used; the Wilbour edition leaves the verses untranslated. He sleeps; although so much he was denied, He when his dear love left him, died. It happened of itself, in the calm way That in the evening night-time follows day. Norman Denny translation He is asleep. Though his mettle was sorely tried, He lived, and when he lost his angel, died. It happened calmly, on its own, The way night comes when day is done. Lee Fahnestock and Norman MacAfee translation, based on the Charles E. Wilbour translation External links [ edit] Les Misérables at French Wikisource Free eBook of Les Misérables at Project Gutenberg — English translation by Isabel F. Hapgood Hugo Central Les Miserables at Online Literature Cameron Mackintosh: Les Misérables A Resourceful Les Mis Fan Site.

I miserabili free falling. 55:37 as long as you're mine. I miserabili free full size. One thing that kinda bugs me about this otherwise great song: when Helena flirts with that hot guy, one of the things she says about her husband is thinks he's quite the lover, but there's not much there. They changed this line. In most adaptations I've seen, the line is, thinks he's quite the scholar. Idk if they just changed it to fit the scene better, could be, but it kinda bugs me that Helena's character is made really sexy in this adaptation. Idk about you, but I read the book. Otherwise, A+ adaptation. Home Huffington Post THE MUSICAL PHENOMENON.

I miserabili Free full review. I miserabili free full moon. 24, 716 edits | 281 articles | 6 active users Les Misérables is an 1862 French novel by author Victor Hugo that is widely considered one of the greatest novels of the nineteenth century. The popular musical based off of it has been shown in countries all around the world, and is officially the world's longest running musical. This Wiki is all about the wonderful musical and book it is based on! Anyone can edit or create an article, so please feel free to do so and make this Wiki even better! Fantine's Arrest is a song from Les Misérables. It takes part in 1823, Montreuil-sur-Mer. Fantine is arguing with Bamatabois after he threw a snowball at her back when she did Read More... Les Miserables 10th Anniversary (HD) - Javert's Suicide (34 41) Trivia Bahorel is the only one from Les Amis who wasn't featured in the musical. Gueulemer, one of Patron-Minette also was not featured in the musical/movie. Victor Hugo's first attempts at the novel were going to be named "Miseres". The Thénardiers were trying to steal silverware at Marius and Cosette's wedding. Éponine was originally at 'Valjean's Death' because of Marius. Fantine was there for Valjean and Cosette. The famous words encrypted on Valjean's blank grave were "Il dort. Quoique le sort fut pour lui bien étrange, Il vivait. Il mourut quand il n'eut plus son ange. La chose simplement d'elle-meme arriva, Comme la nuit se fait lorsque le jour s'en va. " which translates to "He sleeps. Though fate was quite strange to him. He lived. He died when he no longer had his angel. The thing simply happened itself, as the night makes itself as the day departs. " To write a new article, just enter the title in the box below. Not sure where to start? Struggling with something to edit? Go to the wiki's "to do list". If you are new to wikis, check out the tutorial. Check out Help:Starting this wiki if you're setting up the wiki. Visit the wiki's rules to be familiar with our policies. Adding content Every wiki has two list of articles that need help called "Stubs" and "Wanted Articles". Don't be shy, get in there. Uploading images is another really easy way to help out - see the Special:Upload page! You can find a list of useful templates on Category:Templates, some of which are documented on the templates project page.


“Remaining times coming soon” its two years later WHERE ARE THEY

Eponine breaks my heart. I miserabili free full fight. I miserabili free full episodes. Ladj ly : condamné pour tentative de meurtre... I miserabili free full screen. Les Misérables Introduction It's not easy to put Les Misérables in a nutshell, considering that it's one of the longest novels ever written. But hey! That's our job, so here goes: the novel is about how an ex-con named Jean Valjean tries to live a good life and help the people around him, even while he struggles to escape his criminal past. Along the way, he gets super rich, adopts a child named Cosette, and spends nearly his entire adult life trying to elude a tenacious policeman named Inspector Javert. Plus there's a whole thing about some revolution. And a giant statue of an elephant. And a bunch of French politics. And some rumination of the nature of mercy and justice. And … Okay, you got us. There's practically no way to sum up this massive, gorgeous, breathtaking novel in a nutshell. That's because Les Misérables isn't your everyday ex-con story Published in 1862, it's a platform for Victor Hugo to rant against the injustice that's committed against the poorest and most vulnerable members of modern society. The French Revolution of 1789 was supposed to take care of all that by bringing liberty and equality for all the people of France, but we all know how that ended. (Guillotine. ) Sure, they took care of that pesky monarchy—but only temporarily. The poor continued to starve in the streets and the rich kept getting richer. Victor Hugo couldn't stand the idea that so many people had fought and died for nothing, and he was determined to use art to do what war couldn't – create real social change. By the time you get through this novel, you'll see just how much a society can work against its poorest and most vulnerable members. To be fair, Hugo never says that a poor person can't work their way out of poverty. After all, that's exactly what Jean Valjean does. But Hugo's no Tea Party ancestor. Les Misérables points out that people like Jean Valjean will always be the exception to the rule. The fact that some people can work their way out of poverty doesn't mean we live in a legitimate society, because the vast majority won't. They're the miserable ones of the title—and they're the ones the modern welfare state evolved to protect. Whatever you think about things like social assistance, unemployment insurance, and pensions, Victor Hugo wants you to understand one thing: a safety net might have saved Fantine. What is Les Misérables About and Why Should I Care? Maybe we should start by letting Victor Hugo tell us. In his preface to Les Misérables, the author writes, "[So] long as misery and ignorance remain on earth, books like this cannot be useless. " In other words, we need books like Les Misérables to teach us that we can't go projecting all of our emotional baggage onto other people. Just because we might be cynical doesn't mean that everyone around us is secretly feeling the same way. And just because we've worked hard and had success doesn't mean we can expect everyone else to do the same. And just because some prostitute is shivering and starving in the street doesn't mean she wants to be there. (Duh? Not according to a lot of people in the book. ) In other words, Les Misérables teaches us to have sympathy—which is the opposite of assuming that everyone else is just like you. Instead, sympathy means accepting that people have a different mindset and different circumstances, and maybe even different desires and dreams. We dare you to get all the way through Les Misérables and still feel like there's only one way of looking at the world. (Okay, TBH we dare you to get all the way through, full stop. ) Yes, you can use hard work and innovation to raise yourself up in the world, just like Jean Valjean does, although it helps if some wealthy benefactor gives you a bag full of silver. And yes, there might be some people in the world who will always be selfish and never look out for others (like Thénardier). In between these two extremes, though, are dozens of people who need one simple thing from you: the benefit of the doubt. What we're saying, in other words, is that Hugo has one simple, timeless message for us: Be excellent to each other. Les Misérables Resources WEBSITES All of Les Misérables Free Online Yup. Complete with illustrations, Les Misérables appears on Project Gutenberg in all its glory. The France of Victor Hugo What was the world like in the eyes of Victor Hugo? Why not follow this link and find out? Hugo's Life and Times Here's the fast and furious version of Hugo's background story. Unfortunately, it doesn't include any time in prison. MOVIE OR TV PRODUCTIONS Les Misérables (2012) If you haven't had a chance to see this version (directed by the same dude who did The King's Speech) treat yourself and give it a watch. Just try to ignore Russell Crowe's singing. He's trying, guys. Les Misérables (1998) It needs more song and dance, but it does star Liam Neeson and a 19-year old Claire Danes (you might know her from TV's Homeland). Les Misérables (2000 TV Mini-Series) Hey, Gerard Depardieu is in this thing. Also, it's longer and more in-depth than the movie versions, if that's what you're into. Les Misérables (1978 TV Movie) Yup, it's a made-for-TV movie. But the guy who plays Javert is also the guy who played Norman Bates in Psycho, so that's pretty cool. Les Misérables (1982 Film) This one is French, so it's got that extra soupçon of authenticity. Les Misérables (1935) Of all the film versions, this is probably the oldest one you'll find. ARTICLES AND INTERVIEWS Les Misérables: Victor Hugo's France Planning on a trip to France anytime soon? If so, you'll want to check out this article about all the places Hugo talks about in his novel. Stacking the Deck This article will make a case for why the most important events in Hugo's famous novel all happen toward the end. Deep Thoughts of Les Misérables Here's the place to be for everybody's favorite kind of thoughts… general thoughts. VIDEO Les Misérables 2012 Official Movie Trailer If you're not pumped to watch the 2012 movie yet, this trailer should get you there. The Elephant in the Room You can just tell all hell is going to break loose. And kudos to the director for getting in a reference to the elephant and castle statue. (If you've read the book, you'll remember it). Les Misérables Takes to the Streets These folks in Illinois decided to make Les Misérables come to life in a big way. AUDIO Spice up Your Commute It's hard to imagine someone reading this thing out loud with getting a little hoarse, but someone did. Here's the first part of the Les Misérables audiobook, so get out your earbuds. The Sound of Music Experience the spirit of Les Misérables in musical form. Come on, you know you wan to. "On My Own" Every theatre girl's favorite song: Éponine's conflict, compressed into under three minutes. IMAGES Victor Hugo is Old and Sleepy Yup, he looks like he needs a good snooze. Still Old, Less Sleepy It looks like someone got the poor guy a cup of coffee before posing for this one. A Little Bit Younger Now Since Hugo wasn't born an old bearded man, we thought we'd show you a younger one too.

How ironic. Then, a bunch of left wing who wanted a change sang this against an antique regime goverment. Now, a whole nation who want their antique regime back sing this against a left goverment... I miserabili free full version. I miserabili Free full article on foot. I miserabili free full hd. IM ACTUALLY CRYING AND ITS ONLY A FEW SECONG INTO FIRST SONG. I miserabili free full album. I miserabili free full movie online. I miserabili free full episode. From Wikimedia Commons, the free media repository Jump to navigation Jump to search Les Misérables  1862 Victor Hugo novel Upload media   Wikipedia   Wikiquote   Wikisource Instance of literary work Depicts Battle of Waterloo Genre historical novel Country of origin France Author Victor Hugo Illustrator Émile Bayard Language of work or name French Inception 1845 Publication date 1862 Authority control   Q180736 VIAF ID: 199740584 GND ID: 4139746-0 Library of Congress authority ID: no96003851 Bibliothèque nationale de France ID: 13516296h IdRef ID: 027354636 Libraries Australia ID: 35807313 Biblioteca Nacional de España ID: XX2025184 Reasonator PetScan Scholia Statistics Search depicted Subcategories This category has the following 8 subcategories, out of 8 total. B ► The Bishop's Candlesticks ‎ (2 F) F ► Fictional characters in Les Misérables ‎ (8 C) ► Film locations of Les Misérables (2000 miniseries) ‎ (5 C, 19 F) L ► Les Militaribles ‎ (22 F) ► Les Misérables (2012 film) ‎ (1 C, 8 F) M ► Les Misérables (1917 film) ‎ (11 F) ► Les Misérables (musical) ‎ (89 F) N ► Nędznicy (Hugo) ‎ (5 F) Pages in category "Les Misérables" This category contains only the following page. L Les Misérables Media in category "Les Misérables" The following 90 files are in this category, out of 90 total. 4, 592 × 3, 056; 4. 37 MB Adult Cosette Les 627 × 352; 76 KB Bishop Myriel Les 378 × 673; 49 KB CC No 09 Les 567 × 797; 157 KB Character sketches of romance, fiction and the drama (1892) (14782769254) 2, 544 × 2, 152; 927 KB Cheret, Jules - Les 1, 247 × 931; 386 KB Cosette - Les Misé 768 × 1, 024; 344 KB Death of Eponine - Les 709 × 1, 197; 407 KB Death of fantine Les 298 × 427; 58 KB 304 × 475; 65 KB Eléphant Bastille Les Misérables (2) 321 × 473; 43 KB Eléphant Bastille Les Misé 320 × 476; 46 KB Emile Bayard - 2, 491 × 3, 881; 8. 32 MB Enjolras 499 × 714; 124 KB Eponine and 1, 120 × 1, 600; 735 KB 960 × 582; 114 KB Fantine at Javert's 1, 817 × 2, 501; 1. 99 MB Fortuné-Louis Méaulle - L'idylle rue 838 × 1, 362; 475 KB Friends of the 498 × 703; 118 KB Gustave Brion - Monsieur 2, 873 × 4, 167; 3. 07 MB Gustave Brion - Sur la 1, 495 × 2, 145; 1. 92 MB Gustave Brion, Javert, 1862 - Les Misérables, G. Routledge and 3, 500 × 5, 040; 11. 19 MB Gustave Brion, Jean Valjean, 1862 - Les Misérables, G. Routledge and 3, 787 × 5, 195; 12. 29 MB Javert e 441 × 566; 94 KB Javert en 737 × 1, 077; 557 KB 1, 589 × 2, 357; 1. 69 MB Jean Valjean e 449 × 692; 93 KB Jean Valjean porte Marius dans l'intestin du Lé 838 × 1, 130; 373 KB June 466 × 292; 49 KB Klagenfurt Stadttheater 1, 280 × 850; 958 KB Les Misérables (tr. Isabel Hapgood) 5, 100 × 6, 600, 1, 314 pages; 63. 8 MB Les Misérables - affiche du film d'Albert Capellani - Pathé Frères - atelier 1, 600 × 1, 182; 446 KB Les Misérables - Apparition à 474 × 274; 32 KB Les Misérables - Ce qu’il 1, 156 × 1, 600; 262 KB Les Misérables - Commencement d'une grande 737 × 1, 049; 201 KB Les Misérables - 1, 164 × 1, 600; 212 KB Les Misérables - François Flameng - Les cimetières prennent ce qu'on leur donne (gravure de Léopold Flameng) 517 × 734; 122 KB Les Misérables - François Flameng - Les cimetières prennent ce qu'on leur 910 × 1, 248; 146 KB Les Misérables - La mort de Jean 1, 232 × 1, 600; 219 KB Les Misérables - Le 16 février 1, 675 × 979; 670 KB Les Misérables - Le désœuvrement de M. 1, 160 × 1, 600; 240 KB Les Misérables - les Thé 3, 684 × 5, 917; 7. 53 MB Les Misérables - L’autorité reprend ses 1, 116 × 1, 600; 238 KB 1, 280 × 1, 600; 413 KB 861 × 620; 139 KB 716 × 238; 166 KB Lesmiserables 1900 valjean rescues 346 × 432; 18 KB Lesmiserables1900hugo 347 × 435; 35 KB Lutte à coups de primes (La Lune, 1866-04-29) 2, 709 × 1, 582; 1. 74 MB Léon Comerre La poupée de 4, 200 × 2, 845; 10. 04 MB Maison natale Victor Hugo 1, 600 × 1, 200; 295 KB Margaret Bernardine Hall - Fantine - Google Art 1, 992 × 2, 701; 1. 03 MB Marius 332 × 351; 42 KB Marius sees 542 × 766; 212 KB Misérables (Revue comique des théâtres et concerts, 1878-05-19) 912 × 1, 320; 525 KB Morte de É 489 × 723; 133 KB Navet dessin de Victor 3, 060 × 3, 987; 9. 33 MB Officer candidates volunteer at Springer Opera House 2, 448 × 3, 264; 4. 18 MB Old book - Les 768 × 1, 024; 353 KB Panneau Barricade du Fbg St 3, 888 × 5, 184; 4. 73 MB 958 × 467; 18 KB Paris, Salon du Livre 2015 (06) Les Misérables et d'autres manga' 3, 648 × 2, 736; 4. 09 MB Patron 500 × 296; 74 KB 459 × 593; 83 KB Pedro POmares Jean Valjean Miserables 3. 1, 920 × 1, 090; 598 KB Pierre Georges Jeanniot - Cab roule en anglais et jappe en 477 × 283; 65 KB Rien no hana, Jūsandaime Morita Kanya no Jean 2, 000 × 2, 918; 888 KB Teatro Nacional Sucre, Quito (Les Misérables) 4, 608 × 3, 456; 3. 65 MB Teatro Nacional Sucre, Quito Historic Center (Les Misérables) 4, 608 × 3, 456; 3. 91 MB The execution of 3, 008 × 2, 000; 3. 04 MB 560 × 676; 77 KB 387 × 553; 94 KB Thénardier dessiné par Victor 1, 007 × 953; 284 KB Thénardier 495 × 584; 105 KB Valjean e 549 × 648; 280 KB Victor 150 × 251; 10 KB Works of Victor Hugo (1864) (14596073070) 1, 848 × 2, 252; 1. 03 MB Works of Victor Hugo (1864) (14780423634) 1, 856 × 2, 636; 1. 29 MB Works of Victor Hugo (1864) (14802636513) 1, 852 × 2, 636; 1. 05 MB Works of Victor Hugo (1864) (14802639253) 1, 860 × 2, 656; 1. 32 MB Works of Victor Hugo (1864) (14802643303) 1, 896 × 2, 632; 1. 11 MB Hugo - Les Misérables Tome I (1890) 1, 955 × 2, 883, 562 pages; 16. 99 MB Hugo - Les Misérables Tome II (1890) 1, 884 × 2, 942, 516 pages; 12. 31 MB Hugo - Les Misérables Tome III (1890) 1, 813 × 2, 552, 461 pages; 5. 35 MB Hugo - Les Misérables Tome IV (1890) 1, 884 × 2, 741, 622 pages; 16. 76 MB Hugo - Les Misérables Tome V (1890) 1, 896 × 2, 753, 535 pages; 7. 91 MB Émile Bayard - Il lui ferma les 3, 439 × 4, 619; 6. 7 MB Émile Bayard - L'enlèvement de 779 × 1, 040; 294 KB Éponine e 508 × 704; 128 KB Éponine remet la lettre à 738 × 1, 110; 338 KB Retrieved from " rables&oldid=332446706 " Categories: 1862 books from France Books by Victor Hugo Novels in French Novels set in Paris Novels from France Non-topical/index: Uses of Wikidata Infobox Uses of Wikidata Infobox providing interwiki links.

I miserabili free full length. I miserabili free full time. 방금 오분순삭보고 왓어요... I miserabili free full movie. She played this roll so good. Am I the only one who's wondered if Les Mis and Phantom take place in the same universe? 🤔 I mean if you think about it, it actually makes a lot of sense, it could work, maybe Marius is Christine's grandfather, and after witnessing the death and holy resurrection of Valjean going to heaven, that's where the idea of the angel comes from, he then passes it on to his son (Christine's Father) and he then changes the belief to match his own customs, the belief that there are angels, in this case the Angel of Music will visit her when he dies. I hated the movie but this scene is just wonderful ❤️.

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20:51 Do I spot a small Ana Kendrick. I miserabili free full song. I miserabili free fall.

About The Author: les misérables

Info: Nada tiene sentido; hablamos del blanco, actuamos en negro, y juzgamos en rojo... ah, esperamos premio en dorado



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summary - The inspiring story of a BMX champion who overcame an abusive childhood through the love and life lessons of his interracial foster family; directed by - Alex Ranarivelo; Runtime - 1H 38 min; Jean-Marie Sobeck; Year - 2018; score - 96 Votes. Are none of us gonna talk about how this fits liu and jeff so much. Swinging in the backyard Pull up in your fast car Whistling my name Open up a beer And you say, Get over here And play a video game I'm in his favourite sundress Watchin' me get undressed Take that body downtown I say, You the bestest Lean in for a big kiss Put his favourite perfume on Go play your video game It's you, it's you, it's all for you Everything I do I tell you all the time Heaven is a place on earth with you Tell me all the things you wanna do I heard that you like the bad girls Honey, is that true? It's better than I ever even knew They say that the world was built for two Only worth living if somebody is loving you And, baby, now you do Singin' in the old bars Swingin' with the old stars Livin' for the fame Kissin' in the blue dark Playin' pool and wild darts Video games He holds me in his big arms Drunk and I am seeing stars This is all I think of Watchin' all our friends fall In and out of Old Paul's This is my idea of fun Playin' video games It's you, it's you, it's all for you Everything I do I tell you all the time Heaven is a place on earth with you Tell me all the things you wanna do I heard that you like the bad girls Honey, is that true? It's better than I ever even knew They say that the world was built for two Only worth living if somebody is loving you And, baby, now you do It's you, it's you, it's all for you Everything I do I tell you all the time Heaven is a place on earth with you Tell me all the things you wanna do I heard that you like the bad girls Honey, is that true? It's better than I ever even knew They say that the world was built for two Only worth living if somebody is loving you And, baby, now you do Now you do (Now, now you do) Now you do) Now you do.

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That game stinks. Ride and drive. Cab ride otira tunnel. 25% Poetic: 25% Melancholy: 25% Nostalgia 25% Wistful 100% Haunting. Lightning McQueen (Owen Wilson. Continued happy thoughts for your record attempt, Ollie. Mannon seems like the perfect coach and a great presenter - just do what she says. De week van The Ride was een bubbel, een trance. Vooraf dacht ik: een eenmalige #rideofmylife. Nu denk ik: Wanneer mag ik weer? - Brend van der Horst Stralende gezichten op de Cauberg. Na 1. 300 km en 17. 000 hm vliegen deelnemers in de armen van hun geliefden. Fantastisch! - Fiets Magazine Een jaar met hoogte- en dieptepunten. In mijn hoofd ben ik al bezig met een volgende The Ride! - Michel Dappers Het was een fantastische week! De organisatie, met vrijwilligers die perfect zorgen voor alle zaken die je nodig hebt als rijder. - Arjan Blok Een ervaring om nooit te vergeten. Alles goed geregeld en de sfeer is erg goed. - Linda Dijkman Als een waanzinnige week met fietsvrienden, levend in een cocon, waarin het om niets anders gaat dan fietsen. - Didos van Dam.

Looks like you were there this past Saturday 2-8? That's too bad we missed you. I bought a Kyber crystal for you guys and didn't see you so I opened it that night and it was the black one. Sorry we missed you my kids would have been so excited to see you. That cast member Chris took my daughters Porg. She was a little afraid he wasn't going to bring it back... 🤣🤣. Lead me 🏡🌈 🏃 ❤. Can you ride lame. OH SO HELEN KELLER ISN'T GOOD ENOUGH FOR YOU. Ride on lawn mowers.

I'm gonna play this during WW3

Water💧fire🔥ice❄️ and. THUNDER🌩. I'm here because they're going to reunite. finally. Was Sally Ride smart. I remember this song when i was 11 years old, now i'm 18 years Old Great Song :D. Who ride the horse. I love you twenty one pilots. You know you've made it when Jon messes up your car design. Ridegobus. For those who don't have a frame of reference to understand how sex could be un pleasant, the psychological effect of sex is kind of like tickling: - pleasant in the right circumstances, in the right amounts and coming from the right person, - unpleasant when some of those criteria aren't met, - torturous when done against your will for the other person's amusement. Except, obviously, the effect of rape is much more intense and has stronger effects on the psyche than forced tickling, what with reproductive freedom being the keystone of human self-image while freedom from discomfort is relatively optional.

Faith is to be awake. Rideways. Who illustrated Tucket's Ride. No matter how old I get I will never stop loving cars best movies ever RIP Doc Hudson.

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Genres Drama

Rating 6,7 of 10

Audience score 1702 vote

country Canada

108 minute

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Chata Born November 21, 1979 (age 40) Genres J-pop, video game, anime music Occupation(s) Singer Instruments Vocals Years active 1998–present Labels Lantis, TEAM Entertainment Chata ( 茶太, born November 21, 1979) is a Japanese singer who has performed theme songs for video games and anime series. She has also participated in various dōjin music circles. Her own private circle is called Usagi Kinoko. History [ edit] Chata began dabbling in music in 1998. She used to participate in writing lyrics on Niftyserve's forum for Original MIDI music. She has participated in many dojin music circles, mainly lending her vocals while for some she has voice-acted. At the same time she also releases works of her own under Usagi Kinoko, the circle she runs. She is the main vocalist for two dojin music circles, Idea (formerly known as Souleave) and My Sound Life. In March 2007, she collaborated with composer Yoko Shimomura and released her first major debut album, Murmur. In the same year, she performed the ending theme for the anime television series Potemayo, which first broadcast in July. Chata is known for her sweet, whisper-like voice. She is close friends with dojin musicians Rekka Katakiri and Haruka Shimotsuki, and they have collaborated on many occasions. They once formed the group Shimochamin, and from December 2006 to June 2007 the three of them hosted the internet radio show Harechatta Utatane Biyori. She, Rekka and Haruka have all performed on the Ar tonelico Hymmnos Musical – Side Cocona. Discography [ edit] Major releases [ edit] Singles [ edit] Bravery ~tadoritsukitai kimi e~ Released on June 20, 2007 by TEAM Entertainment [1] "Bravery ~tadoritsukitai kimi e~" ( Bravery ~辿り着きたい君へ~) — PS2 game Growlanser VI: Precarious World opening theme "BEGIN" — PS2 game Growlanser VI: Precarious World ending theme "Yoake Mae" ( 夜明け前) "Bravery ~tadoritsukitai kimi e~" ( Bravery ~辿り着きたい君へ~) (Instrumental) "BEGIN" (Instrumental) "Yoake Mae" ( 夜明け前) (Instrumental) Utatane Released on August 22, 2007 by Lantis [2] "Utatane" ( うたたね) — anime television Potemayo ending theme "Madoromi" ( まどろみ) "Utatane" ( うたたね) (off vocal) "Madoromi" ( まどろみ) (off vocal) Suiheisen Made Nan Mile? Released on May 3, 2008 by ABHAR PC game Suiheisen Made Nan Mile? image song "Suiheisen Made Nan Mile? " ( 水平線まで何マイル? ) Original Orchestra ver. "Suiheisen Made Nan Mile? " ( 水平線まで何マイル? ) Piano ver. "Suiheisen Made Nan Mile? " ( 水平線まで何マイル? ) Original Orchestra ver. (off vocal) "Suiheisen Made Nan Mile? " ( 水平線まで何マイル? ) Piano ver. (off vocal) Albums [ edit] Chata@ Yoko Shimomura: murmur Released on March 21, 2007 by TEAM Entertainment [3] "Harukaze" ( 春風) "Sanpo Biyori" ( 散歩日和) "Naishobako no Yume" ( 内緒箱の夢) "Tōmei na Wa" ( 透明な輪) "Kamikakushi" ( 神隠し) "Hitokoto" ( ひとこと) "Tasogare Komichi" ( 黄昏小道) "Uwasa" ( うわさ) "Bukiyō na Te" ( 不器用な手) "Toganin no Yoake" ( 咎人の夜明け) "Happy End" ( ハッピーエンド) "Kimi no Kakera" ( 君のかけら) Sora no Kioku ( 空の記憶) Released on April 23, 2008 by TEAM Entertainment [4] "Taiyō" ( 太陽) "Tan Ton Totan" ( たんとんとたん) "Shabondama" ( しゃぼんだま) "Kaerimichi" ( かえりみち) "Monokuro" ( モノクロ) "Sora no Kioku" ( 空の記憶) Chata no Wa ( ちゃたのわ) Released on June 25, 2008 by Lantis [5] "sings clover ~many clover version~" "One-way Shining" — PC game Clear insert song "Tsumetai Heya" ( 冷たい部屋) "Nanairo Prism" ( 七色プリズム) "Curry no Uta" ( カレーの唄) "Papapapanda" ( パパパパンダ) "step! jump! " "step of cloud" — anime television sola image song "Yasashii" ( やさしい) — anime television Kodomo no Jikan episode 6 ending theme "Tabun Seishun" ( たぶん青春) "Kataomoi" ( 片想い) "Utatane" ( うたたね) "Kōsa" ( 交差) "Madoromi" ( まどろみ) ~remix version "From Mishuku to Everywhere"~ "Mirai no Monogatari" ( 未来の物語) — PC game Hoshiful ~Seitō Gakuen Tenmon Dōkōkai~ grand opening theme "Tsuki Kaoru" ( つきかをる) Chata Works Best ( 茶太 Works Best) Released on April 29, 2009 by TEAM Entertainment [6] "Bravery ~tadoritsukitai kimi e~" ( Bravery ~辿り着きたい君へ~) "BEGIN" "Love♥Rice" ( ラブ♥ライス) — PS2 game Yotsunoha: A journey of sincerity ending theme "Hare→Koigokoro" ( 晴れ→恋心) — PC game Hare Hare Halem opening theme "see-saw!! " — game Sakura Sakura opening theme "Shirushi" ( しるし) "Kuon ~utakata~" ( 久遠 ~詩歌侘~) — PC game Koihime†Musō: Doki☆Otome Darake no Sangokushi Engi insert song "Shizai Senri ~koihime yobite hyakka no ō to nasu~" ( 志在千里 ~恋姫喚作百花王~) — PC game Koihime†Musō: Doki☆Otome Darake no Sangokushi Engi ending theme "Oetsu" ( 嗚咽) "Mint Kiss" — PC game Angel Wish: Hōkago no Meshitsukai ni chu! ending theme "Photograph" ( フォトグラフ) — PC game Melty Moment ending theme "Takaramono" ( 宝物) "Yotsunoha" ( よつのは) — PC game Yotsunoha opening theme Nanairo ( なないろ) Released on May 19, 2010 by TEAM Entertainment [7] "Smile" ( すまいる) "Daisuki" ( だいすきっ) "Alarm-san" ( あらーむサン) "Nai nai na" ( ないないな) "Shinjuku Meizu" ( 新宿迷図) "Yoru o Koete" ( 夜を超えて) "Teikan" ( 諦観) "Arikata" ( 在り方) "Nagareboshi" ( 流れ星) "Koisuru☆Otome" ( 恋する☆乙女) "Nanairo no Sekai" ( なないろの世界) — MMORPG MapleStory monthly theme song Chata Works Best II ( 茶太 Works Best Ⅱ) Released on November 24, 2010 by TEAM Entertainment [8] "Nanairo no Sekai" ( なないろの世界) — MMORPG MapleStory February 2010 theme song "Asaki Yumemishi" ( あさきゆめみし) — PS2 game Shin・Koihime†Musō: Otome Ryōran☆Sangokushi Engi insert song "always" — PS2 game Magicarat☆Radiant ending theme "Chuu no Hikari" ( 宙のヒカリ) — PC game Hoshizora no Memoria Eternal Heart ending theme "Wasurenai... " ( 忘れない... ) — PC game Kiss×Lord×Darjeeling ending theme "Koi wo Shiyo yo (Chata Version)" ( 恋をしよーよ (茶太バージョン)) — PC game Sakura Bitmap insert song "Tasogare Sora" ( たそがれ空) — PC game hoshiuta ~Starlight Serenade~ ending theme "Yumekara Sametemo" ( 夢から覚めても) — PS2 game Suzunone Seven! ~Rebirth★knot~ ending theme "cotton candy" — PC game Sakura Bitmap ending theme "Sakura ga Mau Sora no Shita de" ( 桜が舞う空の下で) — PC game canvas3 ~Hakugin no Portrait~ Yamabuki Renge image song "Hoshizora no Memoria" ( 星空のメモリア) — PC game Hoshizora no Memoria ending theme "Nijiiro Adolescence" ( 虹色アドレセンス) — PSP game B's-LOG Party♪ opening theme "Yume Egao" ( 夢笑顔) — PC game Shin・Koihime†Musō ~Moeshōden~ insert song "with you" — PC game Suzunone Seven! ending theme "Suiheisen made Nan Mile? " ( 水平線まで何マイル?) — PC game Suiheisen made Nan Mile? -Deep Blue Sky & Pure White Wings- image song "Harmony" Games [ edit] PC Kimi no Koe ga Kikoeru (2006): "Puchitami" (theme song) PC Koisuru Otome to Shugo no Tate' (2007): "Futari no Miru Sekai" (Ren & Marina's ending theme) PC Boku ga Sadame Kimi ni wa Tsubasa o. (2007): "Kimi to Futari de... " (ending theme) PC Princess Frontier (2008): "my sweet home" (ending theme) PC G Senjō no Maō (2008): "Yuki no Hane Toki no Kaze" (ending theme) PC Chaste☆Chase! (2008): "Ai no Yukue" (ending theme, duet with Rekka Katakiri) PC Shin・Koihime†Musō: Otome Ryōran☆Sangokushi Engi (2008): "Asaki Yumemishi" (insert song), "Shizai Senri ~koihime yobite hyakka no ō to nasu~ [Piano Version]" (ending theme) PC Suzunone Seven! (2009): "with you" (ending theme) PC Devils Devel Concept (2009): "Heavenwards" (insert song) PC Like a Butler (2009): "Gruppo" (opening theme) PC Canvas 3: Hakugin no Portrait (2009): "cotton candy" (image song) PC W. L. O. Sekai Ren'ai Kikō (2009): "Mōsō Let's Go!! " (Yuriko Hayakawa ending theme) PC Hoshizora no Memoria -Wish upon a shooting star- (2009): "Hoshizora no Memoria" (ending theme) PC echo. (2009): "Natsu no Kioku" (ending theme) PC Ashita wa Kitto, Haremasu yō ni (2009) – "Sasa ni Negai o" (opening theme), "Anata ni Aete" (ending theme) PC LOVE×EVOLUTION (2009) – "Kirakira" (opening theme) PC Distance (2009) – "Michishirube" (ending theme) Arcade Taiko no Tatsujin 12: Don! to Zoryoban, Taiko no Tatsujin 13  (2009): "Yūjō Pop" PC Skyprythem (2009): "Ashita no Tenshi" (opening theme), "power smile! " (insert song), "Naiteru Kumo to Yasashii Ame" (insert song), "Nijiiro Sonata" (ending theme) PC Kiss to Maō to Darjeeling: Kiss×Lord×Darjeeling (2009): "Wasurenai... " (ending theme) PC Shirokuma Bell Stars♪ (2009): "Winter Bells♪" (opening theme) PC Hoshiuta: Starlight Serenade (2009): "Tasogarezora" (ending theme) Arcade Pop'n Music 18: Sengoku Retsuden (2010): "Kurokami Midareshi Shura to Narite" (under the alias Muramasa Kuoria) PC Hoshizora no Memoria -Eternal Heart- (2010): "Chū ni Hikari" (ending theme) PC Kashimashi Communication (2010): "Hora ne" (opening theme) PC Magicarat☆Radiant (2010): "always" (ending theme) PC Cross Days (2010): "timeless melody" (ending theme) PSP Himawari -Pebble in the sky- Portable (2010): "Himawari" (ending theme) PSP B's-LOG Party♪ (2010): "Nijiiro Adolescence" (opening theme), "Tsunagaru Sora" (ending theme, performed as part of Arcane) PS2 Suzunone Seven! Rebirth knot (2010): "Yume kara Samete mo" (ending theme) PC Grisaia no Kajitsu: Le Fruit De La Grisaia (2011): "SKIP" (Michiru's ending theme) PC Koiimo SWEET☆DAYS (2012): "Colorful precious life" (opening theme) PC Kono Oozora ni Tsubasa wo Hirogete (2012): "Precious Wing" (opening theme) Catarina Other [ edit] doll ~Utahime vol. 3 -Suzu- (released on August 27, 2004): "My cowardly heart", "Zutto Sono Mama de" Winter Mix vol. 02 (released on January 13, 2005): "Sleeping snow" Winter Mix vol. 3 (released on March 11, 2006): "Seijaku" Yogurting Original Sound Track (released on August 9, 2006): "Love☆Dreamer" Higurashi no Naku Koro ni image album: Kakera Musubi (released on September 27, 2006): "samsara" Winter Mix vol. 4 (released on February 14, 2007): "Setsuei" anime television Clannad OP/ED maxi single: Mag Mell / Dango Daikazoku (released on October 26, 2007): "Dango Daikazoku" Higurashi no Naku Koro ni Kai image album: Kokoro Musubi (released December 21, 2007): "Matsuribayashi ga Kikoeru", "Kokoro Musubi" Winter Mix vol. 5 (released on February 14, 2008): "Kizuna" (as idea) OVA Yotsunoha OP/ED maxi single Koisuru Kioku/Negai (released on February 29, 2008): "Negai" Shina Dark: Kuroki Tsuki no Ō to Sōheki no Tsuki no Himegimi Vocal Album (released on November 26, 2008): "Whereabouts" (music clip song) Suki da yo (OVA Yotsunoha theme song single, soundtrack and DVD vol. 1 & 2 redemption single, released in August 2008): "Suki da yo" Independent releases [ edit] Dojin music circles [ edit] Usagi Kinoko -+Chikai+- (released on August 17, 2003) eclipse (released on August 13, 2006) Tabun Seishun (released on August 17, 2007) Sabishinbou. (released on December 31, 2007) eclipse kai (released on December 29, 2008) Kaleidoscope (released on December 30, 2009) Rakujitsu (released on August 14, 2010) idea (formerly known as souleave) living (released on August 13, 2005) my sound life fractal (released on April 29, 2006) crystal (released on October 9, 2006) rainbow (released on April 29, 2007) fundamental (released on October 8, 2007) way and unknown (released on October 13, 2008) light (released on May 5, 2010) new way to the star (released on May 1, 2011) wordless garden (released on April 30, 2012) your sound vision (released on August 11, 2012) square vision (released on October 28. 2012) re:construction (released on May 20. 2013) Voltage of Imagination azawa / feat. Chata: Ancient Colors Infinity vol. 2: Soukou no Renka (released on November 20, 2004) Hiroyuki Oshima / feat. Chata: ORBITAL MANEUVER phase two: anemotaxis (released on February 10, 2006) Chata x azawa x ESTi x Hiroyuki Oshima x interface x Yoshitsugi: Asayake Borderline (The Borderline of Morning Glow) (released on December 31, 2006) EastNewSound She sang several songs per each of those albums. Lucent Wish (released on August 15, 2009): "Lucent Wish" Sacred Factor (released on December 30, 2009): "Lucid Dream" Felsic Mirage (released on August 14, 2010): "Tsuisō Jojōkyoku -lycoris-", "Yūne Zekka, Ryōran no Sai" Split Theory (released on December 30, 2010): "Subterranean Emotion" Definite Energy (released on May 5, 2011): "sound of carnation" Solitude Blossom (released on August 13, 2011): "Ōeisaien" Uncanny Instinct (released on December 30, 2011): "Kawaranu Sekai de" Dione Aggregation (released on December 30, 2011): "Seisō Rinne ~Repeat~" Blaze Out (released on August 11, 2012): "Kōōyūrō" Limited Dimension (released on August 11, 2012): "Limited Dimension" Dojin games [ edit] RE-liance -trust me once more- Chapter01:[RE] (released in August 2004 by EYE-dentity): "RE-liance "side-b"" (opening theme) Saika (released by Hanakojika): "Saika ~negai~" (theme song) ALiBAT (released on August 13, 2006 by PROJECT YNP): "Steps A Waltz" (opening theme), "FareWell" (ending theme) Koumajō Densetsu SCARLET SYMPHONY ORIGINAL SOUND TRACK (released by Frontier Aja) "Kirisome no Amuneijia" (霧染めのアムネイジア) (theme song) Fushigi no Gensokyo (released by AQUA STYLE) "another face" (ending theme) REBIRTH OF MIND (released by Kakusan Fuudou): "Futatsu Boshi" (ending theme) Koumajō Densetsu II: Stranger's Requiem (released on December 30, 2010 by Frontier Aja): "afraid" (opening theme) References [ edit] ^ " Bravery ~tadoritsukitai kimi e~ single listed at TEAM Entertainment's site". Archived from the original on October 9, 2007. Retrieved September 15, 2007. ^ " Utatane single listed at Lantis' site". Retrieved September 15, 2007. ^ " murmur album listed at TEAM Entertainment's site". Archived from the original on September 21, 2007. Retrieved September 15, 2007. ^ " Sora no Kioku album listed at TEAM Entertainment's site". Archived from the original on May 4, 2010. Retrieved July 21, 2010. ^ " Chata no Wa album listed at Lantis' site". Retrieved July 21, 2010. ^ " Chata Works Best album listed at TEAM Entertainment's site". Archived from the original on May 10, 2010. Retrieved July 21, 2010. ^ " Nanairo album listed at TEAM Entertainment's site". Retrieved July 21, 2010. ^ " Chata Works Best II album listed at TEAM Entertainment's site". Archived from the original on July 5, 2011. Retrieved May 8, 2011. External links [ edit] Official website (in Japanese).

Lu, amei o vídeo! Dicas super práticas. Fiquei com uma dúvida. Como as outras pessoas podem ajudar ou não atrapalhar nesse processo? Beijinhos. Chat software. Salam ma chère Chata mata! voici un lien à voir et à comparer! Avec toute mon admiration et mes encouragements! Bonne continuation. شحال من واحد معرفناه غير عن طريقك bravo. I have already heard it, but it is great song! Repeate please. Yo solo quiero. 😍.

Ah não ser que você seja italiana kkkkkkkk verdade

Chattanoogan. Stay. Small accommodations Large accommodations more information view members On the go. Airlines Car rentals Transfers view members Enjoy. Attractions Dive operators Wine & dine Shopping more information We are hospitality, it's all here! more about chata membership sign in CONTACT. T: (+599 9) 465-1005 Business. Trade & commerce Professional services MICE Creatives Did you know that we are one of the largest Hospitality & Tourism Associations in the Caribbean? We are aware that our world, our markets, the economy and most importantly our travelers are changing. The competition is fierce and we want our members to be on top of the game especially when it comes to market intelligence. Your business is our priority, and making Curacao, the #1 Caribbean destination is our passion. Join us, as we take you to the next level. Recent Activities Curaçao welcomed record number... read more Hotel Occupancy Decreases |... The Diveshop Curaçao Powerboat Caribbean | Go... show all Trupial Inn Hotel & Casino CHATA Membership Meeting Q1... read more.

Chatango chat rooms. Chatam ghor 96. Dzień dobry. Ruiiiiiiiiiim. Lu seria muitoooo bom ter acesso aos teus produtos aqui em Portugal. Em relação ao vlog, simplesmente incrível, imagens lindas. Chata magoda. Chata na silvestra.


Chata song. Chata meaning in english. Chata na prodej trailer. Jeeeej, to krzywdzi, co powiedziałeś o psychoterapii. Nie chcę pisać elaboratu o swojej historii, ale dość, że nie zawsze jest to gruby biznes - kiedy tego potrzebowalam, znalazłam psychologów dzialających przy archidiecezji. Każdy z nich ma kilka godzin w okreslonym dniu i wtedy przyjmują ludzi ZA DARMO; nie wiem czy są finansowani przez Kościół, miasto czy to ich wybór i nic nie dostają. Istotne jest to, że działają i pomagają i nie odwalają pracy byle jak. Chata kasem. I was quite excited with this movie and just saw it at the Lisbon International Horror Filme Festival.
In fact, this movie seemed really brilliant on its first half, building tension and causing some doubts on the audience about the existence of paranormal stuff going on or not. The problem is exactly the storyline, really confusing and lacking some explanations on the second half of the movie and the slow pace.
Final twist was expected to save the day but it was the opposite.

Chats et chiens. Que tu novia la cante a todo pulmón delante tuyo. Mata XD Hahaha. رقصة الفدارش 🤣🤣🤣🤣🤣🤣🤣. Chata pri zelenom plese v zime. Szczerze, obajrzałabym film Twojej reżyserii 😉👍🏼. How to Use Data Visualizations. 子供のころには こんなつまんないような大人になるなんて. Chattanooga choo choo. 恒例の夏コミ更新です。 今回もスペース頂けましたので、8月11日東7ホールあ-04bウサギキノコでお待ちしてます。 おとなりのmy sound lifeサンとは合同スペなのでお会計一緒にできますですヨ。 新作 ・Summer Focus 1000円 ・もげっTシャツ 2000円  ネイビー/ターコイズ/チョコ/シルバーグレーの4色  サイズはS/M/L/XLの4種 旧作 ・まぁ 1000円 ・夏の末日 1000円 ・すこしのかなた 1500円 ・Kaleidoscope 1500円 ・さよなら 1000円(A4下敷き付き) ・アコースティックにもげして 1000円 ・セツナメモリア 1500円 ※セツナモメリアのおまけについていたミニタオルですが、CDより数が少なかったので前々回のイベントからありません。 グッズ ・Lサイズキャンバストートバッグ 1500円 (黒/赤/2色) ・三角ポーチ(白) 700円  黒の方の在庫が終わってるようで白しか発見できず。  とうとう中につめるバッジが先に終わってしまったので、端数ありのお値段で持って行きます。  ただ、金額的に混雑時は会計ミスの元なので、午後のマッタリタイムになったら出そうと思います。  ポンコツですみません。  ご入用の方は午後になったら「三角ポーチありますか」ってお声掛けください。 ※※ 毎度おなじみ注意事項 ※※ ■サインに関して■ ・列がある場合はお受けすることができません。 ・事前に包装紙やシュリンクなどをはずしておき、並んでる人がいないタイミングで渡してください。 ・タイミング次第で茶太本体がやや屍のようになっているかもしれないですごめんねでもちゃんと書くよ! ・サインペンで書けるものでしたらなんにでもサインいたします。 ・周辺スペースにご迷惑がかかるのを避けたいので、サインでは並ばないでください。 ■差し入れに関して■ ・食べ物は受け付けてません。 ・気持ちがこもってれば何を頂けても天にも昇るほど幸せです(*'-'*)アリガトウゴザイマス!  お手紙を下さる方、本当に嬉しいです。  いつもありがとうございます!  ※食べ物に関しては消費することができないので、現在受け取っておりません。申し訳ありません。 夏コミ参加作品 ※11日 Campanella 東へ-04a  プリズムという曲でで歌と作詞担当しました。 ハイレゾ版のDLコードとか、全曲の英訳詞もあってなんだかゴージャスです。 EastNewSound 東シ-55a ENSさんのベスト版に過去に歌唱したものが一曲収録されてるみたいです。 HUMMING LIFE 東8ほ-12b おなじみHUMMING LIFEさんのCDにて歌わせていただきました。 そらさんの曲のコーラスとかもして楽しかった! my sound life 東7あ-04a マイサラの新譜です。歌と作詞担当しました。 いつもどおりキラキラロック!! 今年も暑そうなので熱中症対策は万全でいきまっしょい!.

Mohlo by si mat viac emocii ale inak super video vizeras byt v pohode. Chata beans. Chautauqua ny. Chata ogla nation. alumni/ streaming-tli-menedk-movie-watch-945.html

La cabaña siniestra

  1. Correspondent: mundinho prior br



Full Little Women ultra hd

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creator Louisa May Alcott. USA. . review Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on their own terms. 135 Min. Actors Emma Watson.

Plot twist: her sickness has her hallucinating his existence which is why he keeps “popping up”. Full cast little women. Wow. Accurate, thought-provoking, and told via a voice that is likely to be heard. Again, great work. I feel like I'm all of them, but gonna be honest. Amy is my absolutely favorite. Must protect❤💙.

Filmhandlung und Hintergrund Starbesetzte Buchverfilmung (Emma Watson, Timothée Chalamet, Saoirse Ronan und Oscarpreisträgerin Meryl Streep) der viel rezipierten Romane von Louisa May Alcott. Neuengland Mitte des 19. Jahrhunderts: Die vier March-Schwestern stehen auf der Schwelle zum Erwachsensein, auch wenn jede eine ganz andere Vorstellung davon hat und die vier jungen Frauen ganz unterschiedliche Wege einschlagen, auf denen sie verschiedene gesellschaftliche Hindernisse überwinden müssen. Während sich die älteste der Schwestern, Meg ( Emma Watson), in die von ihr erwartete Rolle fügt, strebt die temperamentvolle Jo ( Saoirse Ronan) nach Eigenständigkeit, die aufopferungsvolle Beth ( Eliza Scanlen) möchte ihrem Heim so lang wie möglich erhalten bleiben und Nesthäkchen Amy ( Florence Pugh) will als Malerin berühmt werden. Im Trailer bekommt ihr einen ersten Vorgeschmack darauf, was die vier Schwestern in „Little Women“ erwartet. In Deutschland startet das romantische Drama am 30. Januar 2020. „Little Women“ – Hintergründe Mit dem neuen Film von Regisseurin und Drehbuchautorin Greta Gerwig erwartet uns bereits die achte Verfilmung der erfolgreichen Romane von Louisa May Alcott. Ihre Werke sind stark autobiografisch geprägt, wobei die Figur der stürmischen und schriftstellerisch begabten Jo der realen Autorin am nächsten ist. Sie ist es auch, aus deren Perspektive der Film erzählt. Nachdem Gerwig, die ursprünglich nur für die Drehbuchadaption verantwortlich war, mit ihrem Film „ Lady Bird “ überzeugen konnte, vertraute man ihr ebenfalls den Regieposten für „Little Women“ an. Außerdem konnte „Lady Bird“-Darstellerin Saoirse Ronan für die Rolle der Jo gewonnen werden. An ihrer Seite sehen wir Emma Watson („ The Circle „), Florence Pugh („ Midsommar „) und die australische Schauspielerin Eliza Scanlen („Babytheeth“). Doch auch die Nebenrollen sind tief besetzt, hier sehen wir Timothée Chalamet („ Beautiful Boy „), Laura Dern („ Hard Powder „) und die dreifache Oscarpreisträgerin Meryl Streep („ Mamma Mia! Here We Go Again „). Gedreht wurde der Film ab Oktober 2018 in und um Boston, wo Autorin Alcott auch einen Großteil ihres Lebens verbracht und ihre Werke zu Papier gebracht hat. „Little Women“ bei den Oscars 2020 Über sechs Nominierungen, unter anderen als Bester Film, bei den Oscars 2020 darf sich Greta Gerwigs Romanadaption „Little Women“ freuen. Die besten Chancen dürfen sich die Darstellerinnen Saoirse Ronan und Florence Pugh ausrechnen, die als Beste Hauptdarstellerin und Beste Nebendarstellerin nominiert sind. Im Video erfahrt ihr, in welchen anderen Kategorien „Little Women“ nominiert wurde und wer sonst ins Rennen um den Besten Film geht.

Biri şu yaşlı adama EVLENMİYOR desin. 😁. I just watched the 2019 version with have little to no previous exposure of all before. And I want to say, I absolutely loved it. I related to so many aspects of it, and it was beautiful. Im so glad I watched it! I also found the relationship between Lori and Jo to be so incredibly accurate to how a lot of life works, how you're not going to have picture perfect endings in stories and you may still have residual feelings about a person after they rejected you and you rejected them. As well as all the sisters had their own personality in the story, all their own wants and needs, and how you can relate to them all. I related to Jo and Amy respectively, and I felt conflicted at their fights. P.S. I never knew what would happen, so Beth's death was heartbreaking.

Shmoop little women full text. Anyone else ACTUALLY read the book. LITTLE WOMEN Writer-director Greta Gerwig ( Lady Bird) has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life.  In Gerwig’s take, the beloved story of the March sisters – four young women each determined to live life on her own terms --  is both timeless and timely.  Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March. Screenplay by Greta Gerwig Based on the Novel by Louisa May Alcott Produced by Amy Pascal,  Denise Di Novi,  Robin Swicord Executive Producers Adam Merims,  Evelyn O’Neill,  Rachel O’Connor,   Arnon Milchan Cast Saoirse Ronan,   Emma Watson,   Florence Pugh,   Eliza Scanlen,  Laura Dern,  Timothée Chalamet,   Tracy Letts,   Bob Odenkirk,  James Norton,  Louis Garrel,  with Chris Cooper and Meryl Streep For rating reasons:,.

Full text little women. Full cast of little women. I love Lauras mom energy. I LOVED this movie. I love the book. I love the 94 version. I love the BBC version... so to be fair I went in knowing I would love it.
If you compare there could be an entire list of things that were better in this version. were better in that. fit the book and didn't ect. But overall this was AMAZING.
Visually this was absolutely beautiful. The actors are so extremely talented. My one beef here is that they should have recasted Amy for flashbacks to make her seem younger. She seemed to forced as a 12-14 year old and looks too old.
Meg was my favorite adaptation in this version. I felt we knew her character in a new and more intimate way than ever before. I also loved Fredrick he was adorable and although did not have much screen time you could see why Beth ends up loving him.
Loved the ending. Loved the camera angles. At the end when the past and present converge ! That was genius.
This is an important story. Empowered women help empower other women. There isn't one right way to be a women or a feminist. And this shows us that in a powerful and touching way. Women need other women and this is an amazing reminder of that.

He should have been in the film more. Full Little women for women. 9:48 Greta to Timmy: Because you like your billowy sleeves. Sounds like Call Me By Your Name 😄. 2019 full little women emma watson. Harry potter. not daniel. LOL THATS ME.

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She's so likeable but the image of her directing actors like Streep so seriously is a hilarious juxtaposition to how she is here. All hail the MAY QUEEN. Timothée Chalamet could run me with a truck and I would thank him. I feel blessed we got a episode two days in a row 💖. Full Little women health. I'm a big fan of the 1994 version so I'm surprised to say that Saoirse Ronan looks like she'll be amazing in this film. Amma crellin <3. Pam is Little Women's Karen.

Full cast of the movie little women. Full Little women online. Laurie extends his arm expecting Jo to take it. She punches him. 🤷‍♀️😂. This version finally gave Amy justice! And we actually got to see how she got her man. they literally always skim that part in other adaptions. Full cast and crew of little women. I don't know about the movie, but this video definitely made me want to know more about Judy Garland. Florence did justice to this character. Amy was the youngest, but she definitely had the most to say about marriage, love and longing, and Florence did such amazing job on portraying all her frustrations towards Laurie, her sisters, and being the youngest one in the family. Saoirse ronan: lady bird sansa stark: litte bird nothing, just ignore my comment I just miss GOT, lol.

There probably is a universe where he is Spider-Man. and that's what my fanfic is gonna concentrate on from this day forward. YouTube. Full episodes little women la. Imagine wearing such nice dresses to the beach. FLORENCE❤️❤️❤️. Little Women First volume of Little Women (1868) Author Louisa May Alcott Country United States Language English Series Little Women Genre Coming of age Bildungsroman Publisher Roberts Brothers Publication date 1868 (1st volume) 1869 (2nd volume) Media type Print Pages 759 Followed by Little Men Little Women is a novel by American author Louisa May Alcott (1832–1888) which was originally published in two volumes in 1868 and 1869. Alcott wrote the book over several months at the request of her publisher. [1] [2] Following the lives of the four March sisters—Meg, Jo, Beth and Amy—the novel details their passage from childhood to womanhood and is loosely based on the lives of the author and her three sisters. [3] [4]: 202 Scholars classify Little Women as an autobiographical or semi-autobiographical novel. [5] [6]: 12 Little Women was an immediate commercial and critical success, with readers demanding to know more about the characters. Alcott quickly completed a second volume (titled Good Wives in the United Kingdom, although this name originated from the publisher and not from Alcott). It was also successful. The two volumes were issued in 1880 as a single novel titled Little Women. [ citation needed] Alcott wrote two sequels to her popular work, both of which also featured the March sisters: Little Men (1871) and Jo's Boys (1886). Little Women differed notably from contemporary writings for children, especially girls. The novel addressed three major themes: "domesticity, work, and true love, all of them interdependent and each necessary to the achievement of its heroine's individual identity. " [7]: 200 Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth, " but also "as a means of escaping that life by women who knew its gender constraints only too well. ” [8]: 34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the " All-American girl " and that her various aspects are embodied in the differing March sisters. [7]: 199 The book has frequently been adapted for stage and screen. Development history [ edit] In 1868, Thomas Niles, the publisher of Louisa May Alcott, recommended that she write a book about girls that would have widespread appeal. [4]: 2 At first she resisted, preferring to publish a collection of her short stories. Niles pressed her to write the girls' book first, and he was aided by her father Amos Bronson Alcott, who also urged her to do so. [4]: 207 Louisa confided to a friend, “I could not write a girl’s story knowing little about any but my own sisters and always preferring boys”, as quoted in Anne Boyd Rioux's Meg Jo Beth Amy, a condensed biographical account of Alcott's life and writing. In May 1868, Alcott wrote in her journal: "Niles, partner of Roberts, asked me to write a girl's book. I said I'd try. " [9]: 36 Alcott set her novel in an imaginary Orchard House modeled on her own residence of the same name, where she wrote the novel. [4]: xiii She later recalled that she did not think she could write a successful book for girls and did not enjoy writing it. [10]: 335- "I plod away, " she wrote in her diary, "although I don't enjoy this sort of things. " [9]: 37 By June, Alcott had sent the first dozen chapters to Niles, and both agreed these were dull. But Niles' niece Lillie Almy read them and said she enjoyed them. [10]: 335–336 The completed manuscript was shown to several girls, who agreed it was "splendid. ” Alcott wrote, "they are the best critics, so I should definitely be satisfied. " [9]: 37 She wrote Little Women "in record time for money, " [7]: 196x2 but the book's immediate success surprised both her and her publisher. [11] Explanation of the novel's title [ edit] According to literary critic Sarah Elbert, when using the term "little women", Alcott was drawing on its Dickensian meaning; it represented the period in a young woman's life where childhood and elder childhood were "overlapping" with young womanhood. Each of the March sister heroines had a harrowing experience that alerted her and the reader that "childhood innocence" was of the past, and that "the inescapable woman problem" was all that remained. [7] [ page needed] Other views suggest that the title was meant to highlight the unfair social inferiority, especially at that time, of women as compared to men, or, alternatively, describe the lives of simple people, "unimportant" in the social sense. [12] Plot summary [ edit] Part one [ edit] Four teenaged sisters and their mother, whom they call Marmee, live in a new neighborhood (loosely based on Concord) in Massachusetts in genteel poverty. Having lost all his money, their father is acting as a pastor in the American Civil War, far from home. The women face their first Christmas without him. Meg and Jo March, the elder two, have to work in order to support the family: Meg teaches a nearby family of four children; Jo assists her aged great-aunt March, a wealthy widow living in a mansion, Plumfield. Beth, too timid for school, is content to stay at home and help with housework; Amy is still at school. Meg is beautiful and traditional, Jo is a tomboy who writes; Beth is a peacemaker and a pianist; Amy is an artist who longs for elegance and fine society. Jo is impulsive and quick to anger. One of her challenges is trying to control her anger, a challenge that her mother experiences. She advises Jo to speak with forethought before leaving to travel to Washington, where her husband has pneumonia. Their neighbor, Mr. Laurence, who is charmed by Beth, gives her a piano. Beth contracts scarlet fever after spending time with a poor family where three children die. Jo tends Beth in her illness. Beth recovers, but never fully. As a precaution, Amy is sent to live with Aunt March, replacing Jo, while Beth is ill and still infectious. Jo has success earning money with her writing. Meg spends two weeks with friends, where there are parties for the girls to dance with boys and improve their social skills. Theodore "Laurie" Laurence, Mr. Laurence's grandson, is invited to one of the dances, as Meg's friends incorrectly think she is in love with him. Meg is more interested in John Brooke, Laurie's young tutor. Brooke goes to Washington to help Mr. March. While with the March parents, Brooke confesses his love for Meg. They are pleased but consider Meg too young to be married. Brooke agrees to wait. He enlists and serves a year or so in the war. After he is wounded, he returns to find work so he can buy a house ready for when he marries Meg. Laurie goes off to college. On Christmas Day, a year after the book's opening, the girls' father returns from the war. Part two [ edit] (Published separately in the United Kingdom as Good Wives) Three years later, Meg and John marry and learn how to live together. When they have twins, Meg is a devoted mother but John begins to feel left out. Laurie graduates from college, having put in effort to do well in his last year with Jo's prompting. Amy goes on a European tour with her aunt. Beth's health is weak and her spirits are down. When trying to uncover the reason for Beth's sadness, Jo realizes that Laurie has fallen in love. At first she believes it's with Beth but soon senses it's with herself. Jo confides in Marmee, telling her that she loves Laurie but she loves him like a brother and that she could not love him in the romantic way. Jo decides she wants a bit of adventure and to put distance between herself and Laurie, hoping he will forget his feelings. She spends six months with a friend of her mother in New York City, serving as governess for her two children. The family runs a boarding house. She takes German lessons with Professor Bhaer, who lives in the house. He has come to America from Berlin to care for the orphaned sons of his sister. For extra money, Jo writes stories without a moral, which disappoints Bhaer. He persuades her to give up poorly written sensational stories as her time in New York comes to an end. When she returns, Laurie proposes marriage and she declines. Laurie travels to Europe with his grandfather to escape his heartbreak. At home, Beth's health has seriously deteriorated. Jo devotes her time to the care of her dying sister. Laurie encounters Amy in Europe, and he slowly falls in love with her as he begins to see her in a new light. She is unimpressed by the aimless, idle and forlorn attitude he has adopted since being rejected by Jo, and inspires him to find his purpose and do something worthwhile with his life. With the news of Beth's death, they meet for consolation and their romance grows. Amy's aunt will not allow Amy to return with just Laurie and his grandfather, so they marry before returning home from Europe. Professor Bhaer goes to the Marches' and stays for two weeks. On his last day, he proposes to Jo. Jo accepts. When Aunt March dies, she leaves Plumfield to Jo. Jo and Bhaer turn the house into a school for boys. They have two sons of their own, and Amy and Laurie have a daughter. At apple-picking time, Marmee celebrates her 60th birthday at Plumfield, with her husband, her three surviving daughters, their husbands, and her five grandchildren. Characters [ edit] Margaret "Meg" March [ edit] Meg, the eldest sister, is 16 when the story starts. She is referred to as a beauty and manages the household when her mother is absent. She is brown-haired and blue-eyed and has particularly beautiful hands. Meg fulfills expectations for women of the time; from the start, she is already a nearly perfect "little woman" in the eyes of the world. [13] Before her marriage to John Brooke, while still living at home, she often lectures her younger sisters to ensure they grow to embody the title of "little women". [14] Meg is employed as a governess for the Kings, a wealthy local family. Because of their father's family's social standing, Meg makes her debut into high society, but is lectured by her friend and neighbor, Theodore "Laurie" Laurence, for behaving like a snob. Meg marries John Brooke, Laurie's tutor. They have twins, Margaret "Daisy" Brooke and John "Demi" Brooke. The sequel, Little Men, mentions a baby daughter, Josephine "Josy" Brooke, [15] who is 14 at the beginning of the final book. [16] Critics have portrayed Meg as lacking in independence, reliant entirely on her husband, and "isolated in her little cottage with two small children". [7]: 204 From this perspective, Meg is seen as the compliant daughter who does not "attain Alcott's ideal womanhood" of equality. According to Sarah Elbert, "democratic domesticity requires maturity, strength, and above all a secure identity that Meg lacks". [7]: 204 Others believe that Alcott does not intend to belittle Meg for her ordinary life, and portrays her in loving detail, suffused in a sentimental light. [17] Josephine "Jo" March [ edit] The principal character, Jo, 15 years old at the beginning of the book, is a strong and willful young woman, struggling to subdue her fiery temper and stubborn personality. [18] [19] The second oldest of four sisters, Josephine March is the boyish one; her father has referred to her as his "son Jo, " and her best friend and neighbor, Theodore "Laurie" Laurence, sometimes calls her "my dear fellow, " while she alone calls him Teddy. Jo has a "hot" temper that often leads her into trouble. With the help of her own misguided sense of humor, her sister Beth, and her mother, she works on controlling it. It has been said that much of Louisa May Alcott shows through in these characteristics of Jo. [20] Jo loves literature, both reading and writing. She composes plays for her sisters to perform and writes short stories. She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters whom she adores. While pursuing a literary career in New York City, she meets Friedrich Bhaer, a German professor. On her return home, Jo rejects Laurie's marriage proposal, confirming her independence. After Beth dies, Professor Bhaer woos Jo at her home, when "They decide to share life's burdens just as they shared the load of bundles on their shopping expedition. " [7]: 210 She is 25 years old when she accepts his proposal. The marriage is deferred until her unexpected inheritance of her Aunt March's home a year later. According to critic Barbara Sicherman, "The crucial first point is that the choice is hers, its quirkiness another sign of her much-prized individuality. " [8]: 21 They have two sons, Robin "Rob" Bhaer and Theodore "Teddy" Bhaer. Jo also writes the first part of Little Women during the second portion of the novel. According to Elbert, "her narration signals a successfully completed adolescence". [7]: 199 Jo is speculated by some to be aromantic, telling Laurie that she will not marry and later expressing that she will not love any man in the way she is expected to by her friends and family. Alcott expressed frustration that so many fans wanted to see Jo wed but ultimately married her off to Bhaer (with Jo reluctantly chasing after him) as, during this time period, women were expected to marry and the book would not have sold well otherwise (as shown in the 2019 movie adaptation with the book only being published once Jo was married). In the 2019 movie adaptation Greta Gerwig makes it clear that Jo was not intended to marry. Elizabeth "Beth" March [ edit] Beth, 13 when the story starts, is described as kind, gentle, sweet, shy, quiet and musical. She is the shyest March sister. [21]: 53 Infused with quiet wisdom, she is the peacemaker of the family and gently scolds her sisters when they argue. [22] As her sisters grow up, they begin to leave home, but Beth has no desire to leave her house or family. She is especially close to Jo: when Beth develops scarlet fever after visiting the Hummels, Jo does most of the nursing and rarely leaves her side. Beth recovers from the acute disease but her health is permanently weakened. As she grows, Beth begins to realize that her time with her loved ones is coming to an end. Finally, the family accepts that Beth will not live much longer. They make a special room for her, filled with all the things she loves best: her kittens, her piano, Father's books, Amy's sketches, and her beloved dolls. She is never idle; she knits and sews things for the children who pass by on their way to and from school. But eventually she puts down her sewing needle, saying it grew "heavy. " Beth's final sickness has a strong effect on her sisters, especially Jo, who resolves to live her life with more consideration and care for everyone. The main loss during Little Women is the death of beloved Beth. Her "self-sacrifice" is ultimately the greatest in the novel. She gives up her life knowing that it has had only private, domestic meaning. " [7]: 206–207 Amy Curtis March [ edit] Amy is the youngest sister and baby of the family, aged 12 when the story begins. Interested in art, she is described as a "regular snow-maiden" with curly golden hair and blue eyes, "pale and slender" and "always carrying herself" like a proper young lady. She is the artist of the family. [23] Often coddled because she is the youngest, Amy can behave in a vain and self-centered way. [24]: 5 She has the middle name Curtis, and is the only March sister to use her full name rather than a diminutive. [25] She is chosen by her aunt to travel in Europe with her, where she grows and makes a decision about the level of her artistic talent and how to direct her adult life. She encounters "Laurie" Laurence and his grandfather during the extended visit. Amy is the least inclined of the sisters to sacrifice and self-denial. She behaves well in good society, at ease with herself. Critic Martha Saxton observes the author was never fully at ease with Amy's moral development and her success in life seemed relatively accidental. [24] However, Amy's morality does appear to develop throughout her adolescence and early adulthood, and she is able to confidently and justly put Laurie in his place when she believes he is wasting his life on pleasurable activities. Ultimately, Amy is shown to work very hard to gain what she wants in life, and to make the most of her success while she has it. Due to her early selfishness (when her friends knew she would not share any pickled lime) and attachment to material things, Amy has been described as the least likable of the four sisters, but she is also the only one who strives to excel at art purely for self-expression, in contrast to Jo, who sometimes writes for financial gain. [26] Additional characters [ edit] Margaret "Marmee" March – The girls' mother and head of household while her husband is away. She engages in charitable works and lovingly guides her girls' morals and their characters. She once confesses to Jo that her temper is as volatile as Jo's, but that she has learned to control it. [27]: 130 Somewhat modeled after the author's own mother, she is the focus around which the girls' lives unfold as they grow. [27]: 2 Robert March – Formerly wealthy, the father is portrayed as having helped a friend who could not repay a debt, resulting in his family's genteel poverty. A scholar and a minister, he serves as a chaplain in the Union Army during the Civil War and is wounded in December 1862. After the war he becomes minister to a small congregation. Professor Friedrich Bhaer – A middle-aged, "philosophically inclined", and penniless German immigrant in New York City who had been a noted professor in Berlin. Also known as Fritz, he initially lives in Mrs. Kirke's boarding house and works as a language master. [21]: 61 He and Jo become friends, and he critiques her writing. He encourages her to become a serious writer instead of writing sensational stories for weekly tabloids. "Bhaer has all the qualities Bronson Alcott lacked: warmth, intimacy, and a tender capacity for expressing his affection—the feminine attributes Alcott admired and hoped men could acquire in a rational, feminist world. " [7]: 210 They eventually marry and raise his two orphaned nephews, Franz and Emil, and their own sons, Rob and Teddy. [28] Robin and Theodore Bhaer ("Rob" and "Teddy") – Jo's and Fritz's sons, introduced in the final pages of the novel, named after the March girls' father and Laurie. John Brooke – During his employment as a tutor to Laurie, he falls in love with Meg. He accompanies Mrs. March to Washington D. C. when her husband is ill with pneumonia. When Laurie leaves for college, Brooke continues his employment with Mr. Laurence as a bookkeeper. When Aunt March overhears Meg rejecting John's declaration of love, she threatens Meg with disinheritance because she suspects that Brooke is only interested in Meg's future prospects. Eventually, Meg admits her feelings to Brooke, they defy Aunt March (who ends up accepting the marriage), and they are engaged. Brooke serves in the Union Army for a year and is sent home as an invalid when he is wounded. Brooke marries Meg a few years later when the war has ended and she has turned twenty. Brooke was modeled after John Bridge Pratt, her sister Anna's husband. [29] Margaret and John Laurence Brooke ("Daisy" and "Demijohn/Demi") – Meg's twin son and daughter. Daisy is named after both Meg and Marmee, while Demi is named for John and the Laurence family. Josephine Brooke ("Josy" or "Josie") – Meg's youngest child, named after Jo. She develops a passion for acting as she grows up. Uncle and Aunt Carrol – Sister and brother-in-law of Mr. They take Amy to Europe with them, where Uncle Carrol frequently tries to be like an English gentleman. Florence "Flo" Carrol – Amy's cousin, daughter of Aunt and Uncle Carrol, and companion in Europe. May and Mrs. Chester – A well-to-do family with whom the Marches are acquainted. May Chester is a girl about Amy's age, who is rich and jealous of Amy's popularity and talent. Miss Crocker – An old and poor spinster who likes to gossip and who has few friends. Mr. Dashwood – Publisher and editor of the Weekly Volcano. Mr. Davis – The schoolteacher at Amy's school. He punishes Amy for bringing pickled limes to school by striking her palm and making her stand on a platform in front of the class. She is withdrawn from the school by her mother. Estelle "Esther" Valnor – A French woman employed as a servant for Aunt March who befriends Amy. The Gardiners – Wealthy friends of Meg's. Daughter Sallie Gardiner later marries Ned Moffat. The Hummels – A poor German family consisting of a widowed mother and six children. Marmee and the girls help them by bringing food, firewood, blankets, and other comforts. They help with minor repairs to their small dwelling. Three of the children die of scarlet fever and Beth contracts the disease while caring for them. The eldest daughter, Lottchen "Lotty" Hummel, later works as a matron at Jo's school at Plumfield The Kings – A wealthy family with four children for whom Meg works as a governess. The Kirkes – Mrs. Kirke is a friend of Mrs. March's who runs a boarding house in New York. She employs Jo as governess to her two daughters, Kitty and Minnie. The Lambs – A well-off family with whom the Marches are acquainted. James Laurence – Laurie's grandfather and a wealthy neighbor of the Marches. Lonely in his mansion, and often at odds with his high-spirited grandson, he finds comfort in becoming a benefactor to the Marches. He protects the March sisters while their parents are away. He was a friend to Mrs. March's father, and admires their charitable works. He develops a special, tender friendship with Beth, who reminds him of his late granddaughter. He gives Beth the girl's piano. Theodore "Laurie" Laurence – A rich young man who lives opposite the Marches, older than Jo but younger than Meg. Laurie is the "boy next door" to the March family and has an overprotective paternal grandfather, Mr. Laurence. After eloping with an Italian pianist, Laurie's father was disowned by his parents. Both Laurie's mother and father died young, so as a boy Laurie was taken in by his grandfather. Preparing to enter Harvard, Laurie is being tutored by John Brooke. He is described as attractive and charming, with black eyes, brown skin, and curly black hair. He later falls in love with Amy and they marry; they have one child, a little girl named after Beth: Elizabeth "Bess" Laurence. Sometimes Jo calls Laurie "Teddy". Though Alcott did not make Laurie as multidimensional as the female characters, she partly based him on Ladislas Wisniewski, a young Polish émigré she had befriended, and Alf Whitman, a friend from Lawrence, Kansas. [4]: 202 [6]: 241 [24]: 287 According to author and professor Jan Susina, the portrayal of Laurie is as "the fortunate outsider", observing Mrs. March and the March sisters. He agrees with Alcott that Laurie is not strongly developed as a character. [30] Elizabeth Laurence ("Bess") – The only daughter of Laurie and Amy, named for Beth. Like her mother, she develops a love for art as she grows up. Aunt Josephine March – Mr. March's aunt, a rich widow. Somewhat temperamental and prone to being judgmental, she disapproves of the family's poverty, their charitable work, and their general disregard for the more superficial aspects of society's ways. Her vociferous disapproval of Meg's impending engagement to the impoverished Mr. Brooke becomes the proverbial "last straw" that actually causes Meg to accept his proposal. She appears to be strict and cold, but deep down, she's really quite soft-hearted. She dies near the end of the first book, and Jo and Friedrich turn her estate into a school for boys. Annie Moffat – A fashionable and wealthy friend of Meg and Sallie Gardiner. Ned Moffat – Annie Moffat's brother, who marries Sallie Gardiner. Hannah Mullet – The March family maid and cook, their only servant. She is of Irish descent and very dear to the family. She is treated more like a member of the family than a servant. Miss Norton – A friendly, well-to-do tenant living in Mrs. Kirke's boarding house. She occasionally invites Jo to accompany her to lectures and concerts. Susie Perkins – A girl at Amy's school. The Scotts – Friends of Meg and John Brooke. John knows Mr. Scott from work. Tina – The young daughter of an employee of Mrs. Kirke. Tina loves Mr. Bhaer and treats him like a father. The Vaughans – English friends of Laurie's who come to visit him. Kate is the oldest of the Vaughan siblings, and prim and proper Grace is the youngest. The middle siblings, Fred and Frank, are twins; Frank is the younger twin. Fred Vaughan – A Harvard friend of Laurie's who, in Europe, courts Amy. Rivalry with the much richer Fred for Amy's love inspires the dissipated Laurie to pull himself together and become more worthy of her. Amy will eventually reject Fred, knowing she does not love him and deciding not to marry out of ambition. [31] Frank Vaughan – Fred's twin brother, mentioned a few times in the novel. When Fred and Amy are both traveling in Europe, Fred leaves because he hears his twin is ill. Inspiration [ edit] The attic at Fruitlands where Alcott lived and acted out plays at 11 years old. Note that the ceiling area is around 4 feet high For her books, Alcott was often inspired by familiar elements. The characters in Little Women are recognizably drawn from family members and friends. [3] [4]: 202 Her married sister Anna was Meg, the family beauty. Lizzie, Alcott's beloved sister who died at the age of twenty-three, was the model for Beth, and May, Alcott's strong-willed sister, was portrayed as Amy, whose pretentious affectations cause her occasional downfalls. [4]: 202 Alcott portrayed herself as Jo. Alcott readily corresponded with readers who addressed her as "Miss March" or "Jo", and she did not correct them. [32] [33]: 31 However, Alcott's portrayal, even if inspired by her family, is an idealized one. For instance, Mr. March is portrayed as a hero of the American Civil War, a gainfully employed chaplain, and, presumably, a source of inspiration to the women of the family. He is absent for most of the novel. [33]: 51 In contrast, Bronson Alcott was very present in his family's household, due in part to his inability to find steady work. While he espoused many of the educational principles touted by the March family, he was loud and dictatorial. His lack of financial independence was a source of humiliation to his wife and daughters. [33]: 51 The March family is portrayed living in genteel penury, but the Alcott family, dependent on an improvident, impractical father, suffered real poverty and occasional hunger. [34] In addition to her own childhood and that of her sisters, scholars who have examined the diaries of Louisa Alcott's mother, Abigail Alcott, have surmised that Little Women was also heavily inspired by Abigail Alcott's own early life. [27]: 6 Publication history [ edit] The first volume of Little Women was published in 1868 by Roberts Brothers. [35] The first printing of 2, 000 copies sold out quickly, and the company had trouble keeping up with demand for additional printings. They announced: "The great literary hit of the season is undoubtedly Miss Alcott's Little Women, the orders for which continue to flow in upon us to such an extent as to make it impossible to answer them with promptness. " [9]: 37 The last line of Chapter 23 in the first volume is "So the curtain falls upon Meg, Jo, Beth, and Amy. Whether it ever rises again, depends upon the reception given the first act of the domestic drama called Little Women. " [36] Alcott delivered the manuscript for the second volume on New Year's Day 1869, just three months after publication of part one. [10]: 345 Versions in the late 20th and 21st centuries combine both portions into one book, under the title Little Women, with the later-written portion marked as Part 2, as this Bantam Classic paperback edition, initially published in 1983 typifies. [37] There are 23 chapters in Part 1 and 47 chapters in the complete book. Each chapter is numbered and has a title as well. Part 2, Chapter 24 opens with "In order that we may start afresh and go to Meg's wedding with free minds, it will be well to begin with a little gossip about the Marches. " [36] Editions published in the 21st century may be the original text unaltered, the original text with illustrations, the original text annotated for the reader (explaining terms of 1868–69 that are less common now), the original text modernized and abridged, or the original text abridged. [38] The British influence, giving Part 2 its own title, Good Wives, has the book still published in two volumes, with Good Wives beginning three years after Little Women ends, especially in the UK and Canada, but also with some US editions. Some editions listed under Little Women appear to include both parts, especially in the audio book versions. [38] Editions are shown in continuous print from many publishers, as hardback, paperback, audio, and e-book versions, from the 1980s to 2015. [38] [39] This split of the two volumes also shows at Goodreads, which refers to the books as the Little Women series, including Little Women, Good Wives, Little Men and Jo's Boys. [40] Reception [ edit] G. K. Chesterton notes that in Little Women, Alcott "anticipated realism by twenty or thirty years", and that Fritz's proposal to Jo, and her acceptance, "is one of the really human things in human literature. " [41] Gregory S. Jackson said that Alcott's use of realism belongs to the American Protestant pedagogical tradition, which includes a range of religious literary traditions with which Alcott was familiar. He has copies in his book of nineteenth-century images of devotional children's guides which provide background for the game of "pilgrims progress" that Alcott uses in her plot of Book One. [42] Little Women was well received upon first publication. According to 21st-century critic Barbara Sicherman there was, during the 19th century, a "scarcity of models for nontraditional womanhood", which led more women to look toward "literature for self-authorization. This is especially true during adolescence. " [8]: 2 Little Women became "the paradigmatic text for young women of the era and one in which family literary culture is prominently featured. " [8]: 3 Adult elements of women's fiction in Little Women included "a change of heart necessary" for the female protagonist to evolve in the story. [7]: 199 In the late 20th century some scholars criticized the novel. Sarah Elbert, for instance, wrote that Little Women was the beginning of "a decline in the radical power of women's fiction", partly because women's fiction was being idealized with a "hearth and home" children's story. [7]: 197 Women's literature historians and juvenile fiction historians have agreed that Little Women was the beginning of this "downward spiral". But Elbert says that Little Women did not "belittle women's fiction" and that Alcott stayed true to her "Romantic birthright". [7]: 198–199 Little Women' s popular audience was responsive to ideas of social change as they were shown "within the familiar construct of domesticity". [7]: 220 While Alcott had been commissioned to "write a story for girls", her primary heroine, Jo March, became a favorite of many different women, including educated women writers through the 20th century. The girl story became a "new publishing category with a domestic focus that paralleled boys' adventure stories". [8]: 3–4 One reason the novel was so popular was that it appealed to different classes of women along with those of different national backgrounds, at a time of high immigration to the United States. Through the March sisters, women could relate and dream where they may not have before. [8]: 3–4 "Both the passion Little Women has engendered in diverse readers and its ability to survive its era and transcend its genre point to a text of unusual permeability. " [8]: 35 At the time, young girls perceived that marriage was their end goal. After the publication of the first volume, many girls wrote to Alcott asking her "who the little women marry". [8]: 21 The unresolved ending added to the popularity of Little Women. Sicherman said that the unsatisfying ending worked to "keep the story alive" as if the reader might find it ended differently upon different readings. [8]: 21 "Alcott particularly battled the conventional marriage plot in writing Little Women. " [43] Alcott did not have Jo accept Laurie's hand in marriage; rather, when she arranged for Jo to marry, she portrayed an unconventional man as her husband. Alcott used Friedrich to "subvert adolescent romantic ideals" because he was much older and seemingly unsuited for Jo. [8]: 21 (Jo is speculated by some to be aromantic, telling Laurie that she will not marry and later expressing that she will not love any man in the way she is expected to by her friends and family. In the 2019 movie adaptation Greta Gerwig makes it clear that Jo was not intended to marry. Other common speculations include that Jo is: - Lesbian - Transgender) () In 2003 Little Women was ranked number 18 in The Big Read, a survey of the British public by the BBC to determine the "Nation's Best-loved Novel" (not children's novel); it is fourth-highest among novels published in the U. S. on that list. [44] Based on a 2007 online poll, the U. National Education Association named it one of "Teachers' Top 100 Books for Children". [45] In 2012 it was ranked number 48 among all-time children's novels in a survey published by School Library Journal, a monthly with primarily US audience. [46] Influence [ edit] Little Women has been one of the most widely read novels, noted by Stern from a 1927 report in the New York Times and cited in Little Women and the Feminist Imagination: Criticism, Controversy, Personal Essays. [47] Ruth MacDonald argued that "Louisa May Alcott stands as one of the great American practitioners of the girls' novel and the family story. " [48] In the 1860s, gendered separation of children's fiction was a newer division in literature. This division signaled a beginning of polarization of gender roles as social constructs "as class stratification increased". [8]: 18 Joy Kasson wrote, "Alcott chronicled the coming of age of young girls, their struggles with issues such as selfishness and generosity, the nature of individual integrity, and, above all, the question of their place in the world around them. " [49] Girls related to the March sisters in Little Women, along with following the lead of their heroines, by assimilating aspects of the story into their own lives. [8]: 22 After reading Little Women, some women felt the need to "acquire new and more public identities", however dependent on other factors such as financial resources. [8]: 55 While Little Women showed regular lives of American middle-class girls, it also "legitimized" their dreams to do something different and allowed them to consider the possibilities. [8]: 36 More young women started writing stories that had adventurous plots and "stories of individual achievement—traditionally coded male—challenged women's socialization into domesticity. " [8]: 55 Little Women also influenced contemporary European immigrants to the United States who wanted to assimilate into middle-class culture. In the pages of Little Women, young and adolescent girls read the normalization of ambitious women. This provided an alternative to the previously normalized gender roles. [8]: 35 Little Women repeatedly reinforced the importance of "individuality" and "female vocation". [8]: 26 Little Women had "continued relevance of its subject" and "its longevity points as well to surprising continuities in gender norms from the 1860s at least through the 1960s. " [8]: 35 Those interested in domestic reform could look to the pages of Little Women to see how a "democratic household" would operate. [7]: 276 While "Alcott never questioned the value of domesticity", she challenged the social constructs that made spinsters obscure and fringe members of society solely because they were not married. [7]: 193 " Little Women indisputably enlarges the myth of American womanhood by insisting that the home and the women's sphere cherish individuality and thus produce young adults who can make their way in the world while preserving a critical distance from its social arrangements. " As with all youth, the March girls had to grow up. These sisters, and in particular Jo, were apprehensive about adulthood because they were afraid that, by conforming to what society wanted, they would lose their special individuality. [7]: 199 Alcott's Jo also made professional writing imaginable for generations of women. Writers as diverse as Maxine Hong Kingston, Margaret Atwood, and J. Rowling have noted the influence of Jo March on their artistic development. Even other fictional portraits of young women aspiring to authorship often reference Jo March. [50] Alcott "made women's rights integral to her stories, and above all to Little Women. " [7]: 193 Alcott's fiction became her "most important feminist contribution"—even considering all the effort Alcott made to help facilitate women's rights. " [7]: 193 She thought that "a democratic household could evolve into a feminist society". In Little Women, she imagined that just such an evolution might begin with Plumfield, a nineteenth century feminist utopia. [7]: 194 Little Women has a timeless resonance which reflects Alcott's grasp of her historical framework in the 1860s. The novel's ideas do not intrude themselves upon the reader because the author is wholly in control of the implications of her imaginative structure. Sexual equality is the salvation of marriage and the family; democratic relationships make happy endings. This is the unifying imaginative frame of Little Women. [7]: 276 Adaptations [ edit] Stage [ edit] Scene from the 1912 Broadway production of Little Women, adapted by Marian de Forest Katharine Cornell became a star in the 1919 London production of de Forest's adaptation of Little Women Marian de Forest adapted Little Women for the Broadway stage in 1912. [51] The 1919 London production made a star of Katharine Cornell, who played the role of Jo. [52] A one-act stage version, written by Gerald P. Murphy in 2009, [53] has been produced in the US, UK, Italy, Australia, Ireland, and Singapore. [ citation needed] Myriad Theatre & Film adapted the novel as a full-length play which was staged in London and Essex in 2011. [54] Marisha Chamberlain [55] [56] and June Lowery [57] have both adapted the novel as a full-length play; the latter play was staged in Luxembourg in 2014. Isabella Russell-Ides created two stage adaptations. Her Little Women featured an appearance by author, Louisa May Alcott. Jo & Louisa features a rousing confrontation between the unhappy character, Jo March, who wants rewrites from her author. [58] [59] A new adaptation by award-winning playwright Kate Hamill had its world premiere in 2018 at the Jungle Theater in Minneapolis, followed by a New York premiere in 2019 at Primary Stages directed by Sarna Lapine. [60] Film [ edit] Little Women has been adapted to film seven times. The first adaptation was a silent film directed by Alexander Butler and released in 1917, which starred Daisy Burrell as Amy, Mary Lincoln as Meg, Ruby Miller as Jo, and Muriel Myers as Beth. It is considered a lost film. Another silent film adaptation was released in 1918 and directed by Harley Knoles. It starred Isabel Lamon as Meg, Dorothy Bernard as Jo, Lillian Hall as Beth, and Florence Flinn as Amy. George Cukor directed the first sound adaptation of Little Women, starring Katharine Hepburn as Jo, Joan Bennett as Amy, Frances Dee as Meg, and Jean Parker as Beth. The film was released in 1933 and followed by an adaptation of Little Men the year after. The first color adaptation starred June Allyson as Jo, Margaret O'Brien as Beth, Elizabeth Taylor as Amy, and Janet Leigh as Meg. Directed by Mervyn LeRoy, it was released in 1949. Gillian Armstrong directed a 1994 adaptation, which starred Winona Ryder as Jo, Trini Alvarado as Meg, Samantha Mathis and Kirsten Dunst as Amy, and Claire Danes as Beth. [61] The film received three Academy Award nominations, including Best Actress for Ryder. A contemporary film adaptation [62] was released in 2018 to mark the 150th anniversary of the novel. [63] It was directed by Clare Niederpruem in her directorial debut and starred Sarah Davenport as Jo, Allie Jennings as Beth, Melanie Stone as Meg, and Elise Jones and Taylor Murphy as Amy. [63] A 2019 adaptation directed by Greta Gerwig starred Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy, and Eliza Scanlen as Beth. [64] Television [ edit] Little Women was adapted into a television musical, in 1958, by composer Richard Adler for CBS. [65] Little Women has been made into a serial four times by the BBC: in 1950 (when it was shown live), in 1958, in 1970, [66] and in 2017. [67] The 3-episode 2017 series development was supported by PBS, and was aired as part of the PBS Masterpiece anthology in 2018. Universal Television produced a two-part miniseries based on the novel, which aired on NBC in 1978. It was followed by a 1979 series. In the 1980s, two anime series were made in Japan, Little Women in 1981 and Tales of Little Women in 1987. Both anime series were dubbed in English and shown on American television. In 2012, Lifetime aired The March Sisters at Christmas (directed by John Simpson), a contemporary television film focusing on the title characters' efforts to save their family home from being sold. [68] It is usually rebroadcast on the channel each holiday season. [69] A 2018 adaption is that of Manor Rama Pictures LLP of Karan Raj Kohli & Viraj Kapur which streams on the ALTBalaji app in India. The web series is called Haq Se. Set in Kashmir, the series is a modern-day Indian adaptation of the book. Musicals and opera [ edit] The novel was adapted to a musical of the same name and debuted on Broadway at the Virginia Theatre on January 23, 2005 and closed on May 22, 2005 after 137 performances. A production was also staged in Sydney, Australia in 2008. [70] The Houston Grand Opera commissioned and performed Little Women in 1998. The opera was aired on television by PBS in 2001 and has been staged by other opera companies since the premiere. [71] There is a Canadian musical version, with book by Nancy Early and music and lyrics by Jim Betts, which has been produced at several regional theatres in Canada. There was another musical version, entitled "Jo", with music by William Dyer and book and lyrics by Don Parks & William Dyer, which was produced off-Broadway at the Orpheum Theatre. It ran for 63 performances from February 12, 1964, to April 5, 1964. It featured Karin Wolfe (Jo), Susan Browning (Meg), Judith McCauley (Beth), April Shawhan (Amy), Don Stewart (Laurie), Joy Hodges (Marmee), Lowell Harris (John Brooke) and Mimi Randolph (Aunt March). Audio drama [ edit] A radio play starring Katharine Hepburn as Jo was made to accompany the 1933 film. Grand Audiobooks hold the current copyright. A dramatized version, produced by Focus on the Family Radio Theatre, [72] was released on September 4, 2012. See also [ edit] Hillside (later renamed The Wayside), the Alcott family home (1845–1848) and real-life setting for some of the book's scenes Orchard House, the Alcott family home (1858–1877) and site where the book was written; adjacent to The Wayside References [ edit] ^ Longest, David (1998). Little Women of Orchard House: A Full-length Play. Dramatic Publishing. p. 115. ISBN   9780871298577. ^ Sparknotes: literature. Spark Educational Publishing. 2004. p. 465. ISBN   9781411400269. ^ a b Alberghene, Janice (1999). Alberghene, Janice M. and Clark, Beverly Lyon (eds. ). Autobiography and the Boundaries of Interpretation on Reading Little Women and the Living is Easy. Little Women and the Feminist Imagination: Criticism, Controversy, Personal Essays. Psychology Press. p. 355. ISBN   9780815320494. CS1 maint: uses editors parameter ( link) ^ a b c d e f g Cheever, Susan (2011). Louisa May Alcott: A Personal Biography. Simon and Schuster. ISBN   978-1416569923. ^ Cullen Sizer, Lyde (2000). The Political Work of Northern Women Writers and the Civil War, 1850–1872. Univ of North Carolina Press. p. 45. ISBN   9780807860984. ^ a b Reisen, Harriet (2010). Louisa May Alcott: The Woman Behind Little Women. Macmillan. ISBN   9780312658878. ^ a b c d e f g h i j k l m n o p q r s t u Elbert, Sarah (1987). A Hunger for Home: Louisa May Alcott's Place in American Culture. New Brunswick: Rutgers University Press. ISBN   0-8135-1199-2. ^ a b c d e f g h i j k l m n o p q r Sicherman, Barbara (2010). Well Read Lives: How Books Inspired A Generation of American Women. Chapel Hill: The University of North Carolina Press. ISBN   978-0-8078-3308-7. ^ a b c d Author Madison, Charles A. (1974). Irving to Irving: Author-Publisher Relations 1800–1974. New York: R. R. Bowker Company. ISBN   0-8352-0772-2. ^ a b c Matteson, John (2007). Eden's Outcasts: The Story of Louisa May Alcott and Her Father. New York: W. W. Norton & Company. ISBN   978-0-393-33359-6. ^ Smith, David E. James, Edward T. (ed. "Notable American Women 1607–1950: A Biographical Dictionary, Volume 1". Notable American Women 1607–1950: A Biographical Dictionary, Volume 1. Harvard University Press: 29. ISBN   9780674627345. ^ Alcott, Louisa May (2010). "Foreword". Little Women. Collins Classics. HarperCollins UK. p. vi. ISBN   9780007382644. ^ Hermeling, Ines (2010). The Image of Society and Women in Louisa May Alcott's "Little Women". GRIN Verlag. p. 8. ISBN   9783640591220. ^ Caspi, Jonathan (2010). Sibling Development: Implications for Mental Health Practitioners. Springer Publishing Company. p. 147. ISBN   9780826117533. ^ Alcott, Louisa May. Little Men. p. Chapter 2. Baby Josy had a flannel petticoat beautifully made by Sister Daisy ^ Alcott, Louisa May. Jo's Boys. p. Chapter 1. ^ "Characters Margaret Meg March Meg the eldest sister is sixteen when the story".. Retrieved 2018-11-07. ^ Alcott, Louisa (August 1, 2013). search of mentions of Jo March. Simon and Schuster. ^ Acocella, Joan (2018-08-20). "How "Little Women" Got Big". ISSN   0028-792X. Retrieved 2019-02-25. ^ "Louisa May Alcott: The Woman Behind Little Women, The Character of Jo March". American Masters. December 12, 2009. Retrieved August 4, 2018. ^ a b Keith, Lois (2001). Take Up Thy Bed and Walk: Death, Disability and Cure in Classic Fiction for Girls. Taylor & Francis. ISBN   9780415937405. ^ Apter, T. E. (2007). The Sister Knot: Why We Fight, why We're Jealous, and why We'll Love Each Other No Matter what. p. 137. ISBN   9780393060584. ^ Alcott, Louisa May (1880). Little Women: or, Meg, Jo, Beth and Amy. Cambridge, Massachusetts: John Wilson and Son. Retrieved 2010-05-31. ^ a b c Saxton, Martha (1977). Louisa May Alcott: A Modern Biography. Macmillan. ^ Alcott, Louisa May (1880). Little Women, or Meg, Jo, Beth and Amy. p. 213. Retrieved May 13, 2015. ^ Hollander, Anne (2000). Feeding the Eye. University of California Press. p. 233. ISBN   0520226593. ^ a b c LaPlante, Eve (2013). Marmee & Louisa: The Untold Story of Louisa May Alcott and Her Mother. ISBN   9781451620672. ^ Masse, Michelle (1999). "Songs to Aging Children: Alcott's March Trilogy". In Alberghene, Janice M. p. 338. CS1 maint: uses editors parameter ( link) ^ Alcott, Louisa (2000). The Portable Louisa May Alcott. Penguin. p. 1854. ISBN   9781101177044. ^ Susina, Jan (1999). "Men and Little Women Notes of a Resisting (Male) Reader". pp. 161–70. CS1 maint: uses editors parameter ( link) ^ Seelinger Trites, Roberta (2009). "Journeys with Little Women". In Betsy Gould Hearne, Roberta Seelinger Trites (eds. A Narrative Compass: Stories that Guide Women's Lives. University of Illinois Press. p. 15. ISBN   0252076117. CS1 maint: uses editors parameter ( link) ^ Sicherman, Barbara (1995). "Reading Little Women: The Many lives of a Text". In Linda K. Kerber, Alice Kessler-Harris, Kathryn Kish Sklar (eds. U. History as Women's History: New Feminist Essays. University of North Carolina Press. p. 253. ISBN   9780807866863. CS1 maint: uses editors parameter ( link) ^ a b c Keyser, Elizabeth Lennox (2000). Little Women: A Family Romance. University of Georgia Press. ISBN   9780820322803. ‘I am Jo, in the principal characteristics, not the good ones. ’ ^ "Alcott: 'Not The Little Woman You Thought She Was ' ". NPR. December 28, 2009. Retrieved August 22, 2013. ^ Cheney, Ednah Dow, ed. (1889). Louisa May Alcott: Her Life, Letters, and Journals. Boston: Applewood Books. p. 190. ISBN   978-1-4290-4460-8. ^ a b Alcott, Louisa May (August 19, 2010) [1868]. "Little Women". ProjectGutenberg. Retrieved April 9, 2015. ^ Alcott, Louisa May (April 1, 1983) [1868]. ISBN   978-0553212754. Retrieved March 27, 2015. ^ a b c Louisa May Alcott. "Little Women" (Part 1 ed. Fantastic Fiction. Retrieved March 27, 2015. ^ Louisa May Alcott. "Good Wives (Little Women) (1869)" (Part 2 ed. "Little Women series". Goodreads. Retrieved March 27, 2015. ^ Chesterton, G. (1953). "Louisa Alcott". A Handful of Authors. ^ Jackson, Gregory S. (2009). The Word and Its Witness: The Spiritualization of American Realism. Chicago: The University of Chicago Press. pp. 125–56. ISBN   978-0-226-39004-8. ^ Boyd, Anne E. (2004). Writing for Immortality: Women Writers and the Emergence of High Literary Culture in America. Baltimore: Johns Hopkins University Press. p. 72. ISBN   0-8018-7875-6. ^ "BBC – The Big Read". BBC. April 2003. Retrieved December 12, 2013. ^ National Education Association (2007). "Teachers' Top 100 Books for Children". Retrieved August 22, 2012. ^ Bird, Elizabeth (July 7, 2012). "Top 100 Chapter Book Poll Results". School Library Journal "A Fuse No. 8 Production" blog. Retrieved August 22, 2012. ^ Alberghese, Janice M. and Clark, Beverly Lyon, eds. (1999). "Little Women Leads Poll: Novel Rated Ahead of Bible for Influence on High School Pupils". p. xliv. CS1 maint: uses editors parameter ( link) ^ MacDonald, Ruth M. (1983). Louisa May Alcott. Boston: Twayne Publishers. p.  95. ^ Alcott, Louisa May; Kasson, Joy S. (1994). "Introduction". Work: A Story of Experience. New York: Penguin Books. p. ix. ISBN   014039091X. ^ Isaac, Megan Lynn (2018). "A Character of One's Own: The Perils of Female Authorship in the Young Adult Novel from Alcott to Birdsall". Children's Literature. 46: 133–168 – via JSTOR. ^ "Little Women". Internet Broadway Database. Retrieved December 28, 2018. ^ Cornell, Katharine (September 1938). "I Wanted to Be an Actress". Stage. New York City: Stage Magazine Company, Inc. p. 13. Retrieved December 28, 2018. ^ Murphy, Gerald P. Lazy Bee Scripts. Retrieved July 27, 2015. ^ Stephens, Connie (Winter 2011). Myriad Theatre & Film, bringing the classics to life. London, UK. Retrieved 14 May 2016. ^ "Little Women". Marisha Chamberlain. Retrieved 6 May 2016. ^ Chamberlain, Marisha. "Little Women (full length)".. Retrieved September 9, 2015. ^ Lowery, June (Fall 2014). "Little Women (Les Quatre Filles du Docteur March)". Berliner Grundtheater Group. Retrieved January 31, 2016. ^ Heimberg, Martha (2019-07-21). "TheaterJones | FIT Review: Jo & Louisa | Festival of Independent Theatres".. Retrieved 2019-09-26. ^ Jul 26; 2019 | 1 (2019-07-26). "Pitching another FIT". Dallas Voice. Retrieved 2019-09-26. ^ "Little Women, 2019 Season". Retrieved 24 October 2019. ^ 1994. "Little Women (1994) by IMDB".. Retrieved 2017-05-09. ^ "Casting Call". Little Women, a modern adaptation. Retrieved February 14, 2017. ^ a b Busch, Anita (April 27, 2017). "Lea Thompson To Star in New Feature Adaptation Of 'Little Women ' ".. Retrieved June 23, 2018. ^ Eldredge, Kristy (27 December 2019). "Opinion | Men Are Dismissing 'Little Women. ' What a Surprise". The New York Times. Retrieved 27 December 2019. ^ Mercer, Charles (September 21, 1958). "Beth Lives in TV musical of "Little Women " ". Chicago Tribune. Retrieved February 23, 2017. ^ Little Women (1970) on IMDb ^ Little Women (2017) on IMDb ^ "The March Sisters at Christmas TV Show". Retrieved April 16, 2016. ^ The March Sisters at Christmas on IMDb ^ Morgan, Clare (November 11, 2008). "Stakes are high for Kookaburra's sister act". The Sydney Morning Herald. Retrieved 3 December 2019. ^ Adamo, Mark (2007). Mark Adamo Online. Retrieved December 3, 2019. ^ "Little Women (Audio Drama) by Focus on the Family Radio Theatre on iTunes". iTunes. Retrieved 2015-11-16. External links [ edit] Little Women at Project Gutenberg Lesson plans for Little Women at Web English Teacher "Top 100 Children's Novels #25". School Library Journal Blog. Retrieved 2012-05-20. 1945 radio adaptation of novel at Theatre Guild on the Air at the Internet Archive Little Women public domain audiobook at LibriVox Rudin, Shai (2019). "The Hidden Feminist Agenda and Corresponding Edification in the Novel Little Women by Louisa May Alcott". Childhood, Vol. 3. pp. 115–132.

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country - USA; 2019; average rating - 7,4 / 10; 4395 vote; Genres - Adventure; 1 Hours 42 min. Very Awesome. 👌🆒️. Spies in disguise poster. Spies in Disguise Theatrical release poster Directed by Troy Quane Nick Bruno Produced by Peter Chernin Jenno Topping Michael J. Travers [1] Screenplay by Brad Copeland Lloyd Taylor [1] Story by Cindy Davis [1] Based on Pigeon: Impossible by Lucas Martell Starring Will Smith Tom Holland Rashida Jones Ben Mendelsohn Reba McEntire Rachel Brosnahan Karen Gillan DJ Khaled Masi Oka Music by Theodore Shapiro [2] Cinematography Renato Falcão Edited by Randy Trager Christopher Campbell [3] Production companies Blue Sky Studios [4] 20th Century Fox Animation [4] Chernin Entertainment [5] Distributed by 20th Century Fox Release date December 4, 2019 ( El Capitan Theatre) December 25, 2019 (United States) Running time 102 minutes [6] Country United States Language English Budget $100 million [7] Box office $157. 3 million [8] Spies in Disguise is a 2019 American computer-animated spy comedy film produced by Blue Sky Studios and distributed by 20th Century Fox. Loosely based on the 2009 animated short Pigeon: Impossible by Lucas Martell, the film is directed by Troy Quane and Nick Bruno (in their feature directorial debuts) from a screenplay by Brad Copeland and Lloyd Taylor, and a story by Cindy Davis. It stars the voices of Will Smith and Tom Holland, alongside Rashida Jones, Ben Mendelsohn, Reba McEntire, Rachel Brosnahan, Karen Gillan, DJ Khaled, and Masi Oka in supporting roles. The plot follows a secret agent (Smith) who is accidentally transformed into a pigeon by an intelligent young scientist (Holland); the two must then work together to stop a revenge-seeking cybernetic terrorist, and return the agent to his human form. The film premiered at the El Capitan Theatre on December 4, 2019, and was theatrically released in the United States on December 25, 2019. It has grossed $157 million worldwide and it received generally positive reviews from critics. Plot [ edit] Lance Sterling, a cocky secret agent of H. T. U. V. (Honor, Trust, Unity and Valor), is sent to recover an attack drone from Japanese arms dealer Katsu Kimura in Japan. As soon as the buyer, cybernetically enhanced terrorist Killian, arrives, Sterling breaks in against the orders of H. director Joy Jenkins, defeats Kimura and his gang, and manages to escape with the briefcase containing the drone. Sterling returns to H. headquarters to confront Walter Beckett, a socially inept MIT graduate and outcast young scientist, for equipping nonlethal weapons into his suit. Walter tries to convince Sterling that there is a more peaceful way to save the world, but Sterling fires him before he can explain his latest invention: "biodynamic concealment". Sterling discovers the briefcase to be empty and is confronted by Marcy Kappel, a security forces agent, who reveals footage of Sterling (actually Killian in a holographic disguise) leaving with the drone, labeling him as a traitor. Sterling escapes the H. and decides to track down Walter to help him disappear. Meanwhile, Killian breaks into the H. weapons facility. While searching Walter's home for his invention, Sterling unknowingly ingests the concoction and transforms into a pigeon. Before Walter can start making an antidote to change him back, Marcy and other H. agents chase the duo through the city, but they escape in Sterling's spy car. The two track down Kimura to a resort in Playa del Carmen, Mexico. There, they learn of Killian's whereabouts in Venice, Italy before Marcy and the H. can capture them again. On their way to Venice, Walter attempts to make the antidote, but fails. Arriving in Venice, Walter is confronted by the H. V., who are unaware of Sterling's condition. Revealing that she knows about Wendy, Walter's mother who was a police officer who died on duty, Marcy tries to convince him to help turn Sterling in, but Walter refuses. Suddenly, a drone distracts the H. and allows Walter and Sterling to escape. The two discover the drone carrying the H. agent database, and Walter manages to retrieve it. However, Killian shows up, takes the database, and prepares to kill Walter. With help from hundreds of pigeons in the surrounding area, they distract Killian and flee. Disguised as Sterling once more, Killian escapes the H. V., shaking Marcy's suspicions of Sterling upon her seeing him with a robot hand. Whilst underwater in a submarine, Walter reveals he planted a tracking device on Killian and locates him at the weapons facility. Walter manages to perfect the antidote and successfully turns Sterling human again. Reaching Killian's hideout, Sterling is concerned about Walter's safety and sends him away in the submarine. Once inside, Sterling confronts Killian, but is defeated and captured as Killian reveals he has mass produced hundreds of drones to target everyone at the agency using the database as revenge for killing his crew in a past mission led by Sterling. Noticing Walter returning in the submarine, Killian destroys it; unbeknownst to them, Walter survives with the help of one of his inventions, the inflatable hug. Once Walter frees Sterling, the two escape and contact Marcy for support as the drones approach H. headquarters in Washington D. C. Walter attempts to hack into Killian's bionic arm. When Killian realizes this, he tries to flee via air with a drone, but Walter catches up. Walter risks his life by trapping Killian in one of his protective gadgets and deactivates the villain's arm as Walter himself falls, but Sterling, who has turned himself back into a pigeon, successfully flies for the first time and carries him to safety with help from other pigeons, while Killian is found and arrested. Despite saving the world, Sterling, back in his human form (except for his right hand, which is temporarily remaining tiny), and Walter are fired for disobedience. However, they are quickly reinstated by the H. as the agency could learn from Walter's more peaceful ways of handling villainy. Voice cast [ edit] Will Smith as Lance Sterling, "the world's most awesome spy, " who is accidentally turned into a pigeon. [9] Tom Holland as Walter Beckett, a socially inept scientific genius who graduated from MIT at age 15 and designs gadgets. He inadvertently turns Sterling into a pigeon with a new invention of his and must now help Sterling change back to his human form. Jarrett Bruno portrays a younger Walter. Rashida Jones as Marcy Kappel, a security forces agent of internal affairs who is in pursuit of Lance Sterling. Ben Mendelsohn as Killian, a powerful technology-based terrorist mastermind with a left bionic arm which controls an array of weaponized drones that threatens the world. Killian is Sterling's arch-enemy and his main mission objective. Killian is never identified at any point in the film, with the protagonists casually referring to him as "Robo-Hand". Reba McEntire as Joy Jenkins, the director of H. (short for Honor, Trust, Unity and Valor) and Sterling's superior. [10] Rachel Brosnahan as Wendy Beckett, a police officer and Walter's late mother. [10] Karen Gillan as Eyes, an H. specialist in spectral analysis and quantum optical thermography who is paired with Ears. [11] DJ Khaled as Ears, an H. specialist in communications who is paired with Eyes. [11] Masi Oka as Katsu Kimura, a Japanese arms dealer and an associate to Killian. Carla Jimenez as Geraldine [12] Olly Murs as Junior Agent #1 (Uncredited) [13] Bex Marsh as Italian Tourist Stefania Spampinato as Italian Woman Eddie Mujica as Agency Accountant and Male Tourist Emily Altman as Lead Agency Lab Tech, Scooter Girl Claire Crosby as Unity Randy Trager as Terrance Mark Ronson as Agency Control Room Technician Matthew J. Munn as Weapons Lab Soldier Kimberly Brooks as Lance Sterling's Car ( Audi RSQ e-tron) Krizia Bajos as Receptionist Reggie De Leon as Weapons Lab Tech Casey Roberts as Launch Control Voice Agency employees are voiced by Tawny Newsome, JB Blanc, Adrian Gonzalez, William Christopher Stephens, Bex Marsh, Peter S. Kim, Gabriel Conte, Jess Conte, Nick Bruno, and Troy Quane. Marcy's Agents are voiced by JB Blanc, Christopher Campbell, Adrian Gonzalez, Peter S. Kim, and William Christopher Stephens. Pigeon voices are provided by Jarrett Bruno, Nick Bruno, Randy Thom, and Randy Trager. South Korean voice actress So Youn  [ ko] and voice actor Jang Min-hyuck respectively provided the voices of Soo-min and Joon, the protagonists in a South Korean television drama which Walter Beckett is a fan of. Jang also voiced Lance Sterling in the Korean version. Production [ edit] On October 9, 2017, it was announced that development was underway on a film based on the animated short Pigeon: Impossible (2009), with Will Smith and Tom Holland set to voice the lead characters. [14] In October 2018, new additions to the voice cast included Ben Mendelsohn, Karen Gillan, Rashida Jones, DJ Khaled and Masi Oka. [15] In July 2019, Reba McEntire and Rachel Brosnahan joined the cast, [10] and in September 2019, Carla Jimenez was added as well. [12] Music [ edit] Score [ edit] On June 12, 2018, it was reported that Theodore Shapiro was set to compose the film's score. [2] The film's score album was released by Hollywood Records and Fox Music on December 27, 2019. EP soundtrack [ edit] Mark Ronson Presents the Music of Spies in Disguise EP and soundtrack album by various artists Released December 13, 2019 Label RCA Records Singles from Mark Ronson Presents the Music of Spies in Disguise "Then There Were Two" Released: November 22, 2019 "Fly" Released: December 2, 2019 On June 11, 2019, it was announced that Mark Ronson would be the film's executive music producer. [16] Head of Fox Music Danielle Diego expresssed excitement at working with Ronson, stating that "his unique blend of vintage soul and funk exceptionally captures the soul of [the] film. " [16] On November 22, 2019, an original song for the film entitled "Then There Were Two, " performed by Ronson and Anderson, was released. [17] Two days later, an extended play album was announced, titled Mark Ronson Presents the Music of Spies in Disguise and featuring five new songs written for the film, as well Rob Base & DJ E-Z Rock 's " It Takes Two ". [18] The EP was released digitally on December 13, 2019 by RCA Records. [18] Track listing [ edit] No. Title Artist(s) Length 1. "Freak of Nature" Mark Ronson & Dodgr 3:27 2. "Then There Were Two" Ronson & Anderson Paak 2:32 3. "Fly" Lucky Daye 2:43 4. "They Gotta Go" Lil Jon 3:18 5. "Rocket Fuel" DJ Shadow featuring De La Soul 3:14 6. " It Takes Two " Rob Base & DJ E-Z Rock 5:00 7. "KNOCK KNOCK" TWICE 3:16 8. "Bye Bye Bye" NSYNC 3:20 9. "Boom" NCT Dream 3:15 10. "Follow" Monsta X 3:33 Total length: 23:30 Release [ edit] The film was originally scheduled for release on January 18, 2019, by 20th Century Fox. [9] The release date was delayed to April 19, 2019, and then to September 13, 2019. [19] On May 10, the date was delayed once more, to December 25, 2019. [20] Spies in Disguise is the first release by Blue Sky Studios as a unit of The Walt Disney Company, after Disney's purchase of Fox. This allows ticket purchases to be eligible for Disney Movie Insiders points in the United States. [21] The film had its world premiere at the El Capitan Theatre in Hollywood, on December 4, 2019. [22] Marketing [ edit] The first trailer and teaser poster were released on November 1, 2018. [23] The second trailer was released on July 1, 2019 and the final trailer was released on September 27, 2019, though a "super secret" trailer was released on November 18. Reception [ edit] Box office [ edit] As of February 2, 2020, Spies in Disguise has grossed $63. 6 million in the United States and Canada, and $93. 7 million in other territories, for a worldwide total of $157. 3 million. [8] In the United States and Canada, the film was released on Wednesday, December 25, alongside Little Women and the expansion of Uncut Gems, and was projected to gross $19–23 million from 3, 502 theatres over in its five-day opening weekend. [24] The film made $4. 8 million on Christmas Day and $4. 1 million on its second day. [25] It went on to make $13. 2 million during its opening weekend, for a total of $22. 1 million over the five-day Christmas frame, finishing fifth. [26] [7] In its second weekend the film made $10. 1 million, finishing sixth. [27] In its third weekend, it grossed $5. 1 million, dropping 50. 9% from the previous weekend and finishing at the 10th position. [28] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 76% based on 111 reviews and an average rating of 6. 46/10. The site's critical consensus reads, "A cheerfully undemanding animated adventure that's elevated by its voice cast, Spies in Disguise is funny, fast-paced, and family-friendly enough to satisfy. " [29] Metacritic gave the film a weighted average score of 54 out of 100, based on 22 critics, indicating "mixed or average reviews. " [30] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale, while those at PostTrak gave it an average 3. 5 out of 5 stars. [26] Peter Bradshaw of The Guardian gave the film three out of five stars, calling it an "entertaining family adventure, " and praising the vocal work of Smith and Holland. [31] Accolades [ edit] References [ edit] ^ a b c "Denali Publishing Announces Spies in Disguise: Agents on the Run" (Press release). November 13, 2019. Retrieved November 13, 2019 – via Gamasutra. ^ a b "Theodore Shapiro to Score Blue Sky Studios' 'Spies in Disguise' & Karyn Kusama's 'Destroyer ' ". Film Music Reporter. June 12, 2018. Retrieved October 28, 2018. ^ "Spies in Disguise reviews". The Hollywood Reporter. Retrieved December 16, 2019. ^ a b "Film releases". Variety Insight. Retrieved August 28, 2018. ^ Vary, Adam B. (January 17, 2020). "Disney and Chernin Entertainment Parting Ways". Variety. Retrieved January 21, 2020. ^ "Spies in Disguise". British Board of Film Classification. Retrieved January 11, 2020. ^ a b Brueggemann, Tom (December 29, 2019). " ' Little Women' Is the Top Box Office Newcomer; 'Skywalker' May Fall $100 Million Short of 'Jedi ' ". IndieWire. Retrieved December 31, 2019. ^ a b "Spies in Disguise (2019)". Box Office Mojo. Retrieved February 2, 2020. ^ a b "Spies in Disguise Teams Will Smith and Tom Holland". Slashfilm. October 10, 2017. Retrieved October 11, 2017. ^ a b c Galuppo, Mia (July 23, 2019). "Reba McEntire, Rachel Brosnahan Join Will Smith in 'Spies in Disguise' (Exclusive)". Retrieved July 23, 2019. ^ a b Romano, Nick (November 1, 2018). "Will Smith, Tom Holland are a secret agent team in 'Spies in Disguise' trailer". Entertainment Weekly. Meredith Corporation. Retrieved November 1, 2018. ^ a b Sun, Rebecca (September 9, 2019). "Rep Sheet Roundup: CAA China Signs Matt William Knowles". Retrieved September 9, 2019. ^ Chilton, Louis (December 16, 2019). "Olly Murs joins Will Smith and Tom Holland in Spies In Disguise". Radio Times. Retrieved January 11, 2020. ^ Lang, Brent (October 9, 2017). "Will Smith, Tom Holland to Star in Animated Movie 'Spies in Disguise' (EXCLUSIVE)". Retrieved October 11, 2017. ^ Wiseman, Andreas (October 29, 2018). "Ben Mendelsohn, Karen Gillan, Rashida Jones, DJ Khaled and Masi Oka Join Voice Cast Of Fox Animation 'Spies In Disguise ' ". Deadline Hollywood. Retrieved November 22, 2019. ^ a b "Mark Ronson joins animated film, "Spies in Disguise, " as exec music producer".. June 11, 2019. ^ Heath, Paul (November 22, 2019). "Music Video For Mark Ronson & Anderson 's 'Spies In Disguise' Track Drops". Retrieved November 24, 2019. ^ a b "Mark Ronson's Songs from 'Spies in Disguise' to Be Released". November 24, 2019. ^ Haring, Bruce (June 22, 2018). "20th Century Fox Sets Dates For Untitled James Mangold Ferrari Project, Kenneth Branagh's 'Death On The Nile ' ". Retrieved July 10, 2018. ^ D'Alessandro, Anthony (May 7, 2019). "Disney-Fox Updates Release Schedule: Sets Three Untitled 'Star Wars' Movies, 'Avatar' Franchise To Kick Off In 2021 & More". Retrieved May 7, 2019. ^ @Disney_Insiders (October 17, 2019). "This Christmas they're saving the world on the fly. And guess what Insiders? #SpiesInDisguise will be eligible for Disney Movie Insiders points! " (Tweet). Retrieved October 20, 2019 – via Twitter. ^ Jackson, Angelique (December 5, 2019). "Tom Holland on Spider-Man, James Bond and Meeting 'Spies in Disguise' Co-Star Will Smith in an Escape Room". Retrieved December 5, 2019. ^ "Spies in Disguise, Official Trailer". 20th Century FOX. November 1, 2018. ^ D'Alessandro, Anthony (December 25, 2019). " ' Rise Of Skywalker' Eyes $35M Merry Christmas With 2nd Best Ever For Holiday; 'Little Women' $7M; 'Spies In Disguise' $5M". Retrieved December 26, 2019. ^ McClintock, Pamela (December 25, 2019). "Box Office: 'Star Wars: Rise of Skywalker' Unwraps Huge $32M on Christmas Day". Retrieved December 26, 2019. ^ a b D'Alessandro, Anthony (December 29, 2019). " ' Star Wars: Rise Of Skywalker' Counts $362M Through 10 Days, -2% Behind 'Last Jedi'; 'Little Women' All Grown Up With $29M 5-Day". Retrieved December 29, 2019. ^ D'Alessandro, Anthony (January 5, 2020). " ' Star Wars: Rise Of Skywalker' Dips To $34M+ Third Weekend; 'Grudge' Doesn't Scream With $11M+ & 'F' CinemaScore". Retrieved January 5, 2020. ^ D'Alessandro, Anthony (January 12, 2020). " ' 1917' Strong With $36M+, But 'Like A Boss' & 'Just Mercy' Fighting Over 4th With $10M; Why Kristen Stewart's 'Underwater' Went Kerplunk With $7M". Retrieved January 12, 2020. ^ "Spies in Disguise (2019)". Rotten Tomatoes. Fandango. Retrieved January 3, 2020. ^ "Spies in Disguise Reviews". Metacritic. Retrieved December 30, 2019. ^ "Movie Review: Spies in Disguise – Will Smith brings pecks appeal to animated caper". The Guardian. Retrieved December 16, 2019. ^ "Motion Picture Sound Editors Unveil 67th Annual Golden Reel Nominations". Retrieved December 27, 2019. ^ "47th Annie Awards" (Press release). Annie Awards. December 4, 2019. Retrieved December 4, 2019. External links [ edit] Official website Spies in Disguise on IMDb Spies in Disguise at Rotten Tomatoes Spies in Disguise at Box Office Mojo.

Spies in disguise trailer.

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Sleepy night-night. Spies in disguise ao3. Spies in disguise rating. Spies in disguise ending. I Saw The Movie It Amazing 100/100 YO. Spies in disguise wiki. Spies in disguise full movie online free. Spies in disguise song. Spies in disguise online. Spies in disguise trailer song. Spies in disguise trailer in hindi. I saw "Spies in Disguise" starring the voices of Will Smith-Gemini Man, Ali; Tom Holland-the Spider_Man movies, In the Heart of the Sea; Reba McEntire-Malibu Country_tv, Tremors and Ben Mendelsohn-Captain Marvel, Rogue One:A Star Wars Story.
This is an animated spy comedy that is pretty good-if you are into animated spy comedies. Will plays the world's greatest secret agent-not too secret, he sort of likes the fame-that has to go on the run from his agency after Ben, the bad guy, frames Will as a bad guy. Will has to prove his innocence and catch Ben, saving the world once again. Reba is Will's boss and Tom is the nerdy tech guy that partners up with Will to save the day. A little hiccup in Tom's science results in Will turning into a pigeon so he now has a handicap to work with in his pursuit of Ben. There is a lot of action and humor and it is based on Lucas Martell's 2009 computer animated short film called 'Pigeon:Impossible.
It's rated "PG" for action, violence and some rude humor and has a running time of 1 hour & 42 minutes.
I liked it and can see myself buying it on DVD to show my grandkids.

Spies in disguise 2019. Who else is a true fan? 💕 😍 👇 👇 👇 👇 👇 👇ɪᴍ ɢɪғᴛɪɴɢ ᴍʏ ɴᴇxᴛ 269 loyal sᴜʙs🎁💙🎉. Critics Consensus A cheerfully undemanding animated adventure that's elevated by its voice cast, Spies in Disguise is funny, fast-paced, and family-friendly enough to satisfy. 76% TOMATOMETER Total Count: 112 92% Audience Score Verified Ratings: 7, 889 Spies in Disguise Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Spies in Disguise Videos Photos Movie Info Super spy Lance Sterling (Will Smith) and scientist Walter Beckett (Tom Holland) are almost exact opposites. Lance is smooth, suave and debonair. Walter But when events take an unexpected turn, this unlikely duo is forced to team up for the ultimate mission that will require an almost impossible disguise - transforming Lance into the brave, fierce, Walter and Lance suddenly have to work as a team, or the whole world is in peril. Rating: PG (for action, violence, and rude humor) Genre: Directed By: Written By: In Theaters: Dec 25, 2019 wide Runtime: 101 minutes Studio: 20th Century Fox Cast News & Interviews for Spies in Disguise Critic Reviews for Spies in Disguise Audience Reviews for Spies in Disguise Spies in Disguise Quotes News & Features.

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Spies in disguise. Spies in Disguise Super spy Lance Sterling (Will Smith) and scientist Walter Beckett (Tom Holland) are almost exact opposites. Lance is smooth, suave and debonair. Walter is … not. But when events take an unexpected turn, this unlikely duo are forced to team up for the ultimate mission that will require an almost impossible disguise – transforming Lance into the brave, fierce, majestic… pigeon. Walter and Lance suddenly have to work as a team, or the whole world is in peril. “Spies in Disguise” flies into theaters this Christmas. Directed By Troy Quane, Nick Bruno Produced By Fox Animation, Blue Sky Studios, Chernin Entertainment Inspired By The Animated Short Film: Pigeon: Impossible by Lucas Martell Cast Will Smith, Tom Holland, Ben Mendelsohn, Karen Gillan, Rashida Jones, DJ Khaled, Masi Oka.

Spies in disguise clip. Spies in disguise 3d showtimes. 4:10 “You don't remember me do you” We spoke on the phone two days ago I told you I'd find you. 😂. Spies in disguise showtimes near me. Only in America everybody is wierd. Rest of the world is perfect people. Spies in disguise review. My family very muched enjoyed this movie, it had us laughing a lot. Bonnie is the real definition of Imma about to end this man's whole career. Spies in disguise soundtrack. Y'all: Peter Quill imitating Thor. Me, an intellectual: Rex Dangervest. That isn´t Silver... 3 nominations. See more awards  » Learn more More Like This Action | Adventure Comedy 1 2 3 4 5 6 7 8 9 10 5. 6 / 10 X A physician discovers that he can talk to animals. Director: Stephen Gaghan Stars: Robert Downey Jr., Antonio Banderas, Michael Sheen Animation 7. 2 / 10 Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa's powers in order to save their kingdom. Directors: Chris Buck, Jennifer Lee Kristen Bell, Idina Menzel, Josh Gad 6. 5 / 10 Continuing the story of Max and his pet friends, following their secret lives after their owners leave them for work or school each day. Chris Renaud, Jonathan del Val Patton Oswalt, Kevin Hart, Harrison Ford Drama 7 / 10 After the murder of his father, a young lion prince flees his kingdom only to learn the true meaning of responsibility and bravery. Jon Favreau Donald Glover, Beyoncé, Seth Rogen Family Fantasy 6. 3 / 10 A grumpy Grinch (Benedict Cumberbatch) plots to ruin Christmas for the village of Whoville. Yarrow Cheney, Scott Mosier Benedict Cumberbatch, Cameron Seely, Rashida Jones 6. 4 / 10 The flightless birds and scheming green pigs take their feud to the next level. Thurop Van Orman, John Rice Jason Sudeikis, Josh Gad, Leslie Jones 7. 9 / 10 When a new toy called "Forky" joins Woody and the gang, a road trip alongside old and new friends reveals how big the world can be for a toy. Josh Cooley Tom Hanks, Tim Allen, Annie Potts Three teenagers must help a Yeti return to his family while avoiding a wealthy man and a zoologist who want it for their own needs. Jill Culton, Todd Wilderman Chloe Bennet, Albert Tsai, Tenzing Norgay Trainor Count Dracula and company participate in a cruise for sea-loving monsters, unaware that their boat is being commandeered by the monster-hating Van Helsing family. Genndy Tartakovsky Adam Sandler, Andy Samberg, Selena Gomez 6 / 10 A young orphan named Lewis Barnavelt aids his magical uncle in locating a clock with the power to bring about the end of the world. Eli Roth Jack Black, Cate Blanchett, Owen Vaccaro 6. 6 / 10 It's been five years since everything was awesome and the citizens are facing a huge new threat: Lego Duplo invaders from outer space, wrecking everything faster than they can rebuild. Mike Mitchell Chris Pratt, Elizabeth Banks, Will Arnett When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her. Will Becher, Richard Phelan Justin Fletcher, John Sparkes, Chris Morrell Edit Storyline When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world. Plot Summary Plot Synopsis Taglines: From the creators of Ice Age and Rio. See more  » Details Release Date: 25 December 2019 (USA) Also Known As: Spies in Disguise Box Office Budget: $111, 000, 000 (estimated) Opening Weekend USA: $13, 354, 798, 29 December 2019 Cumulative Worldwide Gross: $157, 277, 126 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Quotes Lance Sterling: Let the beat drop. See more » Crazy Credits An eight-bit version of Walter and Lance (as a pigeon) celebrating their victory appears at the end of the credits. A title reads "we did it! ". See more » Soundtracks Fly Written by Mark Ronson, The Last Artful Dodgr (as Alana Chenevert), Eskeerdo (as Alexander "Eskeerdo" Izquierdo), Maxime Picard and Clement Picard (as Clément Picard) Performed by Lucky Daye Produced by Mark Ronson & The Picard Brothers Lucky Daye performs courtesy of Keep Cool Records/RCA Records By arrangement with RCA Records, a division of Sony Music Entertainment See more ».

Spies in disguise full movie. There was a trailer ad on the start of the vid and it's SPIES IN DISGUISE. He also called the princess hot in the new Aladdin. Spies in disguise walter. 6:52 I thought we've already covered that male birds don't lay eggs. This was a cute movie. Spies in disguise online cz.

Spies in disguise 3d. Spies in disguise knock knock. Spies in disguise 123movies. This is probably the greatest role Will Smith has ever achieved in his career. The movie is visually stunning. Will Smith's performance is certainly worthy of an Oscar. This is certainly the acme of Will Smith's acting. Blue Sky studios have always never been that good to me. Spies in Disguise is actually a pretty good film especially considering the animated films we have had this year.
Spies in Disguise is a blast of fun. I throughly enjoyed this film. It may have its extremely bland plot about someone who has to prove his innocence and whilst on the run but with a unique twist and some good humour, it is a lot more tolerable.
The animation is really great times. It's really visually pleasing. Both Tom Holland and Will Smith are great voice actors who really suit their roles very well. It's pretty standard for a kids film, it isn't anything outstanding but it is a fun mindless film with some moments. There are a few moments which dont exactly work but other than that, it's worth watching.
Overall it's a pretty good film. It has great animation and voice work. The story is somewhat fresh despite having a generic story at its core but as far as animation films go, it's not half bad.

Spies in disguise characters. Spies in disguise cast. Spies in disguise mystery shopping. 0:59 Someday, just someday I can do something like this (like a road trip) with my own younger brother. After I finish Driver's Ed and get a permit of course. *Sigh. Someday... Well at least I know how that four minute clip that will smith uploaded Ends. Can`t find a single good reason why this film is animated or who it is targeting... Spies in disguise مترجم. Spies in disguise download. Spies in disguise rotten tomatoes. Spies in disguise box office.

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Spies in disguise putlocker. Find the best for your family See what's streaming, limit strong violence or language, and find picks your kids will love with Common Sense Media Plus. Join now Odd-couple spy/buddy comedy is wacky fun; lots of action. Get it now Searching for streaming and purchasing options... Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options... Your purchase helps us remain independent and ad-free. We think this movie stands out for: A lot or a little? The parents' guide to what's in this movie. Viewers will learn a lot about pigeon anatomy and physiology (like the fact that the birds have 360-degree vision and have a single orifice, called the cloaca, for doing "number one and number two"). Promotes nonviolent (or at least nonlethal) means of negotiating and stopping criminals. Also focuses on need for teamwork and accepting that others' skills and talents can help, not hurt, you. Walter and Lance's growing partnership shows that co-workers and friends don't need to be alike to get along or work well together. Positive Role Models & Representations Lance is brash, arrogant, quick to get rid of opponents, but learns to be more cautious, think of others, try to stop the villain from hurting anyone. Walter is kind, courageous, concerned with helping. Lots of action sequences and weapons-based violence between Lance and his targets. A frightening villain plans to kill all agents. People are shot at, captured, knocked unconscious; some life-or-death scenes in which it looks like all is (almost) lost. Physical comedy. A parent dies (off-screen, but the emotional impact is felt). Lots of flirting from Walter's pet pigeon, Lovey, to Lance (in pigeon form). She keeps fluffing up her feathers and sidling up to him; he responds by pushing her away or saying "Not now, girl. " Nonsexual nudity: Kimura's naked backside is visible and shown for a while when he emerges from the bath. Lance looks down into his pants as he starts shrinking into a bird and shrieks. "Weird" and "weirdo" are often used to insult Walter. Nothing on-screen, but a few tie-ins off-screen, including a video game. Drinking, Drugs & Smoking Gangsters shown drinking. What parents need to know Parents need to know that Spies in Disguise is an animated buddy comedy featuring the voices of Will Smith as Lance Sterling, a Bond-like American superspy, and Tom Holland as Walter Beckett, a gadget-happy inventor. After Lance accidentally drinks Walter's invisibility concoction and is turned into a pigeon, the odd-couple duo must work together to save the world from a frightening villain who's using Lance's face to commit criminal acts. There are lots of action sequences involving spy gear and weapons, as well as some life-or-death scenes in which it looks like all is (almost) lost. One character loses a parent; it happens off screen, and no details are discussed, but the emotional impact is felt. The physical comedy includes some rude humor (jokes about bird genitalia, for example), and there's a long scene in which a large, tattooed villain's naked behind is visible a few times. A female pigeon frequently flirts with Lance in his bird form. The chemistry between the voice actors is great, and the film has worthy messages about teamwork and accepting help from others. And for all the action, the movie also clearly promotes nonviolent (or at least nonlethal) means of negotiating with and stopping criminals. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. Subscribe User Reviews Parent of a 5-year-old Written by Kellany December 21, 2019 Cute, funny but nudity? This movie is really cute and full of laughs. The intro credits are very James Bond. And I love James Bond. Also a nerdy scientist who was bullied as a kid beli... Continue reading Adult Written by SEAparent December 29, 2019 Too violent for kids If your kids insist on seeing this movie, wait until it comes out and rent don’t. It is a kids’ movie, but it’s incredibly violent: knife to the throat,... Continue reading Kid, 11 years old January 26, 2020 What's the story? SPIES IN DISGUISE is an animated spy thriller about two very different men. Suave master spy Lance Sterling (voiced by  Will Smith) is known for not mussing his tuxedo while taking down international criminals, while awkward Walter Beckett ( Tom Holland) is a young, brilliant inventor who creates spy gear. When a mysterious terrorist is able to use tech to disguise himself as Agent Sterling while committing violent crimes, Lance turns to Walter for help and unexpectedly drinks a newly perfected serum that looks like water. But the invisibility concoction doesn't make Sterling disappear: Instead, it turns him into a pigeon. While in bird form, Lance must team up with Walter as his new/unlikely partner in order to take down the face-stealing mastermind. Is it any good? Smith and Holland have great buddy-comedy chemistry and give this weird-in-a-good-way animated adventure a charming, crowd-pleasing vibe. Blue Sky Animation has an impressive track record with animal-focused comedies (four Ice Age films and two Rio movies), and Spies in Disguise continues the studio's streak with the wacky twist of Smith's smooth-talking agent turning into a talking blue pigeon (complete with a tiny tuxedo bow-tie tattoo). Some of the humor may go over very young viewers' heads, but tweens will appreciate the pigeon anatomy jokes, as well as the dark, drone-obsessed adversary ( Ben Mendelsohn, who's quite comfortable playing villains and can sound quite chilling). Although the two leads work mostly as a duo, the talented supporting cast includes Reba McEntire as Sterling's unit director, Rashida Jones as an internal affairs investigator (who believes Sterling has turned traitor), and Karen Gillan and DJ Khaled as her well-intentioned but misguided team. The Mark Ronson-produced soundtrack prominently features Rob Base's "It Takes Two" (for the Gen X parents), "Rocket Fuel" by DJ Shadow and De La Soul, "Fly" by Lucky Daye, and other high-energy tracks. But what really elevates this story is Walter's insistence on nonviolence (or at least nonlethal violence), creating gadgets and tech that focus on distracting and humanizing enemies with glitter-and-kitten bombs and other adorable innovations. The movie's sweet, heartwarming message of peace and understanding is one everyone could use. Talk to your kids about... Families can talk about the positive messages in Spies in Disguise. What does Lance learn about peaceful negotiation thanks to Walter? Why is it important not to be casually OK with  violence, even if it's for government reasons? Which characters do you consider  role models in the movie? What are their character strengths? What are your favorite buddy movies? Why do you think the genre works, particularly in action/adventure? What are some of your favorite examples? Why are the buddies usually "odd couples" with very different personalities, strengths, and styles? Do you think there's potential for a sequel to this movie? If so, what would you like to see more of in the story? Character Strengths Our editors recommend Terrific, action-packed superhero sequel was worth the wait. Just the right combination of fantasy and comedy. Super-dog adventure is fun, age-appropriate for kids. This animated WWII story may not engage all kids. Sweet story about compassion, nonviolence has a few scares. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. See how we rate.

All I can say is I took my 5 year old twins and eight year old, and we were all laughing several times, and very engaged the entire time. All were entertained, which is all I can hope for, with my brood. The ending left a hole in my heart.

Publisher Immaculate Mbaezue

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